In this episode of NPR's Book of the Day, author Zach Williams shares insights about his writing process and the influence of fatherhood on his short stories. Williams reveals the appeal of the short story form: the freedom for improvisation and the ability to explore a single compelling idea without excessive structure.
He discusses how becoming a parent shifted his worldview, imbuing his stories with deeper reflections on the emotional complexities of raising children. Williams also expounds on his open-ended narrative style, designed to encourage readers' introspection about life's unresolved mysteries. The conversation touches on Williams' perspective as a writer who started his craft later in life, offering an affirming message about commitment superseding age.
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Zach Williams was drawn to short stories for their "quickness and musicality," allowing him an improvisational writing style. As he expresses, he didn't see himself capable of writing a novel. Instead, he discovered his talent for shorter pieces, leveraging a single great idea in a more fluid, adaptive form of storytelling.
Williams saw short stories as more feasible projects than novels, which he perceived as requiring extensive planning and structure beyond his abilities. His series of short stories could evolve organically, each a standalone yet connected work.
Williams shares how becoming a father in his mid-30s was a "rupture in reality" that reshaped his worldview and narratives. He says many of his stories deal with the "joy and monotony" and "fear and anxiety" he experienced as a new parent.
The story "Wood Sorrel House" directly mirrors Williams' intense emotional journey through parenthood, exploring the existential weight of caring for a young child through fiction.
Pfeiffer notes Williams crafts stories with ambiguous endings, questioning whether there was a concrete message.
Williams aims for his open-ended narratives to encourage contemplation in readers, reflecting real life's unresolved mysteries. He wants his audience to empathically experience his characters' journeys to understand life's enigmas.
Williams didn't start writing seriously until his 30s but believes, as he expresses, "it's never too late" to begin. He rejects the notion that if one doesn't write young, they'll never write, arguing the key is commitment regardless of age.
1-Page Summary
Zach Williams shares his personal approach and perspective toward crafting short stories, a form that he found particularly alluring and well-suited to his creative process.
Williams was captivated by the quickness and musicality of short stories, and this drew him towards the format. He felt that the brevity of the form allowed for an improvisational style of writing that resonated with his creative impulses. With just a spark of inspiration, Williams could fuel the development of a short story, dedicating months or even years to refining it. He found a rhythm in writing one story and then organically moving to the next, each new piece responding to the one before it.
Williams expresses that he didn't see himself capable of writing a novel. Instead, he discovered his talent for shorter pieces, leveraging a single great idea and the subconscious interplay with the written word. This approach allowed him to remain fluid and adaptive in his storytelling, rather than being anchored to a lengthy and complex narrative typical of a novel.
For Williams, short stories represented a more feasible project than writing a novel. He perceived the no ...
Williams' approach to writing short stories
Zach Williams shares how becoming a father in his mid-30s served as a pivotal point, massively reshaping his worldview and subsequently influencing his literary creations.
Amidst the backdrop of political turbulence and personal milestones, Zach Williams conveys that the birth of his son was not just an addition to his life, but a profound "rupture in reality." Sacha Pfeiffer acknowledges the theme of parenting that weaves through Williams' stories, prompting a discussion on its deep impact on his narratives.
Williams confides that parenthood introduced him to an unfamiliar world characterized by "fog," where joy intermingles with monotony and the delights of new experiences with a child are mixed with the stark fear for the child's safety. This intricate blend of intense emotions, wonder, and beauty, supplemented by underlying anxiety, is vividly portrayed in his literary works.
The influence of parenthood on his writing
Sacha Pfeiffer remarks on the distinctive narrative technique of Williams, who crafts stories with ambiguous outcomes, leaving readers in contemplation about the takeaway and questioning whether there was a concrete message at all.
Williams is compelled by narratives that lack a definitive ending or solution. He finds the ambiguity mirrors the unresolved mysteries present in real life, which he believes instills a sense of shared experience between himself and his characters. As his characters navigate through the nebulous terrain of their fictional lives, Williams stands with them, empathically involved in their journey to comprehend the incomprehensible.
This narrative choice encourages a sustained engagement with the text, provo ...
The unconventional narrative style in his stories
Zach Williams shares his experience and views on beginning a writing career later in life, offering encouragement and wisdom for those considering following in his footsteps.
Williams entered the realm of writing in his mid-30s, challenging the conventional timeline associated with launching a writing career. Sacha Pfeiffer discusses Williams' late start in writing during a podcast, highlighting that serious writing began as a mid-life endeavor for Williams.
Williams himself dispels concerns about starting late, emphasizing the idea that writing is a timeless skill that one can embark on at any stage. He underscores that the craft of writing involves continuous practice and commitment, which anyone can develop regardless of age.
He firmly opposes the misconception that there's an expiry date for writing a book. Williams ...
Williams' perspective on starting a writing career later in life
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