In this episode of the This Past Weekend podcast, Theo Von's guest is comedian and independent filmmaker Stavros Halkias. Halkias details his unconventional approach to creating his latest comedy "Let's Start a Cult," keeping production costs low to maintain creative control. He also opines on the rise of independent creators distributing content online.
The conversation touches on various current events and societal issues. Halkias voices concerns over the conservative Supreme Court's potential to undermine rights like abortion access and marriage equality. He also critically examines major political parties and politicians regarding economic issues. Additionally, the episode covers Halkias' personal experiences with psychedelics and his perspectives on modern dating and relationships.
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Halkias wrote and starred in the silly, goofy comedy "Let's Start a Cult," inspired by comedic icons like Adam Sandler. His goal was simply to make an entertaining film he's passionate about, without deeper meaning or prestige. Keeping the budget low at $750k allowed creative freedom and avoided constraints of bigger productions.
Stavros sees the growth of independent creators distributing online as positive for allowing artists to bypass industry gatekeepers. He encourages creatives to build their own audiences and crowdfund projects through services like VOD.
Halkias worries the conservative court could undermine rights like abortion access and marriage equality, due to economic interests of the wealthy backing far-right politicians.
Stavros criticizes Democrats for inaction on wages, healthcare, and other economic concerns, giving Republicans an opening to capitalize on voter frustrations.
Though entertained by Trump's showmanship, Halkias views him as a typical wealthy, self-interested politician. He's skeptical politicians like J.D. Vance will make meaningful changes despite shifting stances.
Halkias recounts an emotionally impactful, unplanned viewing of "Coco" while on acid. He sees value in the insights from psychedelic experiences, despite the unpredictable nature.
Stavros reflects humorously on topics like online dating, sexual history norms, and discretion needed for intimacy today versus past eras.
1-Page Summary
Stavros Halkias is making waves in independent filmmaking with "Let's Start a Cult," a project that epitomizes his love for comedy and his approach to the changing landscape of the entertainment industry.
Stavros Halkias co-wrote and starred in "Let's Start a Cult," a film he describes as silly and goofy, inspired by the works of comedic icons such as Adam Sandler, David Spade, Chris Farley, and Will Ferrell. Stavros emphasizes that his film is meant to be an entertaining experience for 90 minutes, comparing his movie humorously to "Amistad" by pointing out his movie's lack of gravity and historical significance. The comedy revolves around an absurd premise involving culthood and misadventures.
Stavros further indicates that his goal was not fame or wealth but simply to engage in something he is passionate about. He makes it clear that the intention behind "Let's Start a Cult" was not to create an opus or a prestige film but to focus on comedy—an extension of Stavros’ stand-up work.
The film had humble beginnings with a budget that grew from $200k to $750k, but it maintained its independent spirit through collaboration with friends and a smaller production company, Dark Sky Films. Stavros Halkias shares that by keeping the movie's budget low, they preserved creative control and flexibility, enabling them to focus on delivering a fun and humorous story without the pressures and constraints of more costly, unionized productions. He candidly reflects on the personal sacrifices and financial risks he took on for the sake of the film's independence, including the missed paid gigs and potential financial losses incurred during promotion.
Stavros recounts challenges such as tight time restrictions on set, acknowledging the steep learning curve that comes with the independent filmmaking process. His experiences have given him insight into budgetary management and an understanding of the importance of efficiency during production.
Stavros speaks highly of the rise of independent creators, encouraging others to use the power of the internet to build personal audiences and create independently. He advocates for creators to take control of their own projects and to seek direct support from their fans, circumventing traditional industry constraint ...
Stavros Halkias' independent filmmaking and the changing entertainment industry
Stavros Halkias offers a critical perspective on the current political landscape in the United States, expressing concerns about both major political parties and their handling of key issues.
Stavros Halkias shares his concerns about the conservative majority on the Supreme Court and the possible consequences. In particular, he fears the rollback of abortion rights following the overturning of Roe v. Wade could lead to less general ob-gyn care in states that have banned abortions, compromising women’s healthcare. He also worries that this could be a precursor to other rights being undone, like marriage equality. Halkias believes that big businesses and the wealthiest individuals favor far-right politicians who may support such rollbacks due to their own economic interests.
Halkias criticizes the Democratic party for its perceived lack of action on economic issues, such as inflation and wage stagnation. He argues that the party's focus on moderate Republican-like policies and cultural issues does not resonate with voters concerned about healthcare, wage inequality, and the potential for homeownership. Stavros advocates for policies that tax the richest and use those funds to provide healthcare for others, rather than insisting on a status quo that only benefits those at the very top.
Though he acknowledges Trump's talent for showmanship and his ability to entertain a crowd with humorous tales and his electric presence on the microphone, Halkias remains skeptical of Trump's effectiveness as a politician. He points out that Trump grew up wealthy and is another billionaire supported by billionaires, fitting the mold of a self-interested politician. He critiques Trump's love for attention and suggests that Trump's charismatic persona has allowed him to say controversial and extreme things that would not be excused in someone less engaging.
The current state of US politics, including discussions of Trump, the Democratic party, and key issues
Stavros Halkias brings his unique comedic perspective to a range of topics reflecting on society and culture, sharing personal stories with tones of humor and introspection.
Stavros shares an anecdote about a plan to watch "Aquaman" while on acid which, due to the movie being sold out, leads to an unplanned viewing of "Coco," a film about family. This unexpected experience provokes deep emotional responses as he reflects on his deceased grandparents and contemplates their pride in him.
Stavros acknowledges the powerful impact that viewing "Coco" on acid had on him. Caught off guard by the movie's themes, he feels emotionally "destroyed," as he wasn't ready to confront such topics while under the influence.
In a tradition with his brothers, they partake in hallucinogens during Christmas and view action movies, like the Star Wars prequels, for amusement. However, this tradition reminds him of the unpredictable nature of substances and the insights they can provide when the setting unexpectedly shifts.
Stavros humorously narrates his time in bar bathrooms rallying men or suggesting it’s time for them to go home. He also humorously comments on economic disparities affected by access to sexual education and jests about sharing the cost of a condom.
Stavros jokes about being ...
Personal anecdotes, experiences, and perspectives on society and culture
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