Dive into the multilayered fabric of a family's legacy and survival across conflicts as Rivka Galchen joins Deborah Treisman to explore a poignant story by Aleksandar Hemon on The New Yorker: Fiction podcast. The episode offers an intimate window into generations touched by the ravages of war, from the upheaval during World War II to the Bosnian conflict, and encapsulates the seismic shifts experienced during exile, rich with themes of resilience and identity.
Juxtaposed with the gravitas of displacement is the father's whimsical yet earnest attempt to capture his life on film, despite the comedic mishaps that include a stubborn bee and his own son's critical performance. The narrative unwinds further to reveal the profound empathy the father exerts towards his mentally challenged relative, underscoring the complexities of family ties and obligations. Throughout the story, bees buzz as a constant metaphor, symbolizing the steadfast and adaptive nature of the human spirit in the face of relentless adversity, and the enduring pursuit of cultural continuity.
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The narrative recounts the hardships faced by a family spanning World War II to the Bosnian War, providing a personal perspective on forced displacement. The family's story emphasizes the anguish and resilience associated with war-induced exile, embedding the experience in the broader context of survival.
During World War II, the family was compelled to abandon their home and their cherished beehives in Sarajevo, taking only essentials along with a single cow. The Bosnian War also forced them to evacuate Sarajevo right before the siege, given the father's commitment to his beekeeping responsibilities. Ultimately, they sought refuge and a new beginning in Canada as refugees, but this relocation was fraught with challenges, particularly for the father, who struggled with cultural and linguistic adaptation.
Intent on depicting his life story through film, the father confronts a slew of difficulties, most notably concerning his son's acting and unforeseen interactions with a bee. Frustrated with his son's seemingly inadequate portrayal and the boy's own critiques of the production, the father persisted. However, the filming of an important farewell scene was humorously disrupted when a bee entangled itself in the son's hair, causing pandemonium and forcing a retake. Ironically, an analogous incident from the father's youth was recollected, adding to the scene's authenticity. This culminated in an unintentionally genuine depiction of the father's childhood, which, despite its hitches, was worthy of the family narrative.
The father's compassionate fixation on his cousin's daughter Nada is laid bare, presenting a rich tapestry of family dynamics and the complexities surrounding mental illness. As Nada's mental health deteriorated, resulting in her institutionalization, the father's anguish was amplified by failed attempts to aid her, including an unfulfilled request for a visit by someone from the University of Nebraska.
The father's sense of duty extended to impelling relatives and acquaintances, such as Rivka, to pursue improbable remedies for Nada. His deep-seated sense of familial responsibility eventually prompted him to ask his son to see Nada in the U.S., a request that went unheeded as the son had a contrasting view of such obligations.
Bees are a recurrent motif in the story, symbolizing the family's enduring spirit and multi-generational commitment to beekeeping. Originating with the family's great-grandfather in 1912, the evolution of their beekeeping practices is chronicled, outlining their growth and resilience through conflict and resettlement. The building of a new apiary in Canada further exemplifies the father's dedication to maintaining this cultural heritage.
In parallel, the father's identity and principles reflect the cooperative essence of bee colonies, with his life being an extended metaphor for the unity and interconnectedness familial bonds represent. The bees' ordeals, including wartime losses and environmental challenges, mirror the family's own adversity and perseverance. Despite the continuous cycles of tragedies and losses, the bees' continued existence and the family's undeterred strength in rebuilding echo a persistent theme of hope and cultural preservation.
1-Page Summary
War and conflict have long caused families to be displaced, sometimes leading to exile as a means of survival. The story of one family's upheaval during World War II and the Bosnian War exemplifies the painful choices and consequences of such turmoil.
During the Second World War, the family experienced a major catastrophe when they lost their beehives, which had been the pinnacle of their beekeeping efforts since the 1920s. The father remembers 1942 as a year filled with tragedy in besieged Sarajevo, acknowledging that while losing their bees was devastating, others suffered unspeakable losses, such as entire families vanishing without a trace. Advised to leave their home and take only what they could carry, they were granted the father's plea to bring along a cow, though it was a sick one. Heartbreakingly, they were forced to leave behind 30 beehives.
When the Bosnian War threatened their safety, the family made the crucial decision to leave Sarajevo on May 1, 1992, just one day before the siege took hold. Their departure was largely influenced by the father's dedication to beekeeping, which necessitated tending to the apiary—a responsibility that would have kept them in Sarajevo if not for the war. During this tumultuous period, they survived by subsisting on the food they grew and secretly listening to radio broadcasts from ...
Family displacement and exile due to war and conflict
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In an attempt to capture his life story on film, a father experienced quite the rollercoaster of emotions due to unforeseen mishaps, particularly involving his son's acting and an incident with a bee.
The father's pursuit of authenticity in the film led to frustration with his son's acting. The first take of a particular scene was a failure because the father criticized his son's wave as resembling a "limp, plucked chicken."
In addition to the father's dissatisfaction with his son's performance, the son himself openly questioned his father's directorial choices, pointing out practical issues such as transportation and necessities for the journey depicted in the scene.
Despite these challenges, the father relentlessly continued with the filming, which was plagued by various unexpected interruptions, necessitating multiple retakes.
During an almost flawless fifth attempt, a bee began to hassle the son as he tried to bid farewell with a wave. The boy's performance was thrown into disarray when the bee got tangled in his hair, sending him into a panic and chaotic defense.
This struggle with the bee led to the son tumbling down a hill. Amidst his frantic attempt to escape, he was stung a ...
The father filming his "true" life story with his son playing him as a boy
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The story unravels the deep connection between a father and his cousin's daughter, Nada, showcasing the complexity of family ties and the poignant challenges of mental illness.
Nada reached out to the narrator's father, wishing to revive old family stories her dad, Slavko, had shared about their childhood. This initiated a series of letters exchanged between Nada and the father as phone calls were too costly. The letters were filled with reminiscences of their shared past and kinship.
However, the fervent letter exchanges came to a halt when Nada descended into mental illness, leading to her institutionalization. The father's distress was palpable, and in a desperate attempt, he contacted someone at the University of Nebraska to visit Nada. His plea was turned down, exacerbating his devastated state.
Overwhelmed by a feeling of helplessness, the father reached out to various family members and Rivka, seeking a telepathic cure for Nada's affliction. His insistence even led him to push Rivka to visit Nada in Lincoln, an expectation Rivka found impractical to fulfill. His demands and Rivka's inability ...
The father's obsession with his cousin's mentally ill daughter
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In the story, bees are not only a constant presence but also a powerful symbol bound up with the family’s history, the father’s character, and the cycles of loss and survival they endure.
The family's connection with bees begins with their great-grandfather, who first introduced civilized beekeeping to Bosnia from Ukraine in 1912. This marked a departure from the traditional beekeeping methods using straw and mud hives. Over the years, the family’s beekeeping operations grew, surviving wars and transitions, including an expansion from two hives to five, and then 25 hives. Their historical devotion to beekeeping was so significant that it even influenced the decision to leave Sarajevo before the siege.
The father’s life and identity are deeply intertwined with beekeeping. He "keeps bees," continuing a line of work that spans generations. He learned the craft from his father, Ivan, and continued the tradition, overseeing a co-op apiary with about 200 hives. The father’s reminiscing about bees and family gatherings further illustrates his emotional attachment to the practice. Despite challenges and the impossibility of caring for the bees personally due to circumstances, such as war and immigration, he remains connected to this family legacy, eventually starting anew in Canada with the help of a Hungarian carpenter who helps him establish his own apiary.
The communal and interconnected nature of bee colonies reflects the father’s own life story and character. His recounts of revolutionary hive architectures, the profound experience of recognizing a queen bee, and the beauty and logic of the world are imbued with the sense of unity and family mirrored by bees. The bees, like the father and his family, face adversities but are resili ...
The recurring theme of bees, beekeeping history, and bee symbolism
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