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Design involves three essential layers of processing: the instinctive, the practical, and the contemplative, all of which are intricately linked to our emotional responses and sentiments.

Norman suggests that our interaction with and understanding of products, as well as our ability to use them effectively, are shaped by essential design features that encompass emotional and affective dimensions. He challenges the traditional view that cognitive processes and emotions are separate forces that frequently conflict, especially in decision-making scenarios. He introduces a framework in which emotion and cognition are deeply interlinked, each influencing the other during various phases of processing. Our engagement with the environment involves three separate yet interrelated dimensions: the visceral, the behavioral, and the intellectual, all of which necessitate a distinct design strategy.

The threefold structure of processing is a complex interplay of cognitive functions, actions, and emotional responses.

Norman contests the common belief that emotion obstructs the ability to think clearly and rationally. He clarifies that our emotional faculties are far from being outdated remnants; instead, they serve an essential function in quickly evaluating situations and guiding our choices and behaviors. Positive emotions can bolster our creative and analytical abilities, whereas negative ones concentrate our focus on pressing issues. He argues that affect, along with our mental processes and actions, have evolved together, with affect providing initial evaluations like beneficial/harmful or secure/risky that originate from subconscious processing. Cognition subsequently processes and comprehends the world, resulting in understanding. Our emotions and actions continuously interact with and shape our cognitive processes.

Our innate biological tendencies compel us to react and form immediate assessments instinctively on a gut level.

At the most basic level – visceral processing – our brains make rapid judgments about the environment based upon appearances. Our intrinsic responses, shaped through millennia of evolution, function at a level beyond our conscious awareness. The way a product feels to the touch, its visual appeal, and the sounds it makes can instantly trigger a sense of appeal or aversion in us. Our attraction to vivid hues, symmetrical shapes, and smooth textures springs from the same source that also causes our aversions to harsh noises, rough textures, or unpleasant smells. These responses are consistent across various cultures and individuals, offering a foundational principle for creating designs with widespread appeal.

The methodology includes the physical components, the efficiency, and the entire range of user engagement with a product.

The behavioral level primarily focuses on how the product functions, its ease of use, and the full scope of the user's interaction with it. The tactile experience, when combined with functionality, plays a crucial role in this context. A thoughtfully designed product ensures a smooth and enjoyable user experience by enabling intuitive engagement and providing clear, instant feedback. Norman underscores the significance of deeply understanding user needs for successful design that influences behavior, and this is optimally accomplished through observing users in their natural environments.

Reflective-level processing involves deeper considerations such as personal identity, cultural background, and enduring emotional associations.

The most advanced stage of processing is characterized by intentional reflection and assessment of experiences, which is referred to as the reflective level. This is where we consider a product's meaning, its impact on our self-image, and its connection to our personal values and cultural norms. Products create lasting bonds at this level, influenced by the stories we share with others and the personal associations and recollections we have with our possessions. Creating products that appeal to this aspect is...

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Emotional Design Summary Integrating aspects that enhance enjoyment and delight into the design methodology.

Norman argues that designers should strive to develop products that not only achieve their functional objectives but also provide pleasure and contentment through their aesthetic and the experience of using them. He underscores the importance of incorporating elements that induce joy, satisfaction, and a sense of fun into the design process, pointing out that these uplifting emotions can enhance an individual's ability for creativity, learning, and overcoming challenges.

Designers should harness the motivational power of positive emotions like curiosity, joy, and pride

Norman emphasizes the crucial impact that positive feelings have on our existence, enhancing our overall health, stimulating our inquisitiveness, and aiding in efficient education. He suggests that designers can increase a product's allure by eliciting positive emotional responses, thereby turning mundane activities into enjoyable encounters. A well-designed product can evoke feelings of pride in accomplishment, satisfaction in mastering its features, or elation that arises through interaction with the product.

Products that are crafted with good design can greatly enhance the pleasure and involvement...

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Emotional Design Summary People often develop strong connections with objects and surroundings, ascribing human-like qualities to these non-living entities.

Norman delves into the profound bonds we establish with objects and surroundings, emphasizing our inclination to bestow human-like characteristics upon non-living entities. Our natural inclination, as he proposes, stems from our evolved ability to interpret social cues and intentions, enabling us to forge deep bonds with people, animals, and the places and things we hold dear.

People tend to ascribe qualities and emotions akin to those of humans to inanimate objects.

Norman suggests that our brains naturally ascribe feelings and purposes to everything we interact with, including humans, animals, devices, and even inanimate items such as chairs. Don Norman highlights his friend's chair as shown in an illustration, describing it as if it were tentatively reaching out a leg, similar to a timid creature that has lost its ball, demonstrating our natural tendency to attribute human-like qualities to inanimate objects. This tendency, according to Norman, is rooted in our evolutionary history as social creatures, where interpreting the moods and intentions of others is crucial for survival and social interaction.

We often instinctively ascribe human traits or actions to...

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Emotional Design Summary Exploring the integration of emotions into artificial systems and the advancement of robotics technology.

Norman envisions a future where not only will machines and robots possess intelligence, but they will also display emotional traits. It is essential for the integration of emotional processing capabilities to enable sophisticated and autonomous machines to handle complex situations, make reliable decisions in the face of uncertainty, and interact effectively with human beings.

As the autonomy and proficiency of machines increase, incorporating emotional intelligence will be essential to maximize their performance.

Norman suggests that emotions are not merely quirks of human behavior but are also fundamental to the operation of intelligent systems. Robots tasked with intricate duties and expected to function autonomously in ever-changing settings will encounter scenarios where mere logic and preset responses fall short. He emphasized the crucial role that emotions play in:

Our feelings significantly influence our decision-making processes, the setting of our priorities, and our reactions to unforeseen events.

Don Norman's studies on the decision-making process highlight the crucial role our emotional responses play in navigating options, establishing what's...

Emotional Design

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