NPR's Book of the Day podcast explores Zahid Rafiq's debut short story collection and his unconventional writing approach. As a journalist intimately familiar with Kashmir, Rafiq captures the region's stark landscapes and atmospheres amidst conflict through vivid descriptions and rich character development.
Rafiq writes organically without predetermined endings, allowing his characters to emerge and shape the narrative spontaneously. For him, this reflects the normalcy of instability that Kashmiris face, living in perpetual present due to the region's profound uncertainty and lack of control over the future.
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Zahid Rafiq has a unique approach to writing stories and developing characters. As Rafiq states, he purposely starts writing without knowing the ending or full narrative beforehand. He allows the story to unfold in a spontaneous, organic manner, and the characters to emerge and develop through the writing process itself.
Rather than plotting out his characters ahead of time, Rafiq encounters and listens to them as he writes: "If he feels real, if he feels true," Rafiq explains, he allows the character to shape the narrative. For Rafiq, the discovery is key—knowing too much detracts from the joy and authenticity of creation.
Being an experienced journalist in Kashmir allows Rafiq to vividly portray the region's landscapes and atmospheres amid conflict. He paints visceral descriptions like dogs roaming desolate streets, shadowy figures at windows, and an omnipresent security presence with bunkers and watchful eyes.
Rafiq aims to "retrieve the sense of sight" and reveal the normalcy of violence and instability that locals have adapted to. Drawing on his professional and personal perspectives, he captures life's stark realities in this conflict zone.
According to Rafiq, the volatility and unpredictability in Kashmir force residents to live perpetually in the present moment, unable to plan for the future. This profound lack of control over tomorrow impacts daily life and the psyche.
Rafiq's storytelling mirrors this reality—his reluctance to plot out endings reflects the uncertainty faced by his characters and real Kashmiris. His stories become metaphors for adapting to an existence where plans extend no further than the day ahead.
1-Page Summary
Zahid Rafiq's approach to writing and storytelling deviates from traditional methods. Rather than meticulously planning every aspect of his narrative and characters, he lets the story unfold in a more spontaneous and organic manner.
Rafiq's unique approach involves beginning his writing without a predetermined ending or a fully outlined narrative. "Because I don't know the story when I sit down to write it. That is a necessity for me. I must not know what the story is. That's the only reason I can keep going. If I plan the story ahead, if I think it through, then it's [the] pleasure of it is done for me," Rafiq states. For Rafiq, the discovery is part of the creative process, and knowing too much in advance detracts from the joy and authenticity of creation. When discussing his travel habits, Rafiq expresses a similar sentiment, "If I know where the destination is, I can never set out."
Rafiq's characters come to life through a process that is as much a discovery for him as it is for the reader. As he writes, Rafiq encounters his characters, allowing them to emerge and dictate their narratives. "I'll take a sentence ...
Zahid Rafiq's unconventional writing process and approach to storytelling
Journalist Zahid Rafiq utilizes his acute and intimate knowledge of Kashmir to vividly portray the region's landscapes and atmospheres amid conflict and unease.
Rafiq's experience and background in journalism permeate his depictions of Kashmir. He brings a chilling clarity to the desolation of the city's streets, the sighting of angry dogs, and the heaps of garbage at littered corners. Birds sitting silently on electric wires and the faint stench of decaying meat further paint a picture of despair. In the windows, fleeting shadowy figures gaze out upon vacant roads while neighborhood after neighborhood is marked by desolation. Rafiq doesn't just stop at landscapes; bunkers clutter the space, sandbags piled and encircled with barbed wire, from which dark eyes and the muzzles of guns silently observe and follow.
These dark eyes that Rafiq describes are ever-present, emanating a pervading sense of surveillance and control, with the omnipresence of security bunkers imposing a stifling atmosphere upon the region. His immersive descriptions create a visceral feeling of unease, as one can imagine walking those same streets under the constant watch of the silent sentinels manning the bunkers.
Rafiq's prose does more than conjure images; it seeks to retrieve a sense of sight—an attempt to make the abnormality of the ubiquitous violence and instability strikingly visible once more. He strives to peel away the veil of normalization that locals have developed as a coping mechanism in their daily lives. Through his words, he w ...
The vivid depictions of the settings and environments in conflict-ridden Kashmir
Rafiq's reflections and stories unveil the profound impact of Kashmir's volatility on its residents, painting a picture of a community perpetually entrenched in the present due to the uncertainties of their future.
Rafiq discusses the profound implications of the constant instability and unpredictability in Kashmir. He explains that the lack of security and certainty affects daily life, as residents cannot foresee what tomorrow may bring. This pervasive uncertainty makes long-term planning and control over the future virtually impossible for many living in the region. Rafiq suggests that, unlike other places like America where future events can be scheduled with a degree of security, in Kashmir, the unpredictability of the next day dictates a life that is focused on the present moment.
Rafiq's approach to storytelling reflects the reality he describes of Kashmiri life. He reveals his reluctance to plan out his stories or to make other types of plans, such as booking return tickets when he travels. This characteristic of his writing process, where he does not know where his stories will end, mirrors the unpredictability and lack of control that his ch ...
The themes of uncertainty, lack of control, and living in the present due to the volatile conditions in Kashmir
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