Dive into the intriguing past and evolving journey of blueprint technology with Josh Clark and Chuck Bryant in an episode of "Stuff You Should Know". From the serendipitous creation of Prussian blue dye to the high-tech digital replication processes of today, learn how a laboratory accident led to the vivid blues that once distinguished Prussian military might and later became an architect's staple. This snapshot provides insight into a pigment that not only colored uniforms but laid the foundations for a revolution in duplicating detailed designs.
Follow the narrative thread as Josh and Chuck unveil how the ingenious works of English polymath John Herschel in the 1840s paved the way for the iconic blueprints that symbolize architectural and engineering planning. As they continue to guide you through a historical transformation, witness the transition from the cyanotype process to digital plotting, spotlighting how technology has dramatically altered the landscape of design replication—turning potentially hazardous ammonia-based methods into a tale of the past and heralding an age of digital ease and efficiency.
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The history of blueprint technology is marked by a progression from the accidental discovery of Prussian blue dye to the advanced digital replication techniques we see today.
In a Berlin laboratory, Johann Conrad Dippel and Diesbach stumbled upon what would become Prussian Blue dye, when Diesbach inadvertently mixed potash contaminated with animal blood from Dippel with iron sulfate. The resulting pigment dyed the Prussian military uniforms, particularly recognized during the iconic battles of the 19th century. This dye was strongly associated with the military prowess of Prussia, and the term 'Prussian blue' elicited strong reactions based on one's perception of the Prussian state.
The English polymath John Herschel was instrumental in the cyanotype process's invention during the 1840s. He utilized the photo-reactivity of Prussian blue using iron salts and cyanide. This process enabled easy duplication of architectural and engineering drawings, fundamentally changing how these professions replicated their work and contributed to the conception of what we now know as blueprints.
The diazo process emerged as a more efficient alternative to the blueprints, with the final product presenting black or gray lines against a white background, more closely resembling contemporary architectural drawings. Concerns about the health implications associated with ammonia, used in the diazo process, and increased regulation led to its decline.
Digital printing and plotting technology have revolutionized blueprint reproduction in cost-effectiveness and speed. Standard-sized plotters for architectural and engineering plans are now economically feasible for most practitioners, and modern computerized pen plotters combine the benefits of historical practices with those of digital efficiency.
1-Page Summary
The fascinating history of blueprint technology stretches from the accidental discoveries of the early 18th century to the advanced digital techniques of the modern era.
The iconic Prussian Blue dye originated in the shared Berlin laboratory of Johann Conrad Dippel, an alchemist, and his colleague, a dye maker named Diesbach. Diesbach accidentally created the vibrant blue pigment when he borrowed potash contaminated with animal blood from Dippel and mixed it with iron sulfate.
Initially dubbed Berlin blue, the pigment was later renamed Prussian blue and became famous for dyeing the uniforms of the Prussian army, especially during the early 19th century. The association with the Prussian military was so strong that the term 'Prussian blue' could evoke admiration or disdain, depending in part on one's view of the Prussians, who played a significant role in the defeat of Napoleon at Waterloo.
John Herschel, an English polymath active in fields ranging from astronomy to chemistry and photography, discovered the photo-reactivity of Prussian blue in the 1840s. Herschel developed the cyanotype process by using iron salts and cyanide to produce the blue pigment known chemically as blue ferric ferricyanide.
By placing a transparent line drawing atop paper treated with this compound and exposing it to light, the untreated areas would turn blue, leaving a clear copy of the drawing wherever the lines blocked the light. This process allowed architects and engineers to reproduce their plans easily, avoiding the need to redraw each copy by hand.
Transitioning from the traditional and labor-intensive blueprint method, the diazo white print process offered an alternative that yielded black o ...
History of Blueprint Technology
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