In this episode of The Joe Rogan Experience, Joe Rogan, Luis J. Gomez, and Big Jay Oakerson examine how the comedy industry has evolved with the rise of digital platforms. They discuss how podcasting and social media have created new paths for comedians to build audiences and develop material, moving away from traditional venue-based career building.
The conversation spans several other topics, including the history of entertainment at the Roman Colosseum, where gladiators were more like professional performers than fighters to the death. They also explore academic resistance to unconventional theories about ancient civilizations, and share observations about the changing nature of cars, from the appeal of manual transmissions to the challenges of repairing modern vehicles.
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Joe Rogan and his guests discuss how the comedy industry has evolved from traditional venues to digital platforms. According to Rogan, while comedians previously built their audience through club performances, podcasting has now become a crucial platform for connecting with fans and developing material. Big Jay Oakerson and Luis J. Gomez note that podcast networks have created alternative career paths for comedians, allowing them to bypass traditional venues while building direct relationships with their audience.
The speakers observe that success in modern comedy requires not just talent but also the ability to sell tickets and maintain strong social media presence. They discuss how audience feedback through social media can significantly influence a comedian's material and career trajectory.
The discussion turns to the spectacular events held at the Roman Colosseum. According to Rogan and Gomez, the venue hosted various entertainments, from exotic animal hunts to dramatic gladiator battles, all enhanced by impressive technical features like trapdoors and pulley systems for dramatic effect.
Rogan explains that contrary to popular belief, gladiatorial combat wasn't typically fought to the death. Instead, gladiators were more like professional entertainers, focusing on performance rather than fatality. The speakers note that the Colosseum's seating arrangements reflected Roman social hierarchy, with wealthy citizens receiving the best views while poorer spectators watched from distant "rafters."
Joe Rogan explores academic resistance to unconventional theories, using Graham Hancock's work on ancient civilizations as an example. He discusses how scholars proposing alternative historical theories often face significant skepticism and criticism from the academic establishment. Rogan cites the discovery of 22,000-year-old human footprints in White Sands, New Mexico, as an example of how new evidence can challenge long-held academic beliefs.
The conversation shifts to automotive experiences, with Rogan and Big Jay Oakerson expressing nostalgia for manual transmissions and analog cars. They discuss the appeal of older vehicles, specifically praising the durability of brands like Lexus and Toyota Tacoma.
The speakers also address challenges with modern vehicles. Oakerson laments how computer-driven cars are harder to diagnose and repair than their mechanical predecessors. The group discusses how technological advancement, while impressive, has led to increased repair costs and potentially decreased personal connection to driving.
1-Page Summary
The speakers delve into the transformation of the comedy industry, from traditional comedy clubs to the digital realm, emphasizing the rise of podcasting and its impact on comedians’ careers and their interaction with audiences.
Joe Rogan and his guests reminisced about the evolution of comedy, noting how the internet democratized access to comedic content. Rogan notes that comedians used to build a market through frequent performances at clubs, whereas Big Jay Oakerson emphasizes the value of podcasts in making connections with audiences. For instance, Joe Rogan views Kurt Metzger's frequent podcast appearances as essential to maintaining his comedic creativity, comparing his mind to a "division sign filled with formulas." The speakers also reference the importance of shows like "Legion of Skanks" in offering a new space for connecting with fans, as traditional platforms like "Opie and Anthony" did for the previous generation. Luis J. Gomez discusses how Skankfest and podcasting create opportunities for comics to feel closer to their audience, while Joe Rogan likens podcast conversations to green room chats, indicating that podcasts offer a more natural and authentic way for comedians to hone their craft.
Joe Rogan and his guests discuss the various career paths that have emerged within the podcast sphere. They talk about their own experiences, such as moving Shane out and Big Jay taking a position, which illustrates the opportunities arising for comedic talent in the digital space. Luis J. Gomez highlights how podcasting has allowed comedians to bypass traditional comedy venues, with Joe Rogan adding that podcasts provide a less competitive environment than radio. Additionally, Big Jay Oakerson and Luis J. Gomez credit Joe Rogan's podcast for boosting their careers and discuss how podcasting enables comedians to directly engage with a diverse audience outside of standard comedy clubs.
The speakers reflect on how comedic success now hinges on an artist's ability to draw audiences and sell tickets. Joe Rogan recalls how comedians previously built followings through club performances, but now they need endorsements and personal connections with their peers to succeed. With the shift in the industry, comedians like Dave Attell had trouble adapting to the new prerequisite of ticket sales for bookings. Big Jay Oake ...
Changing Comedy Industry and Rise Of Podcasting
The Roman Colosseum is not only an icon of ancient architectural prowess but also a testament to the complex social and entertainment structures of the Roman era.
Spectators of ancient Rome experienced a myriad of events at the Colosseum, from animal hunts involving exotic creatures to dramatic gladiator battles.
Luis J. Gomez and Joe Rogan point out that the Colosseum was a stage for displaying exotic animals such as giraffes and rhinoceroses, which would have appeared completely alien to the Roman audience. In these grand spectacles, animals were not only showcased but also pitted against humans in savage hunts and battles. For instance, the Colosseum hosted events where lions would be hunted.
Adding to the variety of spectacles, Rogan mentions how the Colosseum was a venue for water and boat fights as well. Furthermore, these events, often sponsored by the government, were free and served as a means to appease the populace.
Rogan and Gomez discuss the remarkable technical aspects of the Colosseum that elevated the spectacle, such as trapdoors used to introduce animals into the arena in dramatic fashion. In one instance, these trapdoors even allowed lions to leap out and be launched into the air, much to the shock and delight of onlookers.
Rogan also describes the underground pulley system that was used to hoist animals through the floor unexpectedly. These stagecraft techniques not only augmented the visual awe but were key in keeping audiences enthralled.
Gladiatorial fights in the Colosseum are often thought of as deadly duels to the death, but the realities were different and more complex.
It's explained that gladiators' battles didn't often result in death. They were showmen, akin to today's professional wrestlers, focusing on performance over fatal outcomes. Rogan elaborates that gladiators aimed to avoid serious injury by inflicting superficial wounds on each other, sparing vital organs. If a gladiator were to kill another, the responsible party's owner would be required to compensate the deceased gladiator's owner, as the fighters were considered valuable assets.
Injuries were common, but s ...
Roman Colosseum: History and Ancient Entertainment
Joe Rogan explores the academic world's resistance to unconventional theories, highlighting the challenges faced by scholars proposing alternative histories.
In the realm of academia, the tendency is to favor conventional explanations for historical and archaeological findings, even when these explanations may not align with emerging evidence or reasoning.
Rogan brings up the case of Graham Hancock, a known proponent of the theory of an advanced ancient civilization predating known history. Hancock, among others who have put forward similar ideas, often faces significant skepticism and criticism from the academic community. Rogan discusses how the treatment of these scholars by the academic establishment can be less about evidence-based refutation and more about protecting traditional viewpoints.
Moreover, Rogan delves into the specific accusation made by Flint Dibble against Hancock, associating his work on Atlantis with white supremacy. He discusses how some academics may label alternative theories about ancient civilizations as racist or biased. This labeling, as Rogan and his guests argue, may be employed as a tactic to maintain the academic status quo rather than to engage seriously with new or different interpretations.
The discussion then turns to the underlying incentives and motivations that may drive the academic resistance to new ideas.
Rogan cites the discovery of 22,000-year-old human footprints in White Sands, New Mexico, which disrupts ...
Resistance to New Ideas in Institutions
Joe Rogan, Big Jay Oakerson, and Luis J. Gomez share their experiences and thoughts on driving, emphasizing nostalgia for analog cars as well as discussing the challenges posed by modern automotive technology.
The conversationalists reflect on the appeal of less technologically advanced vehicles and their own driving experiences.
Joe Rogan and Big Jay Oakerson both express a desire to see a resurgence of manual cars. Rogan took his driver's test in his mom's barracuda with a stick shift, showcasing his fondness for the hands-on aspect of driving. Oakerson talks about teaching his daughter to drive stick, emphasizing that it's a useful skill.
Rogan reflects on his first stick shift car, an Audi Fox, which let him feel more connected to the act of driving. He and Oakerson discuss the appeal of driving old cars with more direct control over the vehicle, compared to the smooth controls of modern cars with electric steering.
Big Jay Oakerson recalls lusting after a "boxy looking Mustang 5.0," which was popularized by Vanilla Ice. Rogan acknowledges that it was a good car, and Oakerson shares a memory of wanting a Mazda Miata. Rogan talks about Miata conversions, where companies like Flying Miata would put a V8 engine in the small cars, enhancing their appeal.
They discuss the durability and lasting value of older vehicle brands such as Lexus, Acura, and Toyota Tacomas. Rogan specifically lauds the long-lasting nature of Tacoma trucks, calling them "bulletproof."
Luis J. Gomez and others mention how modern cars sometimes are styled to evoke a vintage look, and Oakerson expresses interest in getting an older car fitted with a new engine, wanting the classic driving experience.
The group delves into the complications that come with the advanced technology present in modern vehicles.
Oakerson laments how modern cars are filled with computers and how the engines are hidden under plastic coverings, making it difficult to work on them as people used to. He talks about the reliance on computers to diagnose issues, causing frustration when the check-engine light doesn't lead to a clear diagnosis or repair.
Joe Rogan echoes the sentiment, pointing out the complexity of modern cars and the shift in the work of mechanics. They both suggest that local mechanics may struggle because of the specialized computer programs needed for diagnostics and repairs.
Luis J. Gomez ...
Personal Experiences and Anecdotes About Driving and Cars
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