Want to know what books Hal Foster recommends on their reading list? We've researched interviews, social media posts, podcasts, and articles to build a comprehensive list of Hal Foster's favorite book recommendations of all time.
1
![](https://ws-na.amazon-adsystem.com/widgets/q?_encoding=UTF8&MarketPlace=US&ASIN=null&ServiceVersion=20070822&ID=AsinImage&WS=1&Format=_SL320_&tag=allencheng-20)
An anthology of writings, interviews, and images by artist Ed Ruscha.Ed Ruscha is among the most innovative artists of the last forty years. He is also one of the first Americans to introduce a critique of popular culture and an examination of language into the visual arts. Although he first made his reputation as a painter, Ruscha is also celebrated for his drawings (made both with conventional materials and with food, blood, gunpowder, and shellac), prints, films, photographs, and books. He is often associated with Los Angeles as a Pop and Conceptualist hub, but tends to regard such labels... more An anthology of writings, interviews, and images by artist Ed Ruscha.Ed Ruscha is among the most innovative artists of the last forty years. He is also one of the first Americans to introduce a critique of popular culture and an examination of language into the visual arts. Although he first made his reputation as a painter, Ruscha is also celebrated for his drawings (made both with conventional materials and with food, blood, gunpowder, and shellac), prints, films, photographs, and books. He is often associated with Los Angeles as a Pop and Conceptualist hub, but tends to regard such labels with a satirical, if not jaundiced, eye. Indeed, his work is characterized by the tensions between high and low, solemn and irreverent, and serious and nonsensical, and it draws on popular culture as well as Western art traditions. Leave Any Information at the Signal not only documents the work of this influential artist as he rose to prominence but also contains his writings and commentaries on other artistic developments of the period. The book is divided into three parts, each of which is arranged chronologically. Part one contains statements, letters, and other writings. Part two consists of more than fifty interviews, some of which have never before been published or translated into English. Part three contains sketchbook pages, word groupings, and other notes that chart how Ruscha develops ideas and solves artistic problems. They are published here for the first time. The book also contains more than eighty illustrations, selected and arranged by the artist. less ![](https://media.shortform.com/avatars/hal-foster-17530.jpg)
Hal FosterIn a way Ruscha’s work falls between Warhol’s and Richter’s. On the one hand, like Warhol, he says he is not much interested in traditional European art. On the other hand, like Richter, he actually treats with old forms like landscape. But he, too, transforms them utterly. His landscape is the landscape of Los Angeles, so he sees it through the windshield of a car and it is mediated by... (Source)
See more recommendations for this book...
2
![](https://ws-na.amazon-adsystem.com/widgets/q?_encoding=UTF8&MarketPlace=US&ASIN=null&ServiceVersion=20070822&ID=AsinImage&WS=1&Format=_SL320_&tag=allencheng-20)
"Now that we do not have priests and philosophers anymore, artists are the most important people in the world. . . . Art is wretched, cynical, stupid, helpless, confusing."
-- Gerhard Richter Gerhard Richter, born in Dresden in 1932, is one of the foremost painters of his generation. A great deal has been written about the bewildering heterogeneity of his work over the past 30 years. His seemingly willful and defiant movement between abstract and figurative modes of representation and his seemingly inconsistent methods of applying paint to canvas are consistent, if nothing else, with... more "Now that we do not have priests and philosophers anymore, artists are the most important people in the world. . . . Art is wretched, cynical, stupid, helpless, confusing."
-- Gerhard Richter Gerhard Richter, born in Dresden in 1932, is one of the foremost painters of his generation. A great deal has been written about the bewildering heterogeneity of his work over the past 30 years. His seemingly willful and defiant movement between abstract and figurative modes of representation and his seemingly inconsistent methods of applying paint to canvas are consistent, if nothing else, with Richter himself -- the master of the paradoxical statement. Although he has emphasized that he is first a painter and has never been a theorist, he has, throughout his career issued provocative, contentious, and memorable statements. less ![](https://media.shortform.com/avatars/hal-foster-17530.jpg)
Hal FosterIn many ways Gerhard is the opposite of Warhol in his writings and conversations. Warhol, in his early interviews, would say things like, “Ask somebody else something else, I am too stoned to talk right now.” Far from a Warholian idiot savant, Richter is immersed in the tradition of German idealist philosophy and romantic painting, and that of modernist art. He has European culture at his... (Source)
See more recommendations for this book...
3
![](https://ws-na.amazon-adsystem.com/widgets/q?_encoding=UTF8&MarketPlace=US&ASIN=B00QEGI2NG&ServiceVersion=20070822&ID=AsinImage&WS=1&Format=_SL320_&tag=allencheng-20)
A loosely formed autobiography by Andy Warhol, told with his trademark blend of irony and detachment
In The Philosophy of Andy Warhol—which, with the subtitle "(From A to B and Back Again)," is less a memoir than a collection of riffs and reflections—he talks about love, sex, food, beauty, fame, work, money, and success; about New York, America, and his childhood in McKeesport, Pennsylvania; about his good times and bad in New York, the explosion of his career in the sixties, and his life among celebrities. more A loosely formed autobiography by Andy Warhol, told with his trademark blend of irony and detachment
In The Philosophy of Andy Warhol—which, with the subtitle "(From A to B and Back Again)," is less a memoir than a collection of riffs and reflections—he talks about love, sex, food, beauty, fame, work, money, and success; about New York, America, and his childhood in McKeesport, Pennsylvania; about his good times and bad in New York, the explosion of his career in the sixties, and his life among celebrities. less ![](https://media.shortform.com/avatars/hal-foster-17530.jpg)
Hal FosterMy version of Warhol is very different from others’. So often he is seen as the artist most at ease with the iconicity of celebrities and products, and with the image-world of consumer society at large. I focus instead on how distressed his works are. They show how difficult it is to project an image and sustain a brand, no matter who you are – star, criminal or average Joe. (Source)
![](https://media.shortform.com/avatars/will-hobson-47951.jpg)
Will HobsonThere was something very utopian about Warhol’s images of iconic consumer objects, of which the Rorschach Test was one. (Source)
See more recommendations for this book...
4
![](https://media.shortform.com/avatars/hal-foster-17530.jpg)
Hal FosterRichard Hamilton is a key artist who, though well-known in the UK and Europe, is not very familiar in the US. I chose Collected Words because it is the best analysis of his work that we have. He was always the most astute critic of his art. (Source)
See more recommendations for this book...
5
![](https://ws-na.amazon-adsystem.com/widgets/q?_encoding=UTF8&MarketPlace=US&ASIN=0262520583&ServiceVersion=20070822&ID=AsinImage&WS=1&Format=_SL320_&tag=allencheng-20)
First published in 1960, Theory and Design in the First Machine Age has become required reading in numerous courses on the history of modern architecture and is widely regarded as one of the definitive books on the modern movement. It has influenced a generation of students and critics interested in the formation of attitudes, themes, and forms which were characteristic of artists and architects working primarily in Europe between 1900 and 1930 under the compulsion of new technological developments in the first machine age. more First published in 1960, Theory and Design in the First Machine Age has become required reading in numerous courses on the history of modern architecture and is widely regarded as one of the definitive books on the modern movement. It has influenced a generation of students and critics interested in the formation of attitudes, themes, and forms which were characteristic of artists and architects working primarily in Europe between 1900 and 1930 under the compulsion of new technological developments in the first machine age. less ![](https://media.shortform.com/avatars/hal-foster-17530.jpg)
Hal FosterThis is still a very important book today. Reyner Banham revised what we understand as modern architecture. (Source)
![](https://media.shortform.com/avatars/stephen-bayley-47545.jpg)
Stephen BayleyHe was in love with America and Americana and he showed me that you can be an academic and have an intellect but you can still write about cars. He legitimised the study of pop culture. (Source)
See more recommendations for this book...
Don't have time to read Hal Foster's favorite books? Read Shortform summaries.
Shortform summaries help you learn 10x faster by:
- Being comprehensive: you learn the most important points in the book
- Cutting out the fluff: you focus your time on what's important to know
- Interactive exercises: apply the book's ideas to your own life with our educators' guidance.