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1
How do criminals communicate with each other? Unlike the rest of us, people planning crimes can't freely advertise their goods and services, nor can they rely on formal institutions to settle disputes and certify quality. They face uniquely intense dilemmas as they grapple with the basic problems of whom to trust, how to make themselves trusted, and how to handle information without being detected by rivals or police. In this book, one of the world's leading scholars of the mafia ranges from ancient Rome to the gangs of modern Japan, from the prisons of Western countries to terrorist and... more How do criminals communicate with each other? Unlike the rest of us, people planning crimes can't freely advertise their goods and services, nor can they rely on formal institutions to settle disputes and certify quality. They face uniquely intense dilemmas as they grapple with the basic problems of whom to trust, how to make themselves trusted, and how to handle information without being detected by rivals or police. In this book, one of the world's leading scholars of the mafia ranges from ancient Rome to the gangs of modern Japan, from the prisons of Western countries to terrorist and pedophile rings, to explain how despite these constraints, many criminals successfully stay in business.
Diego Gambetta shows that as villains balance the lure of criminal reward against the fear of dire punishment, they are inspired to unexpected feats of subtlety and ingenuity in communication. He uncovers the logic of the often bizarre ways in which inveterate and occasional criminals solve their dilemmas, such as why the tattoos and scars etched on a criminal's body function as lines on a professional r�sum�, why inmates resort to violence to establish their position in the prison pecking order, and why mobsters are partial to nicknames and imitate the behavior they see in mafia movies. Even deliberate self-harm and the disclosure of their crimes are strategically employed by criminals to convey important messages.
By deciphering how criminals signal to each other in a lawless universe, this gruesomely entertaining and incisive book provides a quantum leap in our ability to make sense of their actions. less 
Alex McBrideGambetta looks at the underworld from the criminals’ point of view and uses social anthropology to examine how criminals think and communicate with language and signs. (Source)
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2
Charles I waged civil wars that cost one in ten Englishmen their lives. But in 1649 Parliament was hard put to find a lawyer with the skill and daring to prosecute a king who claimed to be above the law. In the end, they chose the radical lawyer John Cooke, whose Puritan conscience, political vision, and love of civil liberties gave him the courage to bring the king to trial. As a result, Charles I was beheaded, but eleven years later Cooke himself was arrested, tried, and executed at the hands of Charles II.
Geoffrey Robertson, a renowned human rights lawyer, provides a vivid new... more Charles I waged civil wars that cost one in ten Englishmen their lives. But in 1649 Parliament was hard put to find a lawyer with the skill and daring to prosecute a king who claimed to be above the law. In the end, they chose the radical lawyer John Cooke, whose Puritan conscience, political vision, and love of civil liberties gave him the courage to bring the king to trial. As a result, Charles I was beheaded, but eleven years later Cooke himself was arrested, tried, and executed at the hands of Charles II.
Geoffrey Robertson, a renowned human rights lawyer, provides a vivid new reading of the tumultuous Civil War years, exposing long-hidden truths: that the king was guilty, that his execution was necessary to establish the sovereignty of Parliament, that the regicide trials were rigged and their victims should be seen as national heroes. Cooke’s trial of Charles I, the first trial of a head of state for waging war on his own people, became a forerunner of the trials of Augusto Pinochet, Slobodan Milosevic, and Saddam Hussein. The Tyrannicide Brief is a superb work of history that casts a revelatory light on some of the most important issues of our time. less Alex McBrideThis is about a radical lawyer who took a case nobody wanted. John Cook prosecuted King Charles I on the basis that a ruler cannot kill his own people and then claim executive privilege. (Source)
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3
The classic novel from "America's best crime novelist" (Time), with a new
introduction by Elmore Leonard
Eddie Coyle works for Jimmy Scalisi, supplying him with guns for a couple of bank jobs. But a cop named Foley is on to Eddie and he's leaning on him to finger Scalisi, a gang leader with a lot to hide. And then there's Dillon-a full-time bartender and part-time contract killer--pretending to be Eddie's friend. Wheeling, dealing, chasing, and stealing--that's Eddie, and he's got lots of friends.
more The classic novel from "America's best crime novelist" (Time), with a new
introduction by Elmore Leonard
Eddie Coyle works for Jimmy Scalisi, supplying him with guns for a couple of bank jobs. But a cop named Foley is on to Eddie and he's leaning on him to finger Scalisi, a gang leader with a lot to hide. And then there's Dillon-a full-time bartender and part-time contract killer--pretending to be Eddie's friend. Wheeling, dealing, chasing, and stealing--that's Eddie, and he's got lots of friends.
less Alex McBrideThis is a thriller that really captures the low-rent squalor of most criminals’ lives and the cynicism of the police and the lawyers. (Source)
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4
For as long as accuser and accused have faced each other in public, criminal trials have been establishing far more than who did what to whom-and in this fascinating book, Sadakat Kadri surveys four thousand years of courtroom drama. A brilliantly engaging writer, Kadri journeys from the silence of ancient Egypt's Hall of the Dead to the clamor of twenty-first-century Hollywood to show how emotion and fear have inspired Western notions of justice-and the extent to which they still riddle its trials today. He explains, for example, how the jury emerged in medieval England from trials by fire... more For as long as accuser and accused have faced each other in public, criminal trials have been establishing far more than who did what to whom-and in this fascinating book, Sadakat Kadri surveys four thousand years of courtroom drama. A brilliantly engaging writer, Kadri journeys from the silence of ancient Egypt's Hall of the Dead to the clamor of twenty-first-century Hollywood to show how emotion and fear have inspired Western notions of justice-and the extent to which they still riddle its trials today. He explains, for example, how the jury emerged in medieval England from trials by fire and water, in which validations of vengeance were presumed to be divinely supervised, and how delusions identical to those that once sent witches to the stake were revived as accusations of Satanic child abuse during the 1980s. Lifting the lid on a particularly bizarre niche of legal history, Kadri tells how European lawyers once prosecuted animals, objects, and corpses-and argues that the same instinctive urge to punish is still apparent when a child or mentally ill defendant is accused of sufficiently heinous crimes. But Kadri's history is about aspiration as well as ignorance. He shows how principles such as the right to silence and the right to confront witnesses, hallmarks of due process guaranteed by the U.S. Constitution, were derived from the Bible by twelfth-century monks. He tells of show trials from Tudor England to Stalin's Soviet Union, but contends that no-trials, in Guantanamo Bay and elsewhere, are just as repugnant to Western traditions of justice and fairness. With governments everywhere eroding legal protections in the name of an indefinite war on terror, Kadri'sanalysis could hardly be timelier. At once encyclopedic and entertaining, comprehensive and colorful, The Trial rewards curiosity and an appreciation of the absurd but tackles as well questions that are profound. Who has the right to judge, and why? What did past civilizations hope to achieve through scapegoats and sacrifices-and to what extent are defendants still made to bear the sins of society at large? Kadri addresses such themes through scores of meticulously researched stories, all told with the verve and wit that won him one of Britain's most prestigious travel-writing awards-and in doing so, he has created a masterpiece of popular history. less Alex McBrideThis is a jolly good read and informative about how trials fit together in history. There’s also a good bit about how the English trial by jury came about. (Source)
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