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This novel completes the informal trilogy which began with Swami and Friends and The Bachelor of Arts. The protagonist, Krishna, is an English teacher at the same college he had attended as a student. Although Krishna has recently married, his wife Susila and their daughter live with his parents-in-law some miles away. The story opens with his immediate family deciding to join him in Malgudi. Krishna is initially frightened by his new state of affairs, but he soon finds that his love for both his wife and child grows deeper than he could have imagined.
"Mr. Narayan... more This novel completes the informal trilogy which began with Swami and Friends and The Bachelor of Arts. The protagonist, Krishna, is an English teacher at the same college he had attended as a student. Although Krishna has recently married, his wife Susila and their daughter live with his parents-in-law some miles away. The story opens with his immediate family deciding to join him in Malgudi. Krishna is initially frightened by his new state of affairs, but he soon finds that his love for both his wife and child grows deeper than he could have imagined.
"Mr. Narayan has repeatedly been compared with Chekhov. Ordinarily such comparisons are gratuitous and strained, but in this case there are such clear and insistent echoes that any careful reader will be aware of them. There is that sense of rightness which transcends mere structure. There is the inexplicable blending of tragedy and humor. Most of all, there is a brooding awareness of fate which makes the story seem not authored, but merely translated."—J.F. Muehl, Saturday Review
"[Narayan] does not deal in exemplary fates, and the Western novel's machinery of retribution is far too grandiose for him. . . . In Narayan's world, scores are not settled but dissolved, recycled, restated. 'Both of us will shed our forms soon and perhaps we could meet again, who knows? So goodbye for the present.' These are the concluding words for the novel A Tiger for Malgudi, but they constitute a universal epilogue one could append to most of Narayan's fiction."—Russell Davies, Times Literary Supplement less 
Mark TullyKrishnan is often seen as RK Narayan. I have chosen it as a tribute to Narayan, who was internationally discovered by Graham Greene. I love the writing of Graham Greene and I love the writing of Narayan, in part because it is such clean writing. I get terribly bored with overly adjectival writing. I get bored with writing which is unnecessarily complex and unnecessarily descriptive. You can... (Source)
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From the author of The Night Runners of Bengal comes a dynamic story of India's turbulent l940s and the decisions they force upon a beautiful Anglo-Indian woman. Here is the return of a long-out-of-print classic. more From the author of The Night Runners of Bengal comes a dynamic story of India's turbulent l940s and the decisions they force upon a beautiful Anglo-Indian woman. Here is the return of a long-out-of-print classic. less Mark TullyThere are three reasons why I chose this book. Firstly because I don’t want to give the impression of never reading light or story books, and this is a great story. It is a story about a time when I was a child, and so for me it has some reminiscences. And it is a story about railways, which I love. I love Indian railways and I have travelled thousands of miles on them. So basically it is just a... (Source)
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Kim is set in an imperialistic world; a world strikingly masculine, dominated by travel, trade and adventure, a world in which there is no question of the division between white and non-white.
Two men - a boy who grows into early manhood and an old ascetic priest, the lama - are at the center of the novel. A quest faces them both. Born in India, Kim is nevertheless white, a sahib. While he wants to play the Great Game of Imperialism, he is also spiritually bound to the lama. His aim, as he moves chameleon-like through the two cultures, is to reconcile these opposing strands, while... more Kim is set in an imperialistic world; a world strikingly masculine, dominated by travel, trade and adventure, a world in which there is no question of the division between white and non-white.
Two men - a boy who grows into early manhood and an old ascetic priest, the lama - are at the center of the novel. A quest faces them both. Born in India, Kim is nevertheless white, a sahib. While he wants to play the Great Game of Imperialism, he is also spiritually bound to the lama. His aim, as he moves chameleon-like through the two cultures, is to reconcile these opposing strands, while the lama searches for redemption from the Wheel of Life.
A celebration of their friendship in a beautiful but often hostile environment, 'Kim' captures the opulence of India's exotic landscape, overlaid by the uneasy presence of the British Raj. less Mark TullyKim is the story of a young boy who falls in with a Tibetan lama and joins in with the lama’s search for his spiritual goal. I have always loved the book because of Kipling’s wonderful writing. I think it is Kipling’s greatest book. I also love it because the descriptions of India at that time are so vivid. Bear in mind what I said earlier about the way that the British were, on the whole,... (Source)
Stephen EvansThis is the fictionalised account of the Great Game, telling the story of an Anglo-Indian boy who is recruited by British spy masters in India during the latter part of the 19th century. But the book adds up to far more than that. Kim’s nickname is ‘little friend of all the world’, because he straddles Western and Indian cultures. The book is a sympathetic and sensitive attempt, by an Englishman... (Source)
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4
A Nobel Laureate offers a dazzling new book about his native country
India is a country with many distinct traditions, widely divergent customs, vastly different convictions, and a veritable feast of viewpoints. In The Argumentative Indian," Amartya Sen draws on a lifetime study of his country's history and culture to suggest the ways we must understand India today in the light of its rich, long argumentative tradition.
The millenia-old texts and interpretations of Hindu, Buddhist, Jain, Muslim, agnostic, and atheistic Indian thought demonstrate, Sen reminds us, ancient and... more A Nobel Laureate offers a dazzling new book about his native country
India is a country with many distinct traditions, widely divergent customs, vastly different convictions, and a veritable feast of viewpoints. In The Argumentative Indian," Amartya Sen draws on a lifetime study of his country's history and culture to suggest the ways we must understand India today in the light of its rich, long argumentative tradition.
The millenia-old texts and interpretations of Hindu, Buddhist, Jain, Muslim, agnostic, and atheistic Indian thought demonstrate, Sen reminds us, ancient and well-respected rules for conducting debates and disputations, and for appreciating not only the richness of India's diversity but its need for toleration.
Though Westerners have often perceived India as a place of endless spirituality and unreasoning mysticism, he underlines its long tradition of skepticism and reasoning, not to mention its secular contributions to mathematics, astronomy, linguistics, medicine, and political economy.
Sen discusses many aspects of India's rich intellectual and political heritage, including philosophies of governance from Kautilya's and Ashoka's in the fourth and third centuries BCE to Akbar's in the 1590s; the history and continuing relevance of India's relations with China more than a millennium ago; its old and well-organized calendars; the films of Satyajit Ray and the debates between Gandhi and the visionary poet Tagore about India's past, present, and future.
The success of India's democracy and defense of its secular politics depend, Sen argues, on understanding and using this rich argumentative tradition. It is also essential to removing the inequalities (whether of caste, gender, class, or community) that mar Indian life, to stabilizing the now precarious conditions of a nuclear-armed subcontinent, and to correcting what Sen calls the politics of deprivation. His invaluable book concludes with his meditations on pluralism, on dialogue and dialectics in the pursuit of social justice, and on the nature of the Indian identity.
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William DalrympleIt’s definitely not the first book you should read on India, it’s for someone who knows the country well, but it’s a wonderfully erudite, discursive, witty, clever book. (Source)
Kaushik BasuDepending how you count, almost any nation could be portrayed as argumentative. But he uses this central theme to range over an amazing breadth of scholarship (Source)
Pankaj MishraThe book does a tremendous job of giving you a sense of the many, many layers of history, of identities, that constitute this society. (Source)
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