What makes a disaster film captivating? In this episode exploring the disaster movie genre, Stuff You Should Know examines the hallmarks of films depicting large-scale catastrophes like natural disasters, technological failures, and extraterrestrial threats. The hosts trace the genre's evolution from its 1930s origins through the 1970s ensemble cast boom and the 1990s CGI-fueled revival.
They discuss how disaster movies focus on survival amid ongoing emergencies, often with an "everyman" hero. Key examples showcase the genre's penchant for spectacular effects portraying destruction while facing criticism over stereotypical characters and oversimplified human dynamics. The episode provides an insightful look at this popular genre's enduring appeal and how it reflects societal anxieties about calamitous events.
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As Josh Clark and Chuck Bryant discuss, disaster movies depict catastrophic events threatening many people, whether natural disasters, technological failures, pandemics, or extraterrestrial forces. The protagonists must navigate these crises' impacts and challenges.
A critical element is the focus on the survivors' fight against an ongoing, large-scale emergency, showcased in films like "The Towering [restricted term]." While some characters may perish, the genre expects leading stars to ultimately survive.
The genre emerged in the 1930s with films like "Deluge" depicting natural force destruction, establishing core themes.
The 1970s saw a boom in ensemble cast disaster movies exploring interpersonal dramas amid catastrophes. Tropes like the "Everyman" hero and teamwork amid crises emerged. While lucrative, films faced criticism for schlocky effects and gender stereotypes.
The 1990s revived the genre with CGI enabling realistic, spectacular disaster depictions in movies like "Twister" and "Independence Day." However, criticism persisted over gender stereotypes and simplistic societal portrayals.
Foundational films like "Deluge" and "San Francisco" showcased the destructive power of disasters, defining the genre's premise.
The "disaster movie boom" era featured notable films like "The Towering [restricted term]" with ensemble casts, dramatic narratives, and novel special effects. Posters highlighted the star power. However, criticism arose over stereotypes and simplistic human dynamics.
Movies like "Twister," "Independence Day," and "The Day After Tomorrow" pushed boundaries with CGI realism and depicted threats on a global scale. However, underdeveloped female roles and simplified societal issues remained points of criticism.
1-Page Summary
The disaster movie genre is a staple of cinematic entertainment, providing audiences with thrilling tales of survival and perseverance amidst catastrophic events.
Disaster movies typically portray catastrophic events that pose a serious threat to a large number of people, whether caused by natural disasters, technological failures, pandemics, or extraterrestrial forces.
Discussing the genre, Josh Clark expresses a fondness for disaster movies, making a specific reference to "The Day After Tomorrow." The characters in these films might grapple with a variety of disaster scenarios, including human-made disasters such as climate change or global pandemics, as well as extraterrestrial threats like alien attacks or comets on a collision course with Earth.
In disaster movies, characters are depicted as they navigate the complications and dangers presented by catastrophic events. Whether they are responding to a natural disaster, technological mishap, alien invasion, or any other form of catastrophe, the film's protagonists are seen actively confronting and trying to overcome the crises.
Defining the Disaster Movie Genre
Josh Clark and Chuck Bryant explore the development of the disaster film genre from its inception in the 1930s to modern times, discussing the rise and fall of the genre as well as its resurgence in the 1990s.
Clark introduces "Deluge" from 1933 as an early disaster film, where New York City is destroyed by a tsunami, establishing the genre's core theme of large-scale destruction by natural forces.
The 1970s marked a boom in disaster films such as "Airport", which started a trend of movies with large ensemble casts, earning high box office returns by exploring interpersonal dramas amidst catastrophic events. The success of "Airport" caught studio bosses' attention, leading to the production of more disaster movies.
Clark recommends "The Towering [restricted term]" as a definitive disaster movie, and Bryant mentions "Earthquake" from 1974 featured Charlton Heston trapped in a skyscraper during an earthquake. They discuss how "Earthquake" signaled that the boom would not last forever, especially with its schlocky moments like camera-shaking earthquake scenes and freeze-frame animated blood splatters. "The Swarm" from 1978 is noted as the film that ended the disaster movie boom of the 1970s, marked by a series of flops culminating in "When Time Ran Out" in 1980.
Bryant discusses the emergence of the "Everyman" hero in disaster films, such as the oil rig workers in "Armageddon" and actor Gene Hackman in "The Poseidon Adventure." They also note that "The Towering [restricted term]" showcased a trope of teamwork during disasters.
Clark and Bryant discuss the resurgence of disaster movies in the 1990s, with the introduction of visually spectacular films like "Twister" and "Independence Day," which were aided by new CG ...
The History and Evolution of Disaster Movies
The evolution of disaster movies across different eras—from their foundations in the early 20th century to the technologically-advanced productions of recent times—reveals the genre's drawing power and its characteristic tropes.
Disaster movies began depicting cataclysmic events in the 1930s with films such as "Deluge" and "San Francisco." "Deluge" from 1933 showcased the destructive force of a disaster with several minutes dedicated to New York City’s destruction, while "San Francisco," rooted in the 1906 earthquake, also depicted the havoc wreaked by natural disasters, setting a precedent for the genre.
During the 1970s, the disaster movie genre experienced a significant boom characterized by ensemble casts, dramatic storylines, and novel special effects.
Clark highlights "The Towering [restricted term]" as a memorable disaster film from this era that depicts a catastrophic skyscraper fire, augmented with groundbreaking special effects. Movie posters from this time, such as that for "Towering [restricted term]," often featured the star-studded cast to attract audiences.
Despite their popularity, disaster movies of this period faced criticism for employing pervasive stereotypes, such as the brawny but dumb guy, the astute scientist, and women relegated to roles needing rescue. "The Towering [restricted term]," "Earthquake," and others were implied to have simplistic narratives. "The Swarm" and "When Time Ran Out" were specifically criticized for poor character portrayals and insufficiently convincing effects. Overall, the genre was scrutinized for simplifying human dynamics into black-and-white moral categories and not providing substantial roles for women.
Prominent Examples of Disaster Movies Over the Decades
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