Want to know what books Tim Parks recommends on their reading list? We've researched interviews, social media posts, podcasts, and articles to build a comprehensive list of Tim Parks's favorite book recommendations of all time.
1
Giorgio Bassani, Jamie Mckendrick | 4.01
This is a haunting, elegiac novel which captures the mood and atmosphere of Italy (and in particular Ferrara) in the last summers of the thirties, focusing on an aristocratic Jewish family moving imperceptibly towards its doom. Vittorio De Sica turned the book into a film in 1970, winning the Academy Award for Best Foreign Language Film in 1974. more This is a haunting, elegiac novel which captures the mood and atmosphere of Italy (and in particular Ferrara) in the last summers of the thirties, focusing on an aristocratic Jewish family moving imperceptibly towards its doom. Vittorio De Sica turned the book into a film in 1970, winning the Academy Award for Best Foreign Language Film in 1974. less 
Tim ParksOf all the books that I have selected…this is the easiest to read as a novel and it’s the one that has the classic novel plot that will engage even the most ardent lovers of popular fiction. (Source)
Simon MawerThis is one of the greatest books that I know. It is beautifully done. There is an anonymous narrator who is clearly based on Giorgio Bassani’s own experiences. Again, it is an oblique look at the fate of European Jews. (Source)
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2
Cesare Pavese, R.W. Flint, Mark Rudman | 4.00
The nameless narrator of The Moon and the Bonfires, Cesare Pavese's last and greatest novel, returns to Italy from California after the Second World War. He has done well in America, but success hasn't taken the edge off his memories of childhood, when he was an orphan living at the mercy of a bitterly poor farmer. He wants to learn what happened in his native village over the long, terrible years of Fascism; perhaps, he even thinks, he will settle down. And yet as he uncovers a secret and savage history from the war—a tale of betrayal and reprisal, sex and death—he finds that the past... more The nameless narrator of The Moon and the Bonfires, Cesare Pavese's last and greatest novel, returns to Italy from California after the Second World War. He has done well in America, but success hasn't taken the edge off his memories of childhood, when he was an orphan living at the mercy of a bitterly poor farmer. He wants to learn what happened in his native village over the long, terrible years of Fascism; perhaps, he even thinks, he will settle down. And yet as he uncovers a secret and savage history from the war—a tale of betrayal and reprisal, sex and death—he finds that the past still haunts the present.
The Moon and the Bonfires is a novel of intense lyricism and tragic import, a masterpiece of twentieth-century literature that has been unavailable to American readers for close to fifty years. Here it appears in a vigorous new English version by R. W. Flint, whose earlier translations of Pavese's fiction were acclaimed by Leslie Fiedler as "absolutely lucid and completely incantatory."
Winner of the 2003 PEN/Book-of-the-Month Club Translation Prize
A NEW YORK REVIEW BOOKS ORIGINAL
less Tim ParksPavese was a very difficult young man with all kinds of problems – above all, problems with women. He never really had a happy relationship with a woman. His notebooks are full of discussion about premature ejaculation and the difficulty of ever having a mature relationship with anybody. He became quite an important translator very early on in his life. He translated [James Joyce’s] A Portrait of... (Source)
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3
Elsa Morante, Isabel Quigley | 4.24
On a small Island in the Tyrrhenian Sea there lives a boy as innocent as a seabird. Arturo's mother is dead; his father away. Black-clad women care for him, give him the freedom to come and go as he likes. Then the father returns with a new wife, Nunziata, a girl barely older than Arturo. At first hatred and contempt are all the boy feels for his stepmother. In time, Arturo and Nunziata re-create the tragedy and passion that are as old as the history of men and women. more On a small Island in the Tyrrhenian Sea there lives a boy as innocent as a seabird. Arturo's mother is dead; his father away. Black-clad women care for him, give him the freedom to come and go as he likes. Then the father returns with a new wife, Nunziata, a girl barely older than Arturo. At first hatred and contempt are all the boy feels for his stepmother. In time, Arturo and Nunziata re-create the tragedy and passion that are as old as the history of men and women. less See more recommendations for this book...
4
This enormously engaging, strange novel is both an engrossing saga of a family and a hilarious account of addiction and failure as its helpless hero, notionally undergoing psychiatric help, manages spectacularly to fail to give up smoking, run his business or make sense of his private life.
A hymn to self-delusion and procrastination ZENO'S CONSCIENCE has provoked enormous affection in its readers both in Italian and English since its first publication in the 1920s. more This enormously engaging, strange novel is both an engrossing saga of a family and a hilarious account of addiction and failure as its helpless hero, notionally undergoing psychiatric help, manages spectacularly to fail to give up smoking, run his business or make sense of his private life.
A hymn to self-delusion and procrastination ZENO'S CONSCIENCE has provoked enormous affection in its readers both in Italian and English since its first publication in the 1920s. less Tim ParksLet’s make a quick comment about Svevo. Svevo was not his real name. His real name was Schmitz and he grew up as a German speaker in the area of Trieste where there was a big linguistic mix, so Italian was his second language. He had written a number of books which he self-published, which was quite common at that time, and received no attention at all really, so he was a failure in that regard.... (Source)
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5
Giovanni Verga, D.H. Lawrence | 3.79
First Published in a single volume in 1883, the stories collected in Little Novels of Sicily are drawn from the Sicily of Giovanni Verga's childhood, reported at the time to be the poorest place in Europe. Verga's style is swift, sure, and implacable; he plunges into his stories almost in midbreath, and tells them with a stark economy of words. There's something dark and tightly coiled at the heart of each story, an ironic, bitter resolution that is belied by the deceptive simplicity of Verga's prose, and Verga strikes just when the reader's not expecting it.
Translator D.... more First Published in a single volume in 1883, the stories collected in Little Novels of Sicily are drawn from the Sicily of Giovanni Verga's childhood, reported at the time to be the poorest place in Europe. Verga's style is swift, sure, and implacable; he plunges into his stories almost in midbreath, and tells them with a stark economy of words. There's something dark and tightly coiled at the heart of each story, an ironic, bitter resolution that is belied by the deceptive simplicity of Verga's prose, and Verga strikes just when the reader's not expecting it.
Translator D. H. Lawrence surely found echoes of his own upbringing in Verga's sketches of Sicilian life: the class struggle between property owners and tenants, the relationship between men and the land, and the unsentimental, sometimes startlingly lyric evocation of the landscape. Just as Lawrence veers between loving and despising the industrial North and its people, so too Verga shifts between affection for and ironic detachment from the superstitious, uneducated, downtrodden working poor of Sicily. If Verga reserves pity for anyone or anything, it is the children and the animals, but he doesn't spare them. In his experience, it is the innocents who suffer first and last and always. less Tim ParksVerga is simply one of the great narrators of all time and his novellas are probably among the best pieces of fiction written in Italy, ever. Given my intense admiration of this guy and my feeling that these stories cannot help but impress, then it seemed such an obvious choice to me. (Source)
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