Podcasts > The New Yorker: Fiction > Sterling HolyWhiteMountain Reads Roberto Bolaño

Sterling HolyWhiteMountain Reads Roberto Bolaño

By WNYC Studios and The New Yorker (paloma.orozco@prx.org)

Dive into a thought-provoking exploration of storytelling with "The New Yorker: Fiction," where host Deborah Treisman, joined by writer Sterling HolyWhiteMountain, delves into Roberto Bolaño's mesmerizing short story "Labyrinth." In this episode, they untangle Bolaño's intricate narrative fashioned around a genuine photograph of French writers, discussing how the merging of authentic facets with fictive elements crafts a rich tapestry that blurs the line between reality and invented tales. As the conversation unfolds, listeners gain insight into the author's methodical use of actual elements, such as the names and the image of real-life individuals, and how these are seamlessly integrated into his fantastical world, prompting contemplation on the interplay between the tangible and the imaginary.

The podcast also delves into the deep sense of isolation of Bolaño's characters, despite their connections to a literary elite captured in the same photograph. HolyWhiteMountain and Treisman examine the characters’ profound solitude and how this alienation shapes their interactions within the narrative. The episode celebrates Bolaño's labyrinthine storytelling structure, circling repeatedly to the photo that serves as the story's nexus, with characters navigating their way through emotional and physical mazes of existence. The speakers commend the story’s ability to ensnare readers, transporting them through the narrative's cyclical pattern as it reflects the wandering of thought and the solitary orbits of its protagonists, emphasizing the potency of a single image in conjuring an encompassing world that both captivates and isolates.

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Sterling HolyWhiteMountain Reads Roberto Bolaño

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Sterling HolyWhiteMountain Reads Roberto Bolaño

1-Page Summary

Captivation with the Photo and Its Subjects

Roberto Bolaño's "Labyrinth" is deeply rooted in a true photograph of French writers, which serves as a springboard for a fictional narrative that dances on the edges of reality and imagination. HolyWhiteMountain and Deborah Treisman discuss the intentional mixing of fact and fiction in Bolaño's work, exploring how he leverages real-life elements like the photo itself and the names of those pictured. The authors point out the various factual elements that Bolaño incorporates into an otherwise fabricated tale. This blend raises questions about the line between fiction and reality, especially when the real individuals in the photograph are confronted with their imagined lives in Bolaño's story. The photographers and their connections, both real and invented, generate a captivating dynamic that is central to the reader's experience.

Characterization of the Writers

The writers in Bolaño's narrative are portrayed as solitary figures, each trapped in their own world of thought and creativity. HolyWhiteMountain and Treisman reflect on the characters' insularity and disconnect, seen in the way Solaire and Kristeva are separated by soundproof walls and the metaphorical loneliness at play when characters like J.J. Gu find themselves waiting alone in bars. These writers, although part of a seemingly glamorous literary elite as suggested by the photo, are realistically depicted as isolated and emotionally removed from the world and each other. The personal disconnect reaches to such an extent that their capacity for physical arousal is diminished, underlining their internal and external solitude.

The "Labyrinth" Structure of the Story

Bolaño's story is woven in a labyrinthine pattern, with the narrative constantly winding back to the central real-world photograph. This photograph acts as the gravitational center of the narrative web, with each thread exploring the imagined lives of the individuals depicted. J.J. Gu's journey in particular symbolizes escaping and returning to the frame of the photo, reinforcing the repetitive theme. The structure is accentuated by nightfall and daybreak transitions, revisiting the photo from new angles and illuminating different characters at various instances. HolyWhiteMountain and Treisman appreciate this intricate pattern, noting how the narrative mirrors the recursive wanderings of thought and the psychological undertones of the characters while maintaining the photo as a persistent motif. The characters' actions and thoughts echo through the story, as it continually circles back to the image that has inspired their conjured realities, much like walking through a physical labyrinth.

1-Page Summary

Additional Materials

Clarifications

  • The real photograph of French writers serves as the inspiration and foundation for Roberto Bolaño's fictional narrative in "Labyrinth." Bolaño intertwines elements from the photograph, such as the identities of the individuals pictured, into his imaginative storytelling. The blending of fact and fiction blurs the lines between reality and invention, creating a dynamic interplay that enriches the reader's experience. The characters' lives in the narrative are influenced by the real-world connections and details present in the photograph, adding depth and complexity to the story.
  • The metaphorical significance of soundproof walls and characters waiting alone in bars in Bolaño's narrative symbolizes the emotional isolation and disconnect experienced by the writers. The soundproof walls represent the barriers between individuals, highlighting their inability to truly connect with each other. Characters waiting alone in bars reflect their internal loneliness and the struggle to find meaningful human connections in their isolated worlds. These elements emphasize the characters' emotional detachment and the challenges they face in forming genuine relationships.
  • The concept of a story's structure as a labyrinthine pattern means that the narrative is intricately woven with twists and turns, much like navigating through a maze. In this context, the story repeatedly circles back to a central element, like a photograph, exploring different perspectives and layers each time. This structure mirrors the characters' psychological complexities and the recursive nature of their thoughts and actions. The narrative's labyrinthine pattern emphasizes the interconnectedness of the characters' lives and the central themes of the story.
  • Nightfall and daybreak transitions in the text symbolize the cyclical nature of time and the characters' journeys within the narrative. These transitions mark shifts in the story's progression, highlighting moments of reflection, change, and renewal for the characters. The contrast between nightfall and daybreak serves as a metaphor for the characters' internal struggles and the recurring themes of isolation and introspection in the narrative. The repeated mentions of nightfall and daybreak emphasize the passage of time and the characters' evolving perceptions as they navigate through the labyrinthine structure of the story.
  • The narrative mirroring the characters' recursive wanderings of thought means that the structure of the story reflects the characters' repetitive and introspective mental journeys. As the story unfolds in a complex and looping manner, it parallels the characters' inner reflections and cyclical patterns of thinking. This connection emphasizes how the narrative structure echoes the characters' continuous mental explorations and returns to certain themes or ideas. The recursive nature of the narrative mirrors the characters' ongoing contemplations and the repetitive nature of their thoughts and actions.

Counterarguments

  • The narrative's intentional blurring of fact and fiction could be seen as undermining the authenticity of the real individuals' lives and experiences.
  • The portrayal of writers as solitary and emotionally distant may perpetuate stereotypes about creative individuals that do not reflect the diversity of writers' personalities and social lives.
  • The emphasis on characters' diminished capacity for physical arousal could be criticized for unnecessarily pathologizing solitude or intellectual pursuits.
  • The labyrinthine structure, while thematically relevant, might be confusing or disorienting for some readers, detracting from their engagement with the story.
  • The focus on a central photograph might limit the narrative's scope, potentially overlooking broader social, historical, or cultural contexts that could enrich the story.
  • The recursive nature of the narrative could be seen as repetitive or lacking in forward momentum, which might not resonate with readers who prefer a more straightforward plot progression.

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Sterling HolyWhiteMountain Reads Roberto Bolaño

Captivation with the Photo and Its Subjects

Roberto Bolaño’s story "Labyrinth" showcases his unique ability to take inspiration from real-world elements and weave them into intricate fictional narratives, demonstrating a profound interest in the intersection of reality and imagination.

Bolaño's Interest in the Intersection of Reality and Imagination

Bolaño’s “Labyrinth” is ignited by a real photograph of French writers and intellectuals, sparking narratives that blend fact with creative fancy.

The Photo as Inspiration; Blurring Fact and Fiction

HolyWhiteMountain reflects on Bolaño’s “Labyrinth,” where the author accurately describes a real photograph while the stories about those pictured are purely imagined. This narrative choice exemplifies the blend of real-life details with fictional elements. The uncertainty of how much of the story is rooted in fact—like the existence of the photo or the authenticity of the names mentioned—further obscures the line between reality and fiction.

HolyWhiteMountain also touches upon Bolaño’s personal connection to the photograph and its subjects, suggesting there might be a deep personal resonance with the photo for the author. Elements such as the marriage between Solares and Cristeva are factual touches woven into Bolaño's wider fictitious landscape.

Deborah Treisman enters the conversation by discussing the manipulation of factuality in Bolaño's work. She suggests that some aspects of the story that appear ...

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Captivation with the Photo and Its Subjects

Additional Materials

Clarifications

  • Roberto Bolaño's story "Labyrinth" is a work of fiction that showcases his talent for blending real-world inspirations with imaginative storytelling. The narrative is sparked by a real photograph of French writers and intellectuals, where Bolaño weaves a complex tale that blurs the lines between reality and fiction. The story explores themes of creativity, authorial manipulation of facts, and the impact of fictionalizing real-life elements on the subjects depicted in the photograph.
  • Deborah Treisman is the Fiction Editor for The New Yorker, overseeing the publication of short stories in the magazine. She also hosts discussions with authors in The New Yorker's podcasts, delving into their work and creative processes. Treisman's role involves curating and shaping the fiction content of the prestigious publication, working closely with writers to bring their stories to a wider audience. Her insights and editorial decisions play a significant role in shaping the literary landscape of The New Yorker.
  • In Bolaño's work, the manipulation o ...

Counterarguments

  • The inspiration from a real photograph does not necessarily mean that the narrative's blend of fact and fiction is successful or compelling.
  • The blurring of reality and fiction in "Labyrinth" might confuse readers or detract from the story's impact.
  • Bolaño's personal connection to the photograph's subjects could bias his portrayal of them, potentially leading to a less objective narrative.
  • The use of factual elements like the marriage between Solares and Cristeva might be misleading if readers are not aware of what is true and what is not.
  • The assertion that some aspects of the story that seem factual are actually fictional constructs could be seen as a lack of transparency or as manipulative storytelling.
  • Bolaño's intentional blend of reality with creative will might not always serve the story well and could be seen as a gimmick rather than a genuine narrative technique.
  • Reshaping the real world to serve the story could be criticized for potentially ...

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Sterling HolyWhiteMountain Reads Roberto Bolaño

Characterization of the Writers

HolyWhiteMountain and Treisman explore the insular and disconnected nature of writers in Bolaño's narrative, discussing their separation and loneliness.

Their Insularity and Disconnection

The writers in Bolaño's work are portrayed as insular individuals, each absorbed in their own world of thought and creation. HolyWhiteMountain observes traits of jealousy, resentment, bitterness, and competition, particularly in Zee, who represents these attributes when he enters the story. Characters like Solaire and Kristeva work in adjacent, soundproof studies, which serves as a metaphor for their isolation—not just from each other, but from the world around them. Despite the close physical proximity, they are unable to hear one another's coughs, the rustling of pages, or the tapping of keystrokes.

Separate Studies; Loneliness

This theme further unfolds with J.J. Gu's experience in a bar, symbolizing his loneliness as he struggles to concentrate on his reading while waiting for someone who never arrives. Similarly, the narrative details how other characters are shut away in their studies or stood up in cafes, emphasizing the prevalent disconnection among these literary figures.

Moreover, Kristeva and Solaire exemplify the insularity of writers, spending their time alone in separate soundproof rooms within the same house. These details not only point to their detachment from one another but also to a broader sense of loneliness that defines their existence.

The writers may be perceived as superstars of French literary theory, looking well-dressed and attractive in a g ...

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Characterization of the Writers

Additional Materials

Clarifications

  • HolyWhiteMountain and Treisman are literary critics or scholars who are analyzing and discussing the themes and characters in Bolaño's narrative. They provide insights and interpretations on the insularity and disconnected nature of writers depicted in the text.
  • Bolaño's narrative typically refers to the literary works and storytelling style of the Chilean author Roberto Bolaño. His narratives often explore themes of loneliness, detachment, and the complex inner lives of characters, reflecting a deep introspection and examination of the human condition. Bolaño is known for his intricate plots, diverse character portrayals, and blending of reality with fiction, creating a unique and immersive reading experience. His narratives often delve into the lives of writers, artists, and intellectuals, offering a critical lens on their struggles, relationships, and existential dilemmas.
  • Solaire and Kristeva are characters in Bolaño's narrative who exemplify the insularity and loneliness of writers. They spend their time alone in separate soundproof rooms within the same house, highlighting their detachment from each other and the broader sense of isolation that defines their existence. Their portrayal underscores the theme of disconnection among lite ...

Counterarguments

  • The portrayal of writers as insular and disconnected may be a narrative choice specific to Bolaño's work and not representative of all writers.
  • Some writers thrive in collaborative environments and actively seek out community and engagement with their peers.
  • The traits of jealousy, resentment, bitterness, and competition are not exclusive to writers and can be found in many professions.
  • The use of soundproof studies could be interpreted as a practical need for concentration and productivity rather than a metaphor for isolation.
  • Physical proximity does not necessarily equate to emotional or intellectual connection, and the lack of interaction could be a personal preference rather than a sign of disconnection.
  • J.J. Gu's experience in a bar could be a singular event in his life and not indicative of his overall social experience or that of other writers.
  • The appearance of writers as superstars in a group photo could be a moment of professional success that does not negate the possibility of fulfilling personal relationships.
  • Being enmeshed in one's own world can be a sign of deep focus and ded ...

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Sterling HolyWhiteMountain Reads Roberto Bolaño

The "Labyrinth" Structure of the Story

Wandering, Recursive Nature

Repeated Returns to the Photo

The structure of Bolaño's story is complex, exhibiting a labyrinthine quality where the narrative is akin to a web with many paths stemming from a central photograph. The story follows J.J. Gu as he symbolically escapes the confines of the photo to lead a life beyond it. However, the story inevitably loops back to this image, creating a tapestry of interwoven storylines.

The narrator repeatedly revisits a photo depicting writers around a table, returning to it for descriptions and speculations about the pictured individuals. This photo is central to the narration, serving as a focal point to which the story routinely returns. Detailed observations about the physical attributes, attire, and possible personalities of those in the photo are interspersed throughout the narrative.

As the story develops, there is a focus on Pierre Guiltat, who appears almost as a familiar presence within the photo. The story revolves around the characters' engagement with each other and their ties to a Central American man, depicted in the photograph, deepening the recurring engagement with the image. The same photograph resurfaces at different points in the narrative, illuminated by daybreak or cloaked in the darkness of night, accentuating different individuals such as Marie-Thérèse Raveille and Carla Devard and their reactions to an unseen event. The discussion encompasses characters within and beyond the photo's frame, creating a complex web of connections.

Nightfall brings the narrative back to J.J. Gu and his habitual routine with the previously mentioned photograph gently weaved into the account. The listener is continuously drawn into the scene depicted in the photo through detailed descriptions and hypothesized narratives.

The labyrinthine structure is also augmented by characters' tendencies to wander in their actions and thoughts, only to be curtailed by unexpected events such as the unusual noise heard by Jacques Henrique in a dark garage.

Furthermore, the story touches on various characters' states and actions that seem to weave in and out of the tale, sometimes echoing each other's behaviors, thereby reinforcing the wandering and recursive nature of their narratives. The story punctuates these narratives with a return to the central motif of the photograph, which at one point "dissolves into nothingness."

Henrique's musings provide a ...

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The "Labyrinth" Structure of the Story

Additional Materials

Clarifications

...

Counterarguments

  • The labyrinthine structure might be overly complex, potentially confusing readers and detracting from the story's coherence.
  • The central photograph, while a focal point, could be seen as a limiting device that constrains the narrative's scope.
  • The repeated returns to the photograph might be perceived as redundant, possibly leading to reader fatigue.
  • The focus on Pierre Guiltat and the Central American man might overshadow the development of other characters, resulting in a less balanced narrative.
  • The wandering and recursive nature of the characters' actions and thoughts could be interpreted as a lack of direction or purpose in the storytelling.
  • The continuous circling back to the photograph after diverging in various directions might be seen as a narrative crutch that hinders the story's progression.
  • The shifts between day and night, while adding to the temporal movement, may not significantly contribute to the story's depth or thematic development.
  • The appreciation of the story's structure by HolyWhiteMountain is subjective and may not resonate with all r ...

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