Want to know what books Barry Forshaw recommends on their reading list? We've researched interviews, social media posts, podcasts, and articles to build a comprehensive list of Barry Forshaw's favorite book recommendations of all time.
1
Enter the world of film noir, a world of darkness, ambiguity, and moral corruption. Meet the cynical and obsessive heroes of film noir portrayed by actors like Humphrey Bogart, Peter Lorre, James Cageny, Joan Crawford, and Bette Davis. You may encounter a gun-toting gangster, a femme fatale wrapped in fur, a detective with the brim of his hat turned down, or a desperate murderer lurking in the shadows of a doorway. It's a world we all know - the seedy underbelly of the American Dream, and every bit as much a part of our culture.
This wonderfully exhaustive text - tallying more than... more Enter the world of film noir, a world of darkness, ambiguity, and moral corruption. Meet the cynical and obsessive heroes of film noir portrayed by actors like Humphrey Bogart, Peter Lorre, James Cageny, Joan Crawford, and Bette Davis. You may encounter a gun-toting gangster, a femme fatale wrapped in fur, a detective with the brim of his hat turned down, or a desperate murderer lurking in the shadows of a doorway. It's a world we all know - the seedy underbelly of the American Dream, and every bit as much a part of our culture.
This wonderfully exhaustive text - tallying more than three hundred thousand words with hundreds of film stills and photos new to the work - distills everything about the movement into one volume from movies to stars to themes and motifs, and brings us up to date with contemporary contributions to the movement. Now completely revised, expanded, and redesigned, this classic pioneering work is the final word on a dark subject.
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2
Jim Hillier, Alastair Phillips | 3.88
This BFI Screen Guide provides an accessible, richly-illustrated introduction to 100 key noir films, from Hollywood classics such as Double Indemnity to more recent titles such as Sin City, as well as examples from Europe, Japan, India and Mexico, together with an editorial overview of the genre and its key debates. more This BFI Screen Guide provides an accessible, richly-illustrated introduction to 100 key noir films, from Hollywood classics such as Double Indemnity to more recent titles such as Sin City, as well as examples from Europe, Japan, India and Mexico, together with an editorial overview of the genre and its key debates. less See more recommendations for this book...
3
Crime movies are as old as filmmaking itself. They embody the American nightmare, functioning both as a mirror of society and a tool for educating the public about its enemies. In this history of the genre Carlos Clarens gives us a mini-history of crime American-style. From D. W. Griffith and New York's Biograph Studios, where raw violence was introduced to celluloid immortality, to today's multimillion-dollar celebrations of blood and power, Crime Movies shows us the whole picture: the unchanging cast of characters (the gangster hero, swaggering, charming, suspicious; the... more Crime movies are as old as filmmaking itself. They embody the American nightmare, functioning both as a mirror of society and a tool for educating the public about its enemies. In this history of the genre Carlos Clarens gives us a mini-history of crime American-style. From D. W. Griffith and New York's Biograph Studios, where raw violence was introduced to celluloid immortality, to today's multimillion-dollar celebrations of blood and power, Crime Movies shows us the whole picture: the unchanging cast of characters (the gangster hero, swaggering, charming, suspicious; the stoolpigeon or strikebreaker; the moll); the stars (James Cagney, Spencer Tracy, George Raft, Edward G. Robinson, Humphrey Bogart, Richard Widmark); the censorship battles, political pressure, and public outcry. This book illuminates movies such as Intolerance, Underworld, Little Caesar, Public Enemy, Kiss of Death, On the Waterfront, Bonnie and Clyde, The Godfather, Goodfellas, Reservoir Dogs, and hundreds of others, while detailing the film-making strategies Hollywood has adopted to deal with the controversial yet profitable and enduring subject of American criminality. less See more recommendations for this book...
4
Alexander Ballinger, Danny Graydon | 4.08
From dimly lit streets and glamorous apartments to world-weary detectives and irresistible femmes fatales, The Rough Guide to Film Noir illuminates every corner of cinema's darkest and most compelling genre. From early masterpieces like Double Indemnity and Kiss Me Deadly through to neo-noir classics such as Chinatown and LA Confidential, this book highlights all the groundbreaking noir movies. There are profiles of legendary performers such as Humphrey Bogart and Barbara Stanwyck, great directors like Fritz Lang plus key cinematographers, composers and designers. Complete with website... more From dimly lit streets and glamorous apartments to world-weary detectives and irresistible femmes fatales, The Rough Guide to Film Noir illuminates every corner of cinema's darkest and most compelling genre. From early masterpieces like Double Indemnity and Kiss Me Deadly through to neo-noir classics such as Chinatown and LA Confidential, this book highlights all the groundbreaking noir movies. There are profiles of legendary performers such as Humphrey Bogart and Barbara Stanwyck, great directors like Fritz Lang plus key cinematographers, composers and designers. Complete with website listings and books for further reading, this Rough Guide takes a fascinating look at the noir movies made in the Classical Hollywood era and beyond. less See more recommendations for this book...
5
"The American Cinema is the Citizen Kane of film criticism, a brilliant book that elevated American directors from craftsmen to artists, launched the careers of numerous film critics, and shaped the aesthetics of a whole generation of viewers by providing new ways of looking at movies."--Emanuel Levy, author of George Cukor, Master of Elegance
The auteur theory, of which film critic Andrew Sarris was the leading American proponent, holds that artistry in cinema can be largely attributed to film directors, who, while often working against the... more "The American Cinema is the Citizen Kane of film criticism, a brilliant book that elevated American directors from craftsmen to artists, launched the careers of numerous film critics, and shaped the aesthetics of a whole generation of viewers by providing new ways of looking at movies."--Emanuel Levy, author of George Cukor, Master of Elegance
The auteur theory, of which film critic Andrew Sarris was the leading American proponent, holds that artistry in cinema can be largely attributed to film directors, who, while often working against the strictures of studios, producers, and scriptwriters, manage to infuse each film in their oeuvre with their personal style. Sarris's The American Cinema, the bible of auteur studies, is a history of American film in the form of a lively guide to the work of two hundred film directors, from Griffith, Chaplin, and von Sternberg to Mike Nichols, Stanley Kubrick, and Jerry Lewis. In addition, the book includes a chronology of the most important American films, an alphabetical list of over 6000 films with their directors and years of release, and the seminal essays "Toward a Theory of Film History" and "The Auteur Theory Revisited." Over twenty-five years after its initial publication, The American Cinema remains perhaps the most influential book ever written on the subject. less Barry ForshawFilm noir is a genre that had no definition in its own day other than ‘crime film’. All of those who were making films noirs, such as Robert Mitchum and similar great stars and directors of that era, wouldn’t have called what they were working on film noir. They were making crime movies and dramas. So, the title ‘film noir’ defines the moment when we started to take such films seriously and it... (Source)
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