Ranked #99 in Puppetry
This study analyzes the folkloric genres that comprise the repertoire of the marionette theater in Sicily. Here, epic, farce, saints' lives, bandits' lives, fairytales, Christian myth, and city legend offer the vehicles by which puppeteers comment upon, critique - perhaps even negotiate--the relationships among the major classes of Sicilian society: the aristocracy, the people, the clergy and the Mafia. The lynchpin of the repertoire is the Carolingian Cycle and, in particular, a contemporary version of The Song of Roland known in Sicily as The Death of the Paladins, a text... more