This episode of The Joe Rogan Experience features a discussion with comedian Big Jay Oakerson about the changing landscape of the comedy industry. They explore the evolution of comedy, from traditional styles and venues to modern platforms like podcasts and digital distribution channels. Rogan and Oakerson examine the challenges comedians face in navigating the transition and audience expectations.
The conversation also delves into building a successful comedy career, touching on potential paths such as television deals, movies, and developing a unique voice with a loyal fanbase. Oakerson shares personal experiences and encounters in the tightly-knit comedy world, including interactions with well-known performers and industry figures. While reflecting on the unpredictable nature of the industry, the comedians emphasize maintaining perspective and embracing their individual comedic styles.
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Big Jay Oakerson and Joe Rogan discuss comedy's shift from traditional styles and venues like improv clubs to modern mediums like podcasts and digital distribution. Oakerson notes how comics once adapted to specific audiences, like wearing urban attire for the "black circuit." Rogan recalls a "comedian costume" expected for TV like wacky shirts. But now, shows like Oakerson's "Legion of Skanks" on Gas Digital reflect the growing independence.
Rogan warns against losing creative edge by only playing to friendly crowds. Oakerson agrees on the value of diverse settings. They parallel comedy's evolution to the music industry's digital transition faced. Oakerson says patience is key as styles persist despite criticism. Rogan suggests social justice pressures in comedy have waned.
Oakerson shares his manager's past advice to aim for a sitcom. Rogan says that was once the pinnacle goal, along with hosting late night TV. Rogan details his accidental acting path, while Oakerson cites doing "Z Rock."
However, they note sitcom pitfalls like network interference and advise balancing acting with stand-up. Oakerson prefers stand-up over acting roles like "Hustlers."
Oakerson believes in staying true to one's style over chasing trends, pointing to comedians like Bargatze who succeeded that way. Rogan praises Oakerson's consistent performing to build his fanbase for "Legion of Skanks" and Skankfest.
Oakerson feels big names like Chappelle are reluctant to engage lesser-known comics. Rogan Similarly wasn't with the manager of other famous comics his level. Oakerson and Rogan discuss boundary challenges in the tight-knit industry.
Oakerson recounts Rob Zombie not remembering him, contrasting Rogan's positive Axl Rose interaction. Rogan shares his sobering experience meeting a struggling Chris Farley. Oakerson talks about Jim Carrey's intense Kaufman biopic method acting.
They underline managing audience expectations, with Oakerson removing himself from some shows if he won't fit the expected style. Rogan and Oakerson emphasize perspective and humor amid the industry's unpredictable nature.
1-Page Summary
Big Jay Oakerson and Joe Rogan dissect the comedy industry's evolution from traditional norms to modern styles and mediums, highlighting a landscape that is now drastically different from the one they entered.
Oakerson and Rogan reminisce about their early days and how adapting one's style and presentation to specific audiences was once a more significant part of a comedian's career. Oakerson discusses his own experience performing in the black circuit, adapting his attire to fit in by wearing FUBU and jerseys. He also touches on the expectation to adapt to a certain comedic mold to appeal to audiences, referencing his wearing of a big silver chain with a cross, despite being Jewish.
Rogan recalls a time when there was a 'comedian costume,' and parallels were drawn to acts from shows like "Evening at the Improv," where a blazer and a wacky t-shirt were worn to emphasize a comedic style conducive to getting comics into sitcoms. This expectation has shifted, with Oakerson observing the insanity of comedy's evolution. For example, "Legion of Skanks," a show created independently and distributed on the less censored platform of Gas Digital, reflects the growing independence within the industry.
The conversation between Oakerson and Rogan indicates there has been a shift in industry standards and expectations. Comedians now present themselves in a way that resonates with a broad and diverse audience. This could also extend to their choice of venues and the variety of performances. Rogan warns of the dangers comedians face when they lose their edge by performing solely for their own crowds in theaters with a lame opening act. He suggests that comedians need to maintain a routine that includes performing in multiple settings to keep their creativity and skills sharp. Oakerson concurs, underscoring the value of this approach.
The duo also discuss the parallel between the music industry's evolution and the transformation in the comedy sector. Just as art ...
Evolution and Changing Landscape of the Comedy Industry
In the dynamic realm of comedic entertainment, Joe Rogan and Big Jay Oakerson delve into various aspects of a comedian's journey towards success. They share insights on how comedians have adapted, balanced different opportunities, and maintained their unique voice while growing their fanbase.
Oakerson's manager once advised him to create a set that could transition into a sitcom as a traditional route to success in comedy. Joe Rogan adds that in the past, a comedic act that could morph into a sitcom was central to a comedian's rise. This trajectory was reflected in the industry-wide ambition to headline a sitcom or host the Tonight Show, considered the pinnacle of success and financial reward in comedy.
Rogan shares his own accidental entry into the acting world that resulted from a chance discovery by his manager, leading to roles in "Hardball" and "News Radio" and Oakerson speaks about his experiences on the IFC show "Z Rock." However, Rogan also illustrates the potential pitfalls of sitcoms, such as network interference and long hours.
Both Rogan and Oakerson discuss the antiquated idea of chasing sitcoms and note that some comedians would boast about holding deals with networks despite their shows never coming to fruition.
Oakerson discusses his preference for the stand-up circuit over commercial roles and stresses the importance of maintaining ties with stand-up comedy, even when acting opportunities arise. He reflects on how some comedians have drifted from stand-up after moving to LA for acting, then struggled to return to the comedy scene.
Rogan relates to this, citing how his work on "News Radio" led him to neglect his stand-up routines. He planned to move back to New York to resume stand-up but wound up staying in LA due to his lease and inadvertently securing his role on "News Radio."
Oakerson shares his experience filming "Hustlers," highlighting the vastly different nature of a comedy set compared to a movie set. He contrasts his experiences with that of Dan Soder, who enjoys not only acting but also the processes on set. Rogan emphasizes how regular stand-up can bolster a comedian's comfort on stage in contrast to the sporadic rhythm of acting.
Oakerson believes in staying true to his comedic voice, even when it doesn't perfectly align with shows like on the History Channel, suggesting fidelity to one's style trumps chasing trend ...
Building a Comedy Career In Entertainment
Big Jay Oakerson and Joe Rogan share insights and anecdotes about the unique dynamics of the comedy scene, interactions with high-profile performers, and the difficulties of comedic growth in a rapidly changing environment.
Discussions centered on the comedy community dynamics often reveal the subtle challenges and social navigation required by comedians as they interact with audiences and each other.
Oakerson highlights the hesitance he observes with high-profile comedians like Dave Chappelle and Chris Rock, noting that despite meeting them multiple times, they still seem unfamiliar with him. He feels this reflects a broader trend of established comedians possibly being reluctant to engage with up-and-coming performers. This was also touched upon by Joe Rogan, who mentions being with the same manager since his early days and not a client of Barry Katz—a well-known figure who managed multiple other comedians who frequently worked at a particular comedy club.
Oakerson and Rogan discuss the pitfalls of navigating a tight-knit industry where maintaining relationships and boundaries can be tricky, especially for newer comics who might invite experienced comedians like Oakerson to their shows, unintentionally highlighting the disparities in how performers are valued at different stages of their careers.
The conversation between Oakerson and Rogan often veers towards their various run-ins with other celebrities and the diverse scenarios that arise from these interactions, ranging from awkward encounters to heartening anecdotes.
Oakerson notes that despite touring with Rob Zombie, Zombie does not seem to remember him, and recounts a time when his group couldn’t get into a Zombie movie despite having passes. In another vein, Rogan recounts a positive interaction with Axl Rose who recognized him and invited him to a Guns N' Roses concert, contrasting sharply with Oakerson's awkward attempt to engage with Jennifer Lopez during a performance.
Discussions around experiences with celebrities often reveal underlyi ...
Personal Experiences and Encounters in the Comedy World
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