In this episode of Stuff You Should Know, the hosts delve into the fascinating origins and evolution of fairy folklore across Europe. From the diverse mythologies that preceded the term "fairy" to the modern winged humanoid depiction, the blurb traces the changing perceptions and cultural identities intertwined with these supernatural beings.
The episode explores the resurgence of fairy lore in the 19th-20th centuries, fueled by growing nationalistic movements and writers like W.B. Yeats. It also examines the influence of fairies on art, from Victorian paintings to the Cottingley Fairies hoax, as well as their enduring presence in literature, from the Brothers Grimm to J.M. Barrie's iconic Tinkerbell. The episode unravels the mystique surrounding these mythical creatures and their manifestations across various narratives and visual art forms.
Sign up for Shortform to access the whole episode summary along with additional materials like counterarguments and context.
The podcast reveals that traditions about human-shaped supernatural beings existed across Europe by the 12th century. These beings lived in a parallel world to humans. The term "fairy" itself emerged much later. Earlier concepts associated fairies with unexplained phenomena and illnesses.
In medieval times, fairies were tied to maladies like rashes and thought to steal human babies. Christianity led to the eradication of earlier gods and nature spirits from which fairies descended.
The modern depiction of fairies as small winged humanoids surfaced in 18th-century literature. During the Victorian era, fairies were portrayed as insect-like beings with colorful, translucent wings. Their origins and nature were elaborated on, from fallen angels to spirits of unbaptized babies.
In the 19th century, the podcast states, a cultural movement across the British Isles embraced fairy folklore as part of regional identities. For example, in Ireland, elves were seen as descendants of the Tuatha Dé Danann, an indigenous magical people.
Writers and scholars like W.B. Yeats helped popularize traditional fairy stories and beliefs. Some avoided disturbing fairy sites even in the 20th century, showing folklore's real-world impact.
Victorian painters depicted fairies as idealized, nude humanoids, using the "fairy loophole" to avoid censorship, the podcast explains.
In 1917, the Cottingley Fairies hoax capitalized on the public's interest in fairies and the supernatural. Endorsed by Arthur Conan Doyle, it perpetuated the idea of fairies' existence.
The Brothers Grimm compiled fairy tales in 1812. J.M. Barrie introduced the iconic Tinkerbell in Peter Pan and the concept of fairy dust.
Fairies persist as motifs in films, TV, and children's books, embodying mystique and manifesting in diverse narratives and visual art.
1-Page Summary
Fairy folklore has a rich and diverse history in Europe, with beliefs and traditions that have evolved significantly over the centuries.
Fairy lore has long been a part of various European cultures, each with their own distinct traditions and definitions of what constitutes a fairy. By the 12th century, traditions about human-shaped supernatural beings were firmly established. These beings were not considered angels or devils, but rather lived in a parallel world to humans with much longer lifespans.
The term "fairy" itself is much more recent than the lore surrounding these creatures, only appearing in language in the late medieval period. Before fairies were seen as a distinct category, they existed as various supernatural elements with fairy-like traits across different cultural groups. The podcast reveals that the earliest concepts of fairies and similar beings included associations with unexplained illnesses and phenomena.
In early folklore, fairies and elves were often linked to diseases or mysterious health problems that would suddenly arise. For example, if cows died unexpectedly, it could have been ascribed to the work of elves. This indicates their connection to unexplained phenomena. Elves were not always depicted as charming; rather, in older traditions, they were frequently tied to maladies such as rashes and other health issues.
Early scholarly works from the medieval period document encounters with fairies, suggesting that belief in these entities was well-integrated into the culture of the time. However, the advent of Christianity saw the demonization or eradication of earlier gods and nature spirits from which fairies and elves probably evolved. In particular, fairies were thought to steal human babies and replace them with changelings, especially in cases where a child sud ...
The origins and evolution of fairy folklore
The fairy beliefs of yore are not just consigned to the past; they are experiencing quite the renaissance in modern times, particularly in the British Isles. This resurgence is linked to growing national pride and a reclamation of cultural identities within the regions of Ireland, Cornwall, Wales, and the Scottish Highlands.
During the 19th century, the British Isles saw a cultural movement that embraced fairies and fairy lore as a key component of national pride and identity. The whimsical belief in fairies has endured into modern times, thanks in part to this movement.
Old traditions and folklore, teeming with stories of mystical entities like fairies, experienced a revival in the 19th century, a revival that was intertwined with national pride. These creatures of lore became emblems of regional identities across Ireland, Scotland, Wales, and Cornwall, enriching the cultural fabric with a touch of enchantment.
One of the luminaries in this revival was William Butler Yeats, whose work "Fairy and Folk Tales of the Irish Peasantry," published in 1888, played a crucial role in preserving and popularizing fairy folklore. Through his retellings and reprints of popular tales, he contributed significantly to the codification of these mystical beliefs.
The resurgence of fairy beliefs in modern times
From the whimsical Victorian depictions to the iconic Tinkerbell, fairies have long been woven into the fabric of our collective imagination, manifesting across various mediums of art, literature, and popular culture.
Victorian artists often depicted fairies in ways that captured the public’s imagination and provided a workaround for censorship. The paintings of John Anster Fitzgerald, including one called "Rabbit and Fairies," showed fairies as small, beautiful humanoids with wings—a joy to look upon. Additionally, fairies weren't typically clothed, allowing artists to circumvent norms of the time by incorporating nude figures within the accepted context of fairy art using the 'fairy loophole'.
In 1917, the Cottingley Fairies hoax carried out by Elsie Wright and Frances Griffiths illustrated the public's fascination with these ethereal creatures. They used paper cutouts and hairpins to create convincing images that captivated the spiritualist community, particularly post-World War I when people sought evidence of the supernatural. The endorsement by Sir Arthur Conan Doyle, a celebrated author and spiritualist, lent credence to the hoax. It wasn’t until decades later that the truth was acknowledged by the creators.
Fairy tales, historically rich in oral tradition, were literary compiled by the Brothers Grimm in 1812, which included magical creatures such as fairies. Shakespeare’s works, such as "A Midsummer Night's Dream" and "Romeo and Juliet," e ...
The representation of fairies in art, literature, and popular culture
Download the Shortform Chrome extension for your browser