In this SmartLess podcast episode, renowned film composer John Williams shares his meticulous approach to crafting impactful scores. He delves into his process of tirelessly refining motifs until they feel "inevitable," and his emphasis on tailoring his compositions to the emotional arc of a film's visuals.
Williams also reflects on his contrasting collaborations with directors like Steven Spielberg, who granted him significant creative freedom, and those whose naturalistic preferences led to more resistance towards music enhancing scenes. The episode touches on Williams' background as a classically trained yet jazz-influenced prodigy, and how the hosts connect with the universality and emotional power of his iconic work.
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Renowned composer John Williams shares his meticulous method for crafting iconic film scores. According to Williams, he composes themes meant to feel "inevitable" through extensive piano work and responding directly to a film's visuals.
To find the iconic 5-note motif for "Close Encounters," Williams played hundreds of variations for Spielberg before they settled on one that felt like "a childhood memory."
Rather than creating music independently, Williams tailors his scores to the emotional narrative of the film, sometimes leading to the editing being adjusted to his compositions, as Spielberg did for the ending of "E.T."
Williams' scores are the product of close collaborations with visionary directors who had their own preferences and processes.
Spielberg gave Williams substantial creative freedom, from greenlighting the simple "Jaws" theme to re-editing "E.T.'s" climax to Williams' sweeping score.
Other directors like Martin Ritt preferred a more naturalistic approach and were resistant to letting music enhance scenes.
From a young piano prodigy destined for concert halls, Williams was drawn to film scoring thanks to his father's work and diverse musical influences.
Williams drew from both his classical training and exposure to jazz, creating his sophisticated, genre-blending style.
Williams' marches and orchestrations were also shaped by his time in the Air Force, where he admired the excellence of military bands.
Hosts Bateman, Arnett, and Hayes celebrate how Williams' music transcends language to tap into shared human experiences and emotions.
Williams likens the 5-note "Close Encounters" theme to a connective language that requires no translation.
The hosts recount being profoundly moved by Williams' music from childhood, sparking their own musical awakenings and love for the art form.
1-Page Summary
The celebrated composer John Williams shares insights into his meticulous method when crafting unforgettable musical scores for film, a process that bridges deliberate experimentation with a response to cinema’s visual storytelling.
Williams illustrates the labor behind composing themes that feel as though they have always existed. This involves returning to the piano after watching a film to manipulate themes which he then refines to feel “inevitable.”
For "Close Encounters of the Third Kind," Williams shared an anecdote about the exhaustive process of finding the right theme. He composed over a hundred five-note motifs, varying the intervallic relationships without concern for note length. Together with Spielberg, they individually identified a particular motif that grabbed their attention. Eventually, they both settled on the very motif they had unconsciously circulated.
Williams emphasized that the motif, as it is recognized today, feels like a childhood memory, part of an incomplete sentence, which holds a profound and unsettling power.
Williams often tailors his music to complement the narrative and emotional context of the visuals of a film. Although he does not explicitly state his preference to watch the rough cut of a film before scoring it, his approach to "Close ...
John Williams' creative process and approach to film composition
John Williams' career as a composer showcases a long history of deep collaborations and dynamic interactions with prominent directors, each with their own stylistic preferences and creative processes.
John Williams discusses the close collaborative relationship he had with Steven Spielberg during their work together, particularly highlighting their joint efforts on the film "E.T."
Spielberg initially expressed skepticism when Williams first presented the simple, yet ominous two-note motif for the film "Jaws." However, through Williams' vision that the theme could work when played by an orchestra, Spielberg came to trust Williams. Williams explained that the motif could become very ominous and could change in pace as the shark approaches, becoming deafening when necessary.
In the case of "E.T.," Williams encountered challenges in synchronizing the music with the film's last 15 minutes, which was full with pivotal moments. When Williams expressed that he could not get the music to sync in a way that felt right, Spielberg showed extraordinary flexibility. Sean Hayes sets the scene by sharing that Spielberg loves a lot of music in his movies, which leads to Williams revealing how Spielberg re-edited the ending of "E.T." to better fit Williams' sweeping and emotive score. Spielberg suggested Williams record the music as he deemed musically satisfying with the film's visuals adjusted afterward. Spielberg recut the movie to the music Williams recorded, resulting in a more ...
Williams' collaborations with directors and the dynamic between composer and filmmaker
John Williams, the acclaimed composer, initially set his sights on becoming a concert pianist, but his career took a legendary turn toward film scoring due to his early exposure and various life experiences that shaped his distinctive musical style.
At a young age, Williams was already focused on a future as a concert pianist. However, his trajectory changed when he stepped into the world of film scoring, an interest that was sparked during his teenage years. He began observing Hollywood studio sessions, an opportunity that came his way thanks to his father.
John Williams shares that it was his father, a professional studio musician, who first exposed him to the art of film scoring. Accompanying his father to Hollywood orchestra sessions, young Williams was introduced to the craft and intricacies of composing music for the silver screen.
William's background wasn't just rooted in one style; as a musician, he was versed in both jazz and classical music. This blend of genres equipped him with a versatile and sophisticated approach to composition, which later became evident in his diverse and elaborate film scores.
Not only did his family background and musical education shape him, but John Williams' compositional style was also profoundly influenced by hi ...
Williams' Musical Background and Training, and How it Influenced His Career
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Jason Bateman, Will Arnett, and Sean Hayes all celebrate the profound, universal appeal and emotional depth of John Williams' scores, defining Williams’ creations as a unifying force in the world of music and storytelling.
Williams’ scores, such as the iconic 5-note theme from "Close Encounters of the Third Kind," function as a musical language. John Williams discusses music's intrinsic roots in human structure, implying an instinctual level of understanding that transcends language—it is spiritual rather than linguistic. The hosts acknowledge Williams' impact on filmmaking, akin to silent films with music as a pivotal element. Williams describes music as not language-specific but universal, reaching people on an intellectual level that transcends linguistics.
The 5-note theme from "Close Encounters" is highlighted for its linguistic-like approach where the final, fifth note serves as a conjunctive, an olive branch that does not require conscious thought to be understood. Williams portrays music as a hopeful force, capable of bridging gaps and connecting all of humanity intellectually.
Jason Bateman comments on the classic "Close Encounters" musical conversation scene, describing it as magically universal and timeless. As youngsters, both Arnett and Bateman understood the film's emotional content, testament to the power of Williams’ score. Likewise, Sean Hayes shares his personal admiration for Williams as an early inspiration to his ...
The emotional and universal impact of Williams' music
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