I'm Sorry Timothée Chalamet

How does the way you see something affect what you see? Does the public really need museums and art critics to explain an artwork’s meaning to them? In Ways of Seeing, published in 1972, critic John Berger argues that throughout history, the way we see art has been manipulated by a privileged minority to preserve their social and economic dominance. The book challenges the idea that to understand and appreciate works of art, we need experts to “translate” them for us. Rather, Berger urges us to pull back the curtain and look at the images before us with our own eyes.

In this guide, we explore Berger’s premise that, throughout history, the dominant class has used art and art criticism to “mystify” the working class. Additionally, we add historical background on both the artwork Berger analyzes and the landscape in which Berger is writing, and compare Berger’s ideas to those of contemporary art and culture.

A theft scandal at the British Museum has fueled the debate over repatriating culturally important objects. Those in favor of repatriation say that many objects were stolen or taken unethically. Opponents say museums are the safest places for them and it’s often unclear who they belong to.

How does the way you see something affect what you see? Does the public really need museums and art critics to explain an artwork’s meaning to them? In Ways of Seeing, published in 1972, critic John Berger argues that throughout history, the way we see art has been manipulated by a privileged minority to preserve their social and economic dominance. The book challenges the idea that to understand and appreciate works of art, we need experts to “translate” them for us. Rather, Berger urges us to pull back the curtain and look at the images before us with our own eyes.

In this guide, we explore Berger’s premise that, throughout history, the dominant class has used art and art criticism to “mystify” the working class. Additionally, we add historical background on both the artwork Berger analyzes and the landscape in which Berger is writing, and compare Berger’s ideas to those of contemporary art and culture.

In "The Broski Report with Brittany Broski," our charismatic host invites listeners on a personal and intellectual adventure. Brittany Broski stuns with her eclectic interests, delving into everything from her love for literature and music to her critiques of art history. With candid personal revelations, deep discussions, and delightful humor, Broski unravels the threads of adult fantasy novels, intellectual mysteries, and dystopian narratives, revealing how they have influenced her understanding of the world. At the same time, she tunes into her vast array of musical interests, reflecting on the genre's evolution and her admiration for the artists within.

Broski's podcast, however, isn't just about her sharing insights. She deeply values audience involvement, opening the floor to recommendations for book genres, extending ongoing conversations to her various social media platforms, and inviting listeners to take part in her future plans. Adding hints of mischief along the line, Brittany ensures that, while intellectually stimulating, her "learning hour" is also a space of intimate connections and unending amusement. Be a part of this enthralling journey where literature, music, art, and culture are dissected with a unique point of view and engaging humor.

In Leonardo da Vinci, Walter Isaacson narrates the life, accomplishments, and struggles of the Italian painter, engineer, and scientist—the ultimate Renaissance man. He traces Leonardo’s evolution, finds explanations for his flaws, and extracts lessons from his life and work that you can apply to your own.

Isaacson believes that making cross-disciplinary connections is at the core of being innovative, creative, and, ultimately, a genius. There’s no better example of this than Leonardo da Vinci. His studies in science, engineering, and art helped him satisfy his curiosity and understand the world around him, and they contributed to making his masterpieces scientifically accurate, innovative, and intriguing.

Our guide explores the known facts of Leonardo’s life, the key elements of his genius, and the lessons you can learn from him. We also discuss the historical context of Leonardo's life and work and connect Isaacson's lessons to other authors’ complementary advice.

Steve Kandell’s sister died in the 9/11 terrorist attacks. Years later, with roiling emotions, he visited the tourist attraction dedicated to the tragedy.

Join the hosts of the 'Last Podcast On The Left'—Marcus Parks, Ben Kissel, and Henry Zebrowski—as they dig deep into the nuts and bolts of historical storytelling with guest Dan Carlin from the acclaimed "Hardcore History" series. This episode peels back the layers on the art and complexity of narrating the past: from the necessity of context for comprehension to the craft of creating enthralling historical narratives with philosophical depth. Carlin shares his intricate process for evaluating the reliability of sources and intertwines this discussion with his personal experiences, including his initial reservations about podcasting and his transformation into a pioneering figure in digital history-telling.

The conversation doesn't shy away from speculative and lighter topics, either. Dan, alongside the show's notable personalities, indulges listeners in 'what-if' scenarios about figures such as Rasputin, interjects humor into the serious business of history, and even ventures into cosmic speculation about extraterrestrial life. In a tribute to Carlin's commitment to his craft, the episode wraps up by guiding listeners on how to delve even deeper into the "Hardcore History" archives, integrating support for sustaining passionate content creation. The pairing of the Last Podcast Network’s irreverent charm and Carlin’s expertise promises a fascinating blend of insight, education, and entertainment.