In this episode of Stuff You Should Know, we explore the history of Broadway theater, from its humble beginnings as a Lenape trail through Manhattan to its emergence as a world-famous entertainment district. The hosts trace Broadway's development through key moments, including the first New York theater performance in 1732, the rise of the Schubert brothers, and the revolutionary contributions of figures like Oscar Hammerstein II and Jerome Kern.
The episode covers Broadway's evolution through various eras, examining landmark shows from "Showboat" to "The Phantom of the Opera," and the transformation of Times Square from an adult entertainment hub to a family-friendly destination. The hosts also discuss contemporary developments in Broadway theater, including the emergence of jukebox musicals and the ongoing challenge of ticket accessibility.
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Broadway's journey began as a Lenape tribe trail through Manahatta, later formalized by Dutch settlers as "De Heerstraat" or "Gentleman's Way." The first New York theater performance took place in 1732 on Nassau Street, but it wasn't until theaters began clustering around Longacre Square (later Times Square) that the theater district truly emerged. Oscar Hammerstein I's theater construction and the development of the Interborough Rapid Transit (IRT) system helped establish the area's prominence, while the Schubert brothers further expanded its reach.
Oscar Hammerstein II and Jerome Kern revolutionized musical theater by creating the "book musical" format, where songs integrate with the plot. Their 1927 production "Showboat" broke ground by combining white and black performers and addressing serious themes. Later, Rodgers and Hammerstein dominated the industry with hits like "Oklahoma!" "South Pacific," and "The Sound of Music," establishing the importance of "triple threat" performers who could sing, dance, and act.
"West Side Story" pioneered the concept musical format, setting new standards for integrating choreography with song and acting. Josh Clark notes that starting in 1975 with "A Chorus Line," Broadway entered an era of iconic shows including "Chicago," "Les Misérables," "Cats," and "The Phantom of the Opera." The latter, known for its elaborate production design, achieved an impressive 35-year run with 13,981 performances.
Times Square's character shifted dramatically post-World War II, becoming known for adult entertainment. The area's revival began when Mayor David Dinkins struck a deal with Disney CEO Michael Eisner to bring family-friendly entertainment to the district. Disney's successful renovation of the New Amsterdam Theater and the triumph of "Beauty and the Beast" proved that family entertainment could thrive in Times Square.
Broadway has seen the rise of "jukebox musicals" like "Mamma Mia" and "Rock of Ages," which incorporate popular songs into their narratives. However, accessibility has become a growing concern, with shows like "Wicked" and "Hamilton" breaking revenue records but commanding high ticket prices. Chuck Bryant notes that while mail lists and TKTS booths offer some relief through discounted tickets, Broadway remains financially out of reach for many potential theatergoers.
1-Page Summary
Broadway's rise from a native trail to the pinnacle of American theater is a story of transformation and creative growth. Connecting the past to the present, the origins of Broadway show how geography, transportation, and influential figures played a key role in establishing what would become the heart of New York City's cultural life.
The thoroughfare we know as Broadway began its history as a trail used by the Lenape tribe, which snaked through 13 miles of Manahatta to connect different Lenape communities. With the arrival of the Dutch and the establishment of New Amsterdam—later to be named New York—the trail was formalized into a roadway known as "De Heerstraat," translated from Dutch as "Gentleman's Way," and also referred to as "Bredweg" or "Broad Road" by the English settlers.
In 1732, a notable cultural milestone took place with the first recorded performance of a play in New York. The play, "The Recruiting Officer," was performed by Londoners passing through the city. Taking place at the New Theater on Nassau Street, this initial performance wasn't staged in the current theater district, but rather in what is now the financial district, situated quite a distance from where New York's theater life would eventually centralize.
As the genesis of the theatrical industry began, establishments of showbiz started to cluster around Longacre Square, an area that would later be known as Times Square. It was not just the geographical area that defined the burgeoning theater district but also key personalities who invested in it.
Significantly, Oscar Hammerstein I was instrumental in building theaters that would anchor the cultural eminence of New York City's theater district. Hammerstein, along with others, believed in the potential of this area to become a central hub for arts and entertainment.
Complementing the physical ...
The Origins and Early Development of Broadway Theater
Oscar Hammerstein II, in collaboration with composer Jerome Kern, is credited with a significant evolution in the world of musical theatre — the creation of the "book musical," where songs and sketches are integral to the storyline, moving the action forward rather than merely serving as interludes. This was a marked departure from the early structure of musicals like "The Beggar's Opera" in New York, which consisted of unrelated songs and additional acts.
Their groundbreaking production "Showboat" in 1927 was not only instrumental in forwarding the new format, but it was also controversial for its time by integrating both white and black performers on the same stage. "Showboat" confronted serious themes, including racism, making it a substantial departure from the lighter fare that had typified musicals up to that point. It was a serious, dramatic story with true integration, although the inclusion of blackface in the performance sparked confusion among modern commentators.
Rodgers and Hammerstein, two pivotal figures in the musical industry, crystalized the importance of the "triple threat" performer — individuals who excelled at singing, dancing, a ...
Evolution of Broadway Musicals and Key Figures
Broadway has been the stage for various landmark shows that have defined different eras, pushing the boundaries of what musical theater can be. From the concept musical "West Side Story" to more contemporary hits like "Hamilton," Broadway shows have mirrored and shaped societal dynamics.
"West Side Story" was a groundbreaking production that helped define the "concept musical," focusing on a central theme. This categorization draws attention to works that are built around an idea or a message rather than simply a continuous storyline.
The show set new standards in theater, particularly highlighting the importance of actors being able to sing, dance, and act—leading to the requirement of the "triple threat" in musical theater. Stephen Sondheim and Leonard Bernstein played pivotal roles in "West Side Story," with Bernstein as the composer and Sondheim penning the lyrics.
Although not explicitly mentioned in the content provided, considering its historical relevance, "Hair" launched in 1968 as the first rock musical, mirroring and influencing the social and political climate of its time. Its controversial nude scene was groundbreaking for Broadway, challenging public notions of decency and the limits of artistic expression.
While specific details about "Rent," "Wicked," "Hamilton," and "Dear Evan Hansen" are not provided, these shows continued the tradition of tackling serious themes and broadening the horizon of what is acceptable and expected on Broadway.
Josh Clark notes that several iconic shows were launched during a 12-year period, starting in 1975 with the concept musical "A Chorus Line." Chuck Bryant lists some other shows that e ...
Landmark Broadway Shows That Defined Different Eras
Post-World War II, Times Square evolved into a hub for adult entertainment, including burlesque theaters, peep shows, and eventually, pornography theaters. Before the 1970s, Times Square was quite rowdy, with a 1 a.m. curfew, speakeasies during Prohibition, and burlesque shows in the '30s. This atmosphere continued to decline through the '60s into the '90s.
The area’s transformation was set into motion by the collective efforts of New York City mayors Ed Koch, David Dinkins, and Rudy Giuliani, among others. The turning point for Times Square came when Mayor David Dinkins made a landmark deal with Michael Eisner, CEO of Walt Disney Company, to introduce family-friendly Disney attractions as a counterbalance to the adult-entertainment presence.
Disney's intervention began with the renovation of the historic New Amsterdam Theater, which was part of the 42nd Street Development Program and had been acquired by New York City in 1992.
The Transformation of the Times Square Theater District
Broadway theater experiences ongoing transformation, with jukebox musicals enjoying success and high ticket prices raising concerns about accessibility.
Broadway has seen the rise of "jukebox musicals," a genre that uses well-known pop songs for its score, intertwining them with a unifying story.
Among the successful jukebox musicals are "Mamma Mia," which debuted in 2001 featuring the music of ABBA, "Rock of Ages" that rocks the stage with 80s hits, and the Carole King biomusical that tells the story of the iconic singer-songwriter through her own music.
Though the productions are thriving artistically, they are also becoming known for their high ticket prices.
Broadway shows like "Wicked" and "Hamilton" have been breaking records in terms of revenue, with "Wicked" having the first-ever show to earn $5 million in a single week and overall Broadway grosses last season reaching $1.54 billion. The high demand for these shows has resulted in average ticket prices soaring. "Wicked" tickets average at $290, and during the peak of its popularity, "Hamilton" tickets were being resold for as much as $1,200.
Chuck Bryant of Broadway Direct highlights the popularity of mail lists that alert subscribers to ticket sales, which can sometimes offer more affordable prices. This is echoed by the existence of TKTS booths that offer same-day tickets at discounted prices, suggesting that normally, tickets may be prohibitively expensive.
Josh Clark compares Broadway productions to blockbuster movies, implying that the invested capita ...
More Recent Developments in Broadway Theater
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