Podcasts > This Past Weekend w/ Theo Von > E484 Trevor Wallace

E484 Trevor Wallace

By Theo Von

In the latest episode of "This Past Weekend w/ Theo Von," host Theo Von and guest Trevor Wallace give audiences an inside look into the life and laughs of stand-up comedy. Theo kicks things off by sharing details of his much-anticipated comedy tour, with performances dotting the calendar including a stop in St. Louis and a gig in Atlanta. He offers ticket purchasing advice to his fans, strongly suggesting the official routes to avoid market markups.

Trevor Wallace adds to the comedic conversation by reflecting on meaningful moments from his past, from impactful high school presentations to his unique video sketch techniques that amplify his presence on social media and comedy platforms like Amazon Prime. They also find humor in history, musing about the absurdity of the Salem Witch Trials of the 17th century. The episode takes a turn towards the reflective as Trevor discusses the craft of stand-up, the development of new material, and upcoming projects — a testament to the evolving journey of a modern comedian.

E484 Trevor Wallace

This is a preview of the Shortform summary of the Feb 21, 2024 episode of the This Past Weekend w/ Theo Von

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E484 Trevor Wallace

1-Page Summary

Theo Von's comedy tour schedule and upcoming shows

Comedian Theo Von is preparing for his upcoming comedy tour, with a performance in St. Louis on April 18th. Fans looking to secure tickets early can do so during a pre-sale starting on February 22nd with the code RAT KING, while general sales begin on February 23rd. In addition to St. Louis, Theo Von is slated to entertain fans in Atlanta on April 5th, where tickets are currently available. To avoid inflated prices, Theo advises fans to purchase tickets through his official website.

Trevor Wallace's social media sketches and videos

Trevor Wallace is candidly discussing a range of topics, sharing his experiences from high school to his evolution as a stand-up comedian. He recounts an intense, cautionary presentation about drinking and driving during his school years, which left a lasting impact. Known for his dynamic camera zoom in social media sketches, this technique was an integral part of his filmed Amazon Prime comedy special, "Pterodactyl." Moreover, Trevor shares insights into his growth as a comedian, from college gigs to opening for large shows, such as the Bert and Tom show in Las Vegas for 13,000 people.

Discussing weird people and events

Theo Von and Trevor Wallace bring humor to the table while discussing historical events like the Salem Witch Trials. They talk about the outlandish methods used to prove someone was a witch in colonial Massachusetts from 1692 to 1693. With light-hearted banter, they mock the trials' flawed logic and the paranoia of the time, noting the petty grounds for accusations and the severe consequences for those convicted.

Developing new comedy material and work projects

As Trevor Wallace hones his stand-up routine and develops new material, he speaks about the challenges and thrills of creating fresh content for his shows. He contrasts the energy of a live audience with the solitary experience of at-home viewers and stresses the attention to detail required for filming a comedy special. Wallace recalls a recent stand-up show incident in Pueblo, Colorado, using such experiences as fuel for crafting new jokes. Looking ahead, he teases an upcoming engagement in Nashville during the summer that could feature new performances or collaborations.

1-Page Summary

Additional Materials

Clarifications

  • The use of a code like "RAT KING" for early ticket sales is a common marketing strategy in the entertainment industry. These codes are often provided to fan clubs, email subscribers, or followers on social media to give them exclusive access to tickets before the general public sale. By using a unique code, artists can reward their most dedicated fans with the opportunity to secure tickets in advance. This practice helps build loyalty and engagement among fans while also creating a sense of exclusivity around the ticket sales process.
  • During the Salem Witch Trials in colonial Massachusetts from 1692 to 1693, methods to prove someone was a witch included "witch tests" like the touch test, where the afflicted person would convulse if the accused witch touched them. Another method was the water test, where the accused would be bound and thrown into water; if they floated, they were considered a witch. Additionally, spectral evidence, which was based on dreams or visions, was used as proof of witchcraft, leading to many false accusations and tragic consequences. The trials were marked by hysteria, paranoia, and a lack of due process, resulting in the execution of numerous individuals.

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E484 Trevor Wallace

Theo Von's comedy tour schedule and upcoming shows

Theo Von is ramping up for his comedy shows while engaging in conversations about the nuances of stand-up and the burgeoning world of comedy podcasts.

Theo Von will take the stage in St. Louis on April 18th, offering a pre-sale that begins on February 22nd at 10 a.m. local time; fans can access this early sale with the code RAT KING. For those aiming to snag their seats during the general sale, it kicks off on February 23rd at 9 a.m. local time. Aficionados in Atlanta still have a chance to catch him live on April 5th, as tickets remain available. Theo encourages his fans to purchase tickets directly through his website, warning against the inflated prices of secondary ticketing platforms.

Discussing the Kill Tony podcast, Tony Hinchcliffe, and Trevor's appearance on the show

In a recent discussion, Theo Von brought up his time on the "Kill Tony" podcast, which he referred to as the "mothership," lauding its massive success evident in selling out Madison Square Garden twice. Theo relayed an instance when there were 81,000 people tuning in live to the podcast, showcasing its incredible reach. He likens the podcast to a combination of the "gong show" and "America's got... people," acknowledging its role in launching comedic careers. Trevor Wallace joins in, speaking on the podcast’s structure and its comparison to the peculiar times of the Laugh Factory open mic, where hopefuls would show up for a chance at fame.

Within this forum of comedic judgment, contestants are given one challenging minute to perform, after which seasoned comedians like Tony Hinchcliffe take over, often providing no sympathy for those who don't succeed. Despite the brevity of the performances, Wallace recognizes that doing well on "Kill Tony" can propel a comedian’s career forward. They reflect on specific episodes where contestants faced harsh audience reactions after failing to impress, especially when attempting to insult the show or audience right off the bat.

As fans speculate on Reddit about upcoming guest appearances, both Wallace and Von discuss the community aspect of "Kill Tony." Wallace likens it to a reality show and appreciates how it brings distinct corners of the comedy world together.

Trevor Wallace's new Amazon Prim ...

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Theo Von's comedy tour schedule and upcoming shows

Additional Materials

Clarifications

  • The code "RAT KING" mentioned in the text is a promotional code that allows fans to access pre-sale tickets for Theo Von's comedy show in St. Louis. Using this code during the specified pre-sale period grants fans the opportunity to purchase tickets before they are available to the general public. This code is a way to provide early access to tickets as a benefit for fans who are actively engaged and interested in attending the show.
  • "Kill Tony" is a live podcast where aspiring comedians perform a one-minute set, followed by feedback from experienced comedians like Tony Hinchcliffe. The show combines elements of a talent show with comedic judgment, offering a platform for new comedians to showcase their skills. Contestants must impress the panel and the audience within a short time frame, with the potential for harsh critiques if they fail to deliver. The podcast's format includes moments of humor, critique, and support, creating a unique space for emerging talents in the comedy scene.
  • The community aspect of "Kill Tony" revolves around its fan base and the sense of belonging it creates among comedians and audience members who engage with the show. It fosters a shared experience and camaraderie within the comedy world, with fans often discussing and speculating about the show's content and guest appearances on platforms like Reddit. The show's interactive nature allows for audience participation and feedback, contributing to a sense of community involvement and connection. The community aspect of "Kill Tony" adds an extra layer of engagement and excitement for both fans and performers involved in ...

Counterarguments

  • While Theo Von advises fans to buy tickets directly from his website, some fans might find it more convenient or necessary to use secondary ticketing platforms due to various reasons such as website issues or sold-out statuses.
  • The success of the "Kill Tony" podcast, while impressive, might not be indicative of the overall health of the comedy industry or the experiences of all comedians trying to break into the scene.
  • The one-minute performance format on "Kill Tony" could be criticized for not allowing enough time for comedians to showcase their talent, potentially favoring shock value or quick laughs over more developed comedic material.
  • The harsh judgment style on "Kill Tony" might not be everyone's preference, and some could argue that it promotes a less supportive environment for up-and-coming comedians.
  • The claim that doing well on "Kill Tony" can advance a comedian's career might not hold true for all participants; success in comedy often requires a combination of factors including consistent performance, networking, and luck.
  • The community aspect of "Kill Tony" is highlighted, but some might argue that the show caters to a specific niche within the comedy community and may not be as inclusive as suggested.
  • Endorsements of Trevor Wallace's comedy special "Pterodactyl" are subjective, and not all viewers may share Theo Von's enthusiasm or find the special to their taste.
  • The discussion about the popularity of comedy podcasts might overlook the challenges and saturation of the market, where ma ...

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E484 Trevor Wallace

Trevor Wallace's social media sketches and videos

Trevor Wallace, known for his social media sketches and videos, engages in a candid conversation covering a range of topics from high school experiences to his foray into stand-up comedy.

Discussing bizarre news stories and people

Wallace reflects on a grim scenario presented to him and his high school peers as a cautionary tale against drinking and driving. They were shown a mangled car and a bloody cheerleader at 9 a.m., which was intended as a deterrent. Wallace and his peers question the effectiveness of this strategy and express sadness for the individual who lost their life.

Discussing past high school experiences

Trevor discusses the impact that seeing these intense cautionary presentations had on him and his classmates, suggesting that while the message was significant, the delivery was perhaps too shocking for its intended educational purpose.

Trevor filming comedy content and posting online

In terms of content creation, Trevor emphasizes that his comedy sketches often feature a dynamic camera zoom effect, something he was keen to incorporate into his filmed special. He had an individual dedicated to zooming in during the filming of his special to capture this stylistic choice that has become characteristic of his content.

Discussing stand-up comedy shows and performing live

Wallace shares his experiences with live performances and stand-up shows. He reflects on flying into St. Louis for a college gig but performing in Rolla, implying his growth in the stand-up comedy circuit.

Further, Trevor recounts opening for the Bert and Tom show in Las Vegas, marking his first performance in an arena setting where he played to an impressive crowd of 13,000 people. The experience for him was both surreal and nerve-wracking, especially when what was supposed to be a five-minute set expanded to a full 10 minute ...

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Trevor Wallace's social media sketches and videos

Additional Materials

Clarifications

  • The cautionary tale against drinking and driving presented to Trevor Wallace and his high school peers involved a graphic demonstration with a mangled car and a bloody cheerleader at 9 a.m. The intention was to shock the students into understanding the consequences of such actions. Wallace and his peers questioned the effectiveness of this approach and expressed empathy for the individual who lost their life. The impact of this intense presentation on the students was significant, although they felt the delivery might have been too extreme for educational purposes.
  • The dynamic camera zoom effect in Trevor Wallace's comedy sketches is a stylistic choice that adds emphasis and comedic timing to his content. It helps create a sense of energy and engagement, enhancing the overall humor of the sketches. Wallace's deliberate use of this effect sets his videos apart and contributes to his signature comedic style. The zoom effect is a visual tool that aids in delivering punchlines and enhancing the comedic impact of his performances.
  • The "mothership" is a comedy venue known for its strict no-phone policy, ...

Counterarguments

  • While Wallace questions the effectiveness of using shocking visuals as a deterrent, some might argue that such graphic presentations can have a lasting impact and serve as a strong reminder of the consequences of drinking and driving, potentially saving lives.
  • Regarding the impact of intense cautionary presentations, an alternative view could be that the shock value is necessary to overcome desensitization to warnings that younger audiences might have due to media exposure.
  • In terms of the dynamic camera zoom effect in comedy, one could argue that while it's a signature style for Wallace, it might not resonate with all viewers and could potentially distract from the content of the jokes.
  • Concerning the filming of his special with a dedicated individual for zooming, it could be critiqued that this approach might not translate well to all viewing platforms, where the effect could be less appreciated or even jarring.
  • Regarding live performances and stand-up shows, some might suggest that performing in smaller venues or less known locations like Rolla could be just as valuable for a comedian's growth as larger gigs, offering a more intimate setting and a different kind of audience engagement.
  • While opening for a large show in Las Vegas is impressive, others might point out that performing for a smaller, more intimate crowd can also be rewarding and allows for a different type of connection with the audience.
  • On the topic of the press ...

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E484 Trevor Wallace

Discussing weird people and events

Comedians Theo Von and Trevor Wallace delve into a discussion about various peculiar occurrences, from contemporary events to historical oddities, like the Salem Witch Trials.

The Salem Witch Trials

Theo and Trevor dissect the Salem Witch Trials, expressing astonishment at the absurd methods used to prove someone was a witch. They highlight the trials' occurrence in colonial Massachusetts between 1692 and 1693 and note the high stakes of such outrageous accusations. With Theo pointing out that he was just at Amherst and Trevor noting that out of 200 accused, only 20 were executed, they joke that Geminis were likely targets and mock how convictions relied solely on personal accusations.

They underscore the trials' irrationality, with people being convicted without evidence, referencing the "devil's mark," which could be as benign as a birthmark—joking that someone like football player Drew Brees could have been accused due to his mark. The speakers jest about the flawed witch tests, such as one where being overweight and floating was evidence of being a witch, and the touch test, where the accused touching the afflicted person was supposed to stop convulsions, indicating witchcraft. They also mention how some were coerced ...

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Discussing weird people and events

Additional Materials

Clarifications

  • Theo Von and Trevor Wallace are comedians known for their stand-up comedy, podcasts, and online content. They often discuss a wide range of topics, including historical events, in a humorous and light-hearted manner. Their style involves blending comedy with commentary on various subjects, making complex or serious topics more accessible and entertaining for their audience. Theo and Trevor's banter and comedic approach to discussing the Salem Witch Trials in this context aim to entertain and provide a fresh perspective on the historical event.
  • During the Salem Witch Trials, various methods were used to prove someone was a witch. These methods included the "devil's mark," which was often just a birthmark, and the belief that being overweight and floating was evidence of witchcraft. Accused individuals were also subjected to tests like the touch test, where touching an afflicted person was thought to reveal witchcraft. Confessions were sometimes coerced through torture or physical examinations for supposed witch's marks like moles or scars.
  • The mention of Geminis as likely targets for accusations in the context of the Salem Witch Trials is a joke based on astrology. Geminis are known for being adaptable and communicative, traits that could be twisted to fit the stereotype of a witch during that time. The comedians are humorously suggesting that Geminis, due to their perceived characteristics, might have been singled out as potential witches during the hysteria of the trials. This reference adds a lighthearted and playful element to their discussion about the irrationality of the accusations made during the Salem Witch Trials.
  • The "devil's mark" was believed to be a physical mark on a person's body that indicated they were in league with the devil. This mark could be something as innocent as a birthmark or a mole. Flawed witch tests included methods like the "swimming test," where an ...

Counterarguments

...

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E484 Trevor Wallace

Developing new comedy material and work projects

Trevor doing stand-up shows and working on new jokes

Theo Von sends good wishes to Trevor Wallace as he delves into crafting new comedy material.

Trevor Wallace discusses the intricacies of live comedy and the transition to filmed specials. He emphasized how the energy of a live audience, constantly smiling and laughing, contrasts to the often solitary experience of watching a comedy special at home. During his special, he highlights, a dedicated camera person was tasked with capturing the right moments which points to the effort taken to translate the live comedy experience to screen.

Wallace recalls memorable events from his stand-up shows, such as the peculiar incident in Pueblo, Colorado, where an audience member mistakenly urinated on a woman's hair. Although there’s no explicit mention of Wallace performing at a college, this setting seems like a fertile ground for developing fresh material.

He shares that he performed at Wise Guys, where he worked on some new material. Wallace describes the process of c ...

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Developing new comedy material and work projects

Additional Materials

Clarifications

  • Trevor Wallace is a comedian known for his stand-up performances and online comedy sketches. He has gained popularity for his humorous takes on everyday situations and relatable content. Wallace often shares his comedy content on social media platforms like Instagram and YouTube. He is recognized for his energetic stage presence and engaging storytelling style.
  • The transition from discussing live comedy to the incident in Pueblo, Colorado may seem abrupt. The mention of the incident in Pueblo, where an audience member urinated on a woman's hair, serves as an example of the unexpected and memorable moments that can occur during live stand-up shows. This anecdote highlights the unpredictable nature of live comedy performances and the unique experiences that comedians like Trevor Wallace encounter ...

Counterarguments

  • While Theo Von's good wishes are mentioned, the impact of such support on Wallace's creative process or success is not discussed, leaving open the question of how much encouragement from peers actually influences a comedian's work.
  • The contrast between live comedy and filmed specials is noted, but the text does not address the potential benefits of filmed specials, such as reaching a wider audience and providing a platform for those unable to attend live shows.
  • The effort to capture live comedy on screen is highlighted, but the text does not consider the artistic choices and editing that can enhance the viewing experience of a comedy special beyond what a live performance can offer.
  • The incident in Pueblo, Colorado, is described as memorable, but the text does not explore the potential negative consequences of such events on the audience's experience or the comedian's reputation.
  • The assumption that performing at a college is a fertile ground for developing fresh material could be challenged by noting that college audiences can have specific sensitivities and may not represent the broader public's sense of humor.
  • Wallace's work on new material at Wise Guys is mentioned, but the text does not discuss the possibility that trying out material in one venue may not be indicative of its success in diverse settings or with different demographics.
  • The process of creating new content is described as both terri ...

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