In this episode of The Daily, the composition and surprising results of a list of the best books of the 21st century are dissected. Over 500 literary professionals contributed ballots, aiming to capture a snapshot of current preferences. The panelists analyze standout entries, from Elena Ferrante's "My Brilliant Friend" claiming the top spot to George Saunders' distinctive voice resonating across multiple works.
The discussion also highlights notable trends and omissions, including the prevalence of literary fiction over genre fiction, the absence of acclaimed autobiographical works like "My Struggle," and the impact of novels providing escapism through historical or dystopian settings during turbulent times.
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Over 500 literary professionals contributed ballots to compile a list of the best books of the 21st century. The selection process aimed to capture a snapshot of literary preferences at a given time, including quirky but impactful choices, according to Scott Heller and Gilbert Cruz.
The panelists expressed surprise that Elena Ferrante's "My Brilliant Friend" claimed the number one spot. Tina Jordan and Joumana Khatib speculate this may be due to the book's rich female friendships, "Ferrante Fever," and serialized format allowing deep character development.
Khatib and Cruz discuss Ferrante's pseudonymous identity fueling intrigue, while Khatib highlights the enduring popularity and complexity of the Neapolitan Quartet over 1,000 pages.
The list skewed towards literary fiction over commercial bestsellers and genre fiction. Cruz questions if respondents prioritized "literary value" over pure readability, echoing Jordan's sentiment that personal greatness criteria may have guided selections.
While underrepresented, the nonfiction works showcased a range of styles: biographies (Douglass), histories (Caro's LBJ volume), investigative works ("Say Nothing"), and memoirs ("H is for Hawk," "Random Family").
Historical fiction novels resonating with modern readers had a strong presence, potentially offering an "escape" from present-day realities while exploring relevant themes.
The panelists expected more dystopian and bleak fiction on the list, suggesting an audience preference for less emotionally taxing stories during challenging times.
Saunders stood out with three books, praised by Khatib for humorously tackling difficult subjects and making profound experiences feel manageable. Heller notes Saunders' MFA influence.
These novels retained cultural resonance, securing their status as influential early 21st century works.
Surprisingly, Knausgård's acclaimed autobiographical series was omitted, perhaps due to votes being divided across the six volumes.
1-Page Summary
In discussing the creation of the list of the best books of the 21st century, panelists reveal insights into the selection process and public reaction to the surprising choices.
The list's compilation process was thorough and included opinions from a wide range of literary professionals. Scott Heller emphasized that many contributors were open about their selections, even if they were quirky or not widely voted for by others. Gilbert Cruz likened the list to a snapshot of preferences at a specific time, without focusing only on bestsellers or award winners. Scott Tureaud, for instance, included all four books of Elena Ferrante's Neapolitan Quartet on his ballot, highlighting how individual choices could reflect personal impact and the expected longevity of works.
Both Tina Jordan and Joumana Khatib were surprised to find "My Brilliant Friend" at the top of the list. They considered various reasons why Ferrante's work resonated so deeply with readers, from the intricacy of the female friendships it portrayed to the "Ferrante Fever" that surrounded the books and their HBO adaptations. The series' long, serialized format and thorough character development were speculated as factors that might have enabled it to make a more impactful and enduring impression than other popular works like "Gone Girl."
The panel also discussed Elena Ferrante's pseudonymous identity and the enduring appeal of her books. Gilbert Cruz and Joumana Khatib touched on the intrigue surrounding Ferrante's real identity, while Khatib pointed out the sustained popularity and complexity of Ferrante's storytelling, especially as experienced over a thousand pages across the Neapolitan Quartet.
The composition and critical reception of the 100 book list
The podcast panel explores the diversity of genres represented on a noteworthy list of books, noting an array of both nonfiction and fiction works.
Despite nonfiction being underrepresented compared to fiction, the books on the list spanned a wide range of subjects and styles. For instance, the podcast mentions well-regarded nonfiction works like the Frederick Douglass biography, Robert Caro's monumental fourth volume in his series on Lyndon B. Johnson, and "Say Nothing," a work characterized as investigative true crime. Additionally, they discuss memoirs such as "H is for Hawk" and "Random Family" by Adrienne Nicole LeBlanc, showcasing the variety within the nonfiction genre.
The prevalence of historical fiction on the list was seen as potentially reflecting a desire to escape the realities of the contemporary world. These narratives, while set against the canvas of the past, often offer commentary and insight into issues and challenge ...
The representation of different literary genres and styles on the list
The hosts discuss notable inclusions and surprising omissions in a recent list that highlighted significant literary contributions, shedding light on the diverse tastes within the reading and critical communities.
George Saunders, an author renowned for his unique voice in both short stories and novels, stood out on the list with three entries, including "Lincoln in the Bardo" and two of his story collections.
Joumana Khatib praises Saunders for his ability to touch on significant subjects in a style that is both bizarre and humorously poignant, thereby making substantial human experiences seem manageable. Scott Heller adds that Saunders' work notably influences taste within MFA programs, possibly shaping the current generation of writers.
On the list, works like "The Corrections" (2001) and "The Known World" (2003) firmly retain their resonance among readers and critics, marking their significance as landmark fiction of the early 21st century.
Notable books and authors that appeared on the list
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