In this episode of Revisionist History, the peculiar tale of Bubbles the chimpanzee's life with Michael Jackson is explored through the lens of an unreliable narrator. The summary delves into Bubbles' misinterpreted perspective of the pop icon's eccentricities and scandals—a comedic obliviousness that shields him from the darker realities. It also chronicles the demise of a movie about Bubbles after the "Leaving Neverland" documentary exposed Jackson's alleged misconduct.
Initially conceived as a whimsical story, the Bubbles movie's reimagining to confront Jackson's controversies reflects society's evolving shift away from willful ignorance. As public perceptions transformed, so did the project's narrative trajectory, offering a poignant examination of fame, innocence, and the consequences of loyalty amidst scandal.
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The trajectory of Bubbles the chimpanzee once closely intertwined with pop icon Michael Jackson is presented with an aura of dignity and a hint of tragedy, underlined by a comedic obliviousness. Created as a would-be royal in exile, Bubbles is portrayed through a voice actor as a figure with grand self-perception but limited grasp of human nuances. His narrative is etched with remnants of a past glory, as though he were part of a royal lineage alongside Jackson. Compared to a tragic Shakespearean character, Bubbles' viewpoint gives a unique, if unreliable, perspective on Jackson's life and mannerisms.
While Bubbles was deeply attached to Jackson, Adamson's portrayal presents the chimp as comically misunderstanding the pop star's eccentricities and scandals. Observing Jackson's behaviors, Bubbles mistakenly associates the pop star’s cosmetic procedures with power displays akin to war paint, and interprets his changing looks as extraordinary self-renewal.
Bubbles perceives Jackson as an actual monarch and misinterprets the singer's "King of Pop" moniker as a literal royal title, not grasping the metaphor that humans often employ. Despite being a bystander to unsavory behaviors, Bubbles' limited comprehension shields him from the darker aspects of Jackson's life.
In the screenplay excerpt, one witnesses Bubbles’ displacement by young boys, gradually losing Jackson's favor—a process filled with fear and confusion for Bubbles. Gladwell compares this to “Puff the Magic Dragon," highlighting the emotional depth as Bubbles experiences abandonment while still harboring hopes for a reconciliation.
"Leaving Neverland," a documentary uncovering sordid details of Jackson's alleged sexual misconduct, crucially impacted Hollywood's interest in the film about Bubbles. Initially, the movie concept was welcome and even secured buy-in from Netflix. But post-documentary, caution overtook enthusiasm, with Jackson's legacy facing a potential branding as "toxic." Even with attempts to pivot the script into exploring Jackson's darker side, Netflix grew wary of the project due to the legal and ethical complexities unveiled in the documentary.
Director Taika Waititi’s eventual withdrawal from the project was swiftly matched by Netflix's decision to shelve the film. As the public view of Jackson shifted, an initial whimsical narrative became less tenable. Gladwell and Adamson assert that Bubbles' altered storyline now mirrors the public's former ignorance of Jackson's alleged wrongdoings.
The reframed script gave Bubbles a heightened awareness of Jackson's troubling behavior, reflecting a societal need for a more honest acknowledgment of Jackson's personal affairs. This adjustment implicated audiences, suggesting a collective responsibility to confront unsettling truths, making Bubbles an unwitting symbol for the end of willful blindness regarding Jackson’s off-stage life. The tale of Bubbles has evolved into a somber reflection on fame, innocence, and the consequences of loyalty amidst controversy.
1-Page Summary
The life of Bubbles the chimpanzee, the once famed companion of Michael Jackson, is now being retold with a blend of dignity, tragedy, and unintentional humor, reflecting the chimp's grandiose self-perception and limited understanding of human eccentricities.
Voice Actor: There are many kinds of kingdoms in this world, and many kinds of kings. But it was not always so. I was once heir to the greatest kingdom on earth, one ruled by a king like none before him.
Bubbles is characterized as a "would-be king in exile," his narrative rich with a sense of bygone glory and high esteem. Given a persona that is formal, self-serious, and grandiose by Isaac Adamson, Bubbles becomes a sort of Shakespearean almost-king; a tragic figure in a vast drama beyond the walls of his lavish yet confining past. Adamson envisioned Bubbles like a character in a tragedy, one involving a king and his heir.
Malcolm Gladwell likens Bubbles to the butler in "Remains of the Day," as he too is an unreliable narrator, never fully comprehending the depths of Michael Jackson's personality. Adamson provides insight into Bubbles' thoughts as he observes Jackson, viewing the pop star’s cosmetic surgeries as akin to war paint and interpreting his changing appearance as a result of remarkable self-healing abilities.
Bubbles considers Michael Jackson to be an actual monarch, due to the hierarchical nature of chimpanzees and their adherence to a pecking order. When Bubbles observes Jackson applying skin bleaching cream, he believes it to be war paint, designed to intimidate enemies. This misinterpretation extends to Bubbles' perception of Jackson's title, the "King of Pop," which he takes to be a literal coronation, not understanding the fluidity and metaphor of human labels.
Bubbles’ inability to grasp human complexity protects him from the darker aspects of Jackson’s life. Adamson conveys Bubbles' innocence as the chimp witnesses questionable behavior with children, struggling to comprehend it within his own paradigms.
Adamso ...
Bubbles the Chimp's Life with Michael Jackson
The explosive documentary "Leaving Neverland" played a significant role in Hollywood losing interest in a once-popular project about Michael Jackson's chimpanzee, Bubbles. The film's shift in focus—from whimsy to an exploration of darker themes—highlights the evolving public perception of Jackson amid growing awareness of sexual misconduct.
The project about Michael Jackson's chimpanzee, Bubbles, was at first met with enthusiasm in Hollywood, circling around in 2015, and by 2017 Netflix bought the project that Isaac Adamson was working on. However, following the release of the "Leaving Neverland" documentary at Sundance, there was a growing recognition of potential issues with such a project. Isaac’s manager predicted that Michael Jackson would become "toxic" due to the negative revelations of the documentary.
The attention to detail Netflix required, like the lengthy annotation citing sources, and the adaptation of the script in light of Jackson's legal charges showed a wariness and concern over the legal implications of portraying Jackson. Ultimately, the conversation mentions that director Taika Waititi disengaged and dropped out of the project. Netflix, following suit, decided against moving forward, even reversing an initial decision to allow time for finding a new director, halting the project completely after just three days.
The documentary's testament to the hurt and pain of Jackson's accusers deeply impacted public perception, necessitating changes to the whimsical narrative originally planned for the movie. The script, which once started as a light-hearted adventure, steered into darker territories as it touched upon Jackson's pedophilia allegations as seen through the eyes of Bubbles.
Malcolm Gladwell and Isaac Adamson discuss how the altered portrayal of Bubbles now reflects the willful ignorance that the public, akin to Bubbles, held towards Jackson's allegations. The once whimsical movie has been suggested by Gladwell as having a newfound significance—Bubbles' failure to see Jackson clearly could now resonate more deeply with audiences in a ...
The Movie's Sudden Demise After "Leaving Neverland" Documentary
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