Dive into the latest episode of "What Now? with Trevor Noah," where the conversational journey traverses through the terrains of cryptocurrency, the winds of change in the Hollywood landscape, and the evolving perceptions of masculinity in hip hop. Trevor Noah, alongside Christiana Mbakwe Medina and Josh Johnson, unpacks the mysteries and the hype of Bitcoin's "halvening," contemplating its future with a blend of insight and humor. From the skepticism surrounding digital coins to the anticipation of the currency's tougher mining protocols, the trio navigates the intricacies and uncertainties of this revolutionary financial trend.
Transitioning to the glitz and influence—or the apparent decline thereof—of Tinseltown, the speakers dissect Hollywood's waning grip on global cinematic conversations, hinting at a pivot toward more regional productions. They scrutinize the significance of the "Barbie" movie, delving into its cultural connotations and the broader message it conveys against the backdrop of evolving norms of inclusion. And as the discourse boldly takes on the topic of toxic masculinity within hip hop, Noah and his fellow conversationalists applaud the courage of artists like Lil Nas X and Frank Ocean, who are reshaping the narrative and challenging traditional norms within the music industry and beyond. Join the engaging dialogue as they dissect how changing attitudes toward masculinity and sexuality signal a prospective transformation within the hip-hop culture.
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Trevor Noah discusses the complexities of cryptocurrency, specifically Bitcoin, highlighting both its value and the skepticism it faces. He draws attention to the risks associated with Bitcoin and the potential impact of the upcoming "Bitcoin halvening," during which mining the currency will become harder. This event is intended to maintain Bitcoin's value and prevent inflation. Despite Bitcoin's growing popularity and its acceptance on a securities exchange trading platform, Noah remains cautious and humorously states he'll judge the outcomes of the "halvening" when they occur.
The conversation shifts to Hollywood's relevance, which Trevor Noah and Medina perceive as declining, having observed that the Oscars and Hollywood films are less discussed than in the past. They note a collective shift towards regional cinema. However, Johnson points out a resurgence of interest, particularly with the "Barbie" movie gaining notable attention. While discussing the implications of "Barbie" and its influence, they touch upon the doll's role in potentially spreading white supremacy, the strive for inclusivity in recent Barbie doll iterations, and the perception of the upcoming film as a feminist effort. Johnson suggests the movie is extending an inclusive "we can all be Barbie" message, contrasting with the prior exclusive image.
Noah, Johnson, and Medina explore toxic masculinity in hip hop, linking historical oppression of Black men to prevalent homophobia in the Black community. They argue that this historical trauma contributes to the genre's hyper-masculine norms and attitudes. They compare the perception of violence and criminal behavior in hip hop with how violence is interpreted in other artistic forms like Tarantino films, highlighting a racialized double standard. The discussion also covers how hip hop might face its own reckoning similar to the #MeToo movement, referencing the Cassie lawsuit and the industry's tendency to overlook artists' inappropriate behavior due to violent themes in their lyrics.
Furthermore, they commend artists like Lil Nas X and Frank Ocean for initiating shifts in attitudes towards masculinity and sexuality in hip hop. Lil Nas X, in particular, is seen as using criticism as a way to shield himself and reflect negativity back to the accusers, indicating a culture change, while Frank Ocean is praised for treating his sexuality as a non-issue and influencing the community's perspectives. Noah suggests these artists could signal the beginning of a more significant shift in the hip-hop community's perception of masculinity and sexuality.
1-Page Summary
Trevor Noah delves into the complex world of cryptocurrency, focusing on the dynamics of Bitcoin, its risks, and the skepticism surrounding it.
Trevor Noah brings up discussions about whether it's wise for one's grandmother to invest in Bitcoin, sparking a conversation about the cryptocurrency's value and associated risks.
He introduces the concept of the "Bitcoin halvening," a scheduled event where mining the cryptocurrency becomes exponentially more difficult. This event, which occurs every few years, is designed to decrease the amount of new Bitcoin being produced and thus conserving its value while preventing inflation from spiraling out of control. Noah explains that the halvening could liken to a 'rapture' for Bitcoin, suggesting that the increased mining difficulty might significantly impact its market value.
Despite the recent surge in Bitcoin's price following the introduction of it ...
Crypto speculation
Medina and Noah discuss the waning influence of Hollywood and the Oscars, but Johnson points out a resurgence of interest due to popular films like "Barbie."
Noah observes that the Oscars are becoming less relevant, with fewer people talking about or anticipating the awards ceremony annually. He infers that the past relevance of the Oscars in the cultural zeitgeist is diminishing. Despite this, he humorously speculates about potential winners, such as "Oppenheimer." Medina notes a shift in global interest toward regional films, which suggests that Hollywood's captivation might be decreasing.
Johnson, on the other hand, believes that the situation is different for the Oscars this year, as the Academy has included popular movies in their selection. The attention has seemingly shifted back to Hollywood, particularly with the anticipation of the "Barbie" movie. Noah expresses excitement for this year's movies and particularly compliments Greta Gerwig on her work with the "Barbie" film, a commercial property without a pre-existing narrative.
Trevor and Medina discuss the Barbie doll's universal recognition and how its presence in every country could exemplify the spread of white supremacy. Still, Noah highlights the diversity within B ...
Hollywood relevance
Trevor Noah, Josh Johnson, and Christiana Mbakwe Medina tackle the complex issue of toxic masculinity within hip hop, exploring its historical roots and the evolving attitudes towards sexuality in the genre.
Josh Johnson speaks to the deep-rootedness of hyper-masculinity in the hip-hop scene, pointing out how the most masculine norms don’t make room for being gay or bi, and that there's an additional layer of needing to be street or hood enough, amplifying expectations of masculinity. Trevor Noah contextualizes homophobia in the Black community as linked to historical oppression, noting how sodomy was used to make Black men feel inferior and embarrass them, which has contributed to the prevalence of homophobia within the community.
Noah and Medina segue into a related discussion about whether hip hop lyrics should be interpreted as fact or artistic expression, comparing it to perceptions of violence in Quentin Tarantino films. They discuss the racialized aspect of how violence in hip hop is interpreted versus other artistic expressions, mentioning the lack of recognition for creativity and playfulness in the work of young Black musicians.
The conversation touches upon the music industry's potential #MeToo moment and raises questions about whether hip hop is on the cusp of its own reckoning. Medina comments on the Cassie lawsuit, alluding to fears about Diddy's demeanor, while Noah points out that hip-hop lyrics, often themed around violence and criminal behavior, perhaps desensitize audiences to artists' actions because such themes often depict personal experiences or personas.
Noah comments on the disparity in America's celebration of white criminals who became legitimate busines ...
Toxic masculinity in hip hop
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