Imraan Coovadia's Top Book Recommendations

Imraan CoovadiaAnother unpronounceable name. His dad may have been from Croatia or something. It’s always suspicious when people immigrate to South Africa. But Ivan is the most interesting writer on modern urban South Africa. Portrait with Keys is a fictionalised set of little stories. I thought it was a memoir at first but in the book he has conversations with a nonexistent brother. So I decided to classify it... (Source)

Kevin BloomI think that Ivan Vladislavic is probably our most unheralded writer. It is my personal belief that since J M Coetzee left for Australia, Ivan is the best craftsman living and working in South Africa today. He is an astoundingly accomplished master of the English sentence. This book is his first work of nonfiction. (Source)

Imraan CoovadiaIn our country, even the white writers have unpronounceable names. It’s about a South African boarding school, a pseudo British school – like the one I attended, which pretended it was Harrow – where life is regulated by rules, hierarchy and a mix of proud and humiliating traditions. People in South Africa, particularly white South Africans, love these schools. They get rid of their children as... (Source)

Imraan CoovadiaHillbrow is a notorious suburb of Johannesburg. Johannesburg, as far as I can tell, is the most notorious city in the world. Hillbrow is Johannesburg’s Johannesburg. People in Johannesburg are scared to go to Hillbrow, even those that live there. (Source)

Imraan CoovadiaWaiting for the Barbarians was the Coetzee book that I was always most attached to – I think it’s the Coetzee book that most South Africans are attached to. Coetzee takes the mood of the 1980s state of emergency – when people were being detained and disappearing and there was a fear of communist or black madness on the borders – and he makes it more interesting by creating this partial allegory... (Source)

Imraan CoovadiaI went to visit Coetzee on the day that Gordimer won, to see if he was grumpy. He wasn’t. But he did say that living in the same country as a writer, you see their faults more clearly. I think that makes sense, particularly with regards to South African literature. Ninety per cent of our readers tend to be overseas. So South African writers who are successful are successful because they’re read... (Source)