Podcasts > NPR's Book of the Day > Author Kazuo Ishiguro and singer Stacey Kent collaborate on new songbook

Author Kazuo Ishiguro and singer Stacey Kent collaborate on new songbook

By NPR (podcasts@npr.org)

In this episode of NPR's Book of the Day, the collaboration between novelist Kazuo Ishiguro and singer Stacey Kent is explored. Ishiguro's appearance on BBC radio sparked Kent's interest, leading to an unexpected creative partnership when Kent signed with Blue Note Records. The episode delves into Ishiguro's lyrical approach, guided by Kent's preference for optimistic songwriting, and his aim to craft "vehicles" for her vocals by richly evoking emotions and narratives through suggestion.

The discussion touches on the distinction between lyrics and self-sufficient poetry, with lyrics intertwined with music. The episode also examines the bittersweet emotional depth found in folk music, where Kent's vocal delivery enhances the introspective, personal quality of Ishiguro's lyrics, allowing optimism to shine through darker themes.

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Author Kazuo Ishiguro and singer Stacey Kent collaborate on new songbook

This is a preview of the Shortform summary of the May 29, 2024 episode of the NPR's Book of the Day

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Author Kazuo Ishiguro and singer Stacey Kent collaborate on new songbook

1-Page Summary

The Unexpected Ishiguro-Kent Collaboration

Kazuo Ishiguro's appearance on BBC radio sparked Stacey Kent's interest

In 2002, novelist Kazuo Ishiguro chose a Stacey Kent song as one he'd take to a desert island on BBC's Desert Island Discs. Surprised, Kent reached out, and the two developed a friendship over shared artistic sensibilities.

Kent's move to Blue Note prompted formal collaboration

When Kent signed with Blue Note, she wanted to move beyond standards. Simultaneously, Ishiguro saw an opportunity to revisit early songwriting aspirations. Their official collaboration allowed Ishiguro's literary lyricism to fuse with Kent's musical stylings.

Ishiguro's Lyrical Approach

Kent guided Ishiguro to infuse lyrics with hope

Kent conveyed her songs required an optimistic tone, despite Ishiguro's often somber novels. He found this constraint insightful for a singer's mindset and potentially beneficial for his own writing.

Ishiguro aimed to craft "vehicles" for Kent's vocals

Ishiguro sought to shape emotions and narrative situations into concise lyrics that complemented the music, rather than stand-alone poetry. Each line aimed to evoke intended feelings and storytelling elements.

Lyrical Distinction from Poetry

Lyrics rely on music, lacking self-sufficiency

Ishiguro notes lyrics cannot be self-sufficient like poetry, as they're interwoven with melody, chords, and orchestration. Their meaning should complement musical elements.

Ishiguro favored subtly suggesting emotions over overt statements

Within the constraints of the lyrical form, Ishiguro aimed to richly evoke emotions and narratives through suggestion rather than explicit statements, mirroring his restrained narrative style in fiction.

Folk Music's Emotional Depth

Lyrics blend sadness with hope and optimism

According to Ishiguro, the recent folk revival explores bittersweet emotions, seamlessly blending sadness and heartbreak with undercurrents of hope.

Kent enhances this nuanced quality through delivery

Kent's vocal delivery intensifies lyrics' bittersweet nature, allowing optimism to shine through darker themes.

Lyrics have an introspective, personal quality

The lyrics evoke internal thoughts and experiences through an introspective quality and a cadence mirroring inner speech patterns, inviting self-reflection.

1-Page Summary

Additional Materials

Clarifications

  • Stacey Kent is a jazz singer known for her smooth vocal style and interpretations of jazz standards. Her move to Blue Note Records marked a shift in her career towards exploring new musical directions beyond traditional jazz standards. Blue Note Records is a renowned jazz record label known for its historic significance in the jazz genre and for signing influential jazz musicians.
  • Kent guided Ishiguro to infuse his lyrics with an optimistic tone, contrasting with his usual somber themes. This constraint aimed to align the lyrics with the uplifting nature of Kent's music. It provided Ishiguro with a new perspective on crafting lyrics that could complement the musical elements effectively. Kent's insight encouraged Ishiguro to explore conveying emotions and narratives in a way that resonated with her musical style.
  • Ishiguro aimed to create lyrics that served as a platform for Stacey Kent's singing, focusing on conveying emotions and narratives that complemented her musical style. He crafted concise and evocative lines that worked harmoniously with the music, aiming to enhance the overall impact of the songs through a seamless fusion of words and melody. This approach prioritized the synergy between the lyrics and Kent's vocals, emphasizing how the words could enhance and elevate her performance. By viewing the lyrics as "vehicles" for Kent's vocals, Ishiguro aimed to create a cohesive and immersive musical experience where the words and music worked in tandem to convey complex emotions and storytelling elements.
  • Lyrics, unlike poetry, rely heavily on music for their complete expression and meaning. They are intertwined with melody, chords, and orchestration, making them less self-sufficient as standalone written pieces. This interdependence with music allows lyrics to complement and enhance the emotional and storytelling elements conveyed through the accompanying music. Poetry, on the other hand, is designed to stand alone on the page, relying solely on its written words for interpretation and impact.
  • In folk music, blending sadness with hope and optimism involves intertwining themes of melancholy and hardship with elements of positivity and resilience. This juxtaposition creates a nuanced emotional landscape that reflects the complexities of human experience. Folk songs often convey a sense of realism by acknowledging life's challenges while also offering glimpses of light and hope amidst struggles. This emotional depth allows listeners to connect with the music on a profound level, resonating with both the sorrows and joys of life.

Counterarguments

  • While Ishiguro's lyrics are designed to complement Kent's music, some might argue that the best lyrics can stand alone as poetry and still be impactful.
  • The assertion that lyrics rely on music and lack self-sufficiency could be contested by pointing out that many lyrics are appreciated and studied for their literary qualities independent of their musical settings.
  • The idea that Ishiguro's lyrics should be infused with hope because Kent's songs require an optimistic tone might be seen as a limitation to the emotional range and thematic diversity that music can express.
  • The preference for subtlety in conveying emotions in lyrics could be challenged by those who believe that more direct and explicit statements can be equally artistic and emotionally resonant.
  • The claim that folk music inherently blends sadness with hope and optimism might be oversimplified, as the genre is diverse and can encompass a wide range of emotional and thematic content.
  • The notion that Kent's vocal delivery is what allows optimism to shine through darker themes could be seen as diminishing the role of the musical composition and arrangement in achieving this effect.
  • The introspective and personal quality of lyrics might not always invite self-reflection for every listener, as individual responses to music and lyrics can be highly subjective.

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Author Kazuo Ishiguro and singer Stacey Kent collaborate on new songbook

The origin and formation of the Ishiguro-Kent collaboration

The unexpected artistic collaboration between novelist Kazuo Ishiguro and singer Stacey Kent began with an appearance on radio and evolved through mutual respect and a desire to explore new creative avenues.

Kazuo Ishiguro's appearance on BBC's Desert Island Discs sparked an unexpected connection with singer Stacey Kent

In 2002, when Kazuo Ishiguro was a guest on BBC's Desert Island Discs, he chose a song by Stacey Kent, which he would take to a desert island. His selection of Kent's rendition of George Gershwin's "They Can't Take That Away From Me" unexpectedly introduced Ishiguro to Kent. Astonished to hear her name mentioned by one of her favorite writers, Kent reached out to Ishiguro through the BBC and his agent.

The two artists, sharing a common artistic sensibility, went on to develop a friendship through regular social gatherings. It was in this environment of mutual respect that the foundation for their collaboration was built.

Ishiguro and Kent decided to formally collaborate on original music after Kent signed with the prestigious Blue Note label

The official collaboration between Kent, her husband Jim Tomlinson—who composes her music—and Ishiguro materialized when Kent signed with the prestigious Blue Note label. Kent was eager to move beyond the well-trodden path of the Ame ...

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The origin and formation of the Ishiguro-Kent collaboration

Additional Materials

Clarifications

  • Desert Island Discs is a long-running BBC radio program where guests, known as "castaways," choose eight songs, a book, and a luxury item they would take if stranded on a desert island. The show provides insights into the castaways' lives through their selections and the reasons behind them. It has featured a wide range of guests from various fields, offering a unique glimpse into their personal tastes and influences. The program's format allows for intimate and revealing conversations, often leading to unexpected connections and revelations.
  • Stacey Kent is a Grammy-nominated jazz singer known for her intimate vocal style and interpretations of the Great American Songbook. She has released numerous albums showcasing her elegant phrasing and emotional depth in jazz standards and original compositions. Kent's music often blends traditional jazz elements with modern sensibilities, appealing to a wide audience of jazz enthusiasts. Her career has been marked by collaborations with renowned musicians and a commitment to exploring new creative directions within the jazz genre.
  • When Kazuo Ishiguro mentioned Stacey Kent on BBC's Desert Island Discs, it caught Kent's attention. She was surprised and touched that Ishiguro, a renowned writer, chose her rendition of a song as one he would take to a desert island. This led Kent to reach out to Ishiguro through the BBC and his agent, initiating their unexpected connection and eventual collaboration.
  • Kent signed with the Blue Note label to expand her musical horizons beyond the American songbook, aiming to introduce original music to her repertoire. This decision was influenced by her desire for creative growth and exploration in her music career. The collaboration with Kazuo Ishiguro provided a platform for this evolution, aligning with her artistic aspirations. The partnership with Blue Note marked a significant step in Kent's career, offering new opportunities for artistic expression and exposure.
  • Kazuo Ishiguro had a passion for songwriting before gaining fame as a novelist. He had writte ...

Counterarguments

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Author Kazuo Ishiguro and singer Stacey Kent collaborate on new songbook

The process of Ishiguro writing lyrics for Kent's music

The collaboration between Ishiguro and Kent is a distinctive fusion of literary and musical talent, where Ishiguro’s lyricism meets Kent’s melodic interpretations.

Kent gave Ishiguro specific guidance to infuse the lyrics with a sense of hope and optimism

When the collaboration began, Stacey Kent provided Kazuo Ishiguro with a specific direction for the music they were to create together. She conveyed that despite the often somber tone of Ishiguro’s novels, the songs for her album required an element of hope to resonate with her audience. Ishiguro found this requirement to be an interesting and useful constraint, acknowledging it as valuable insight into the workings of a successful singer’s mindset. This notion of infusing lyrics with optimism also seemed to him a potentially beneficial approach to explore in his writing career.

Ishiguro aimed to craft lyrics that would serve as a "vehicle" for Kent's vocal performance and the musical accompaniment

For Ishiguro, the purpose of writing lyrics for Stacey Kent was to create a narrative canva ...

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The process of Ishiguro writing lyrics for Kent's music

Additional Materials

Clarifications

  • The collaboration between Kazuo Ishiguro and Stacey Kent involved Ishiguro writing lyrics for Kent's music, blending his literary skills with Kent's musical talents. Kent provided guidance to Ishiguro, emphasizing the need for hope and optimism in the lyrics to resonate with the audience. Ishiguro aimed to create lyrics that would enhance Kent's vocal performance and the musical arrangement, serving as a narrative canvas for their collaboration. The focus was on crafting concise, emotionally evocative lines that complemented the music and supported Kent's expressive interpretation.
  • Stacey Kent provided specific guidance to Kazuo Ishiguro, emphasizing the need for hope and optimism in the lyrics to resonate with her audience. This direction aimed to balance Ishiguro's typically somber tone with a more uplifting element for the collaborative music project. Kent's input encouraged Ishiguro to explore a different emotional landscape in his writing, aligning with the musical vision for the project.
  • Ishiguro found Kent's guidance to infuse hope and optimism into the lyrics as an interesting constraint that could benefit his writing career. He appreciated the insight into a successful singer's mindset and saw it as a valuable approach to explore in his collaboration with Kent. This direction influenced his lyric-writing process, aiming to create a narrative canvas that would enhance Kent's vocal performance and the musical arrangement. Ishiguro viewed this requirement as a way to s ...

Counterarguments

  • While infusing lyrics with hope and optimism can resonate with audiences, it may also limit the emotional range and thematic diversity of the music, potentially overlooking the depth that can be found in more complex or ambivalent emotional expressions.
  • Crafting lyrics primarily as a "vehicle" for vocal performance might risk underestimating the power of lyrics to stand alone as a form of poetry or storytelling, which can also have significant impact on the listener independent of the music.
  • The guidance to focus on hope and optimism could be seen as a constraint that might stifle Ishiguro's natural creative inclinations or thematic preferences, possibly lead ...

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Author Kazuo Ishiguro and singer Stacey Kent collaborate on new songbook

The unique nature of lyrics compared to poetry, and Ishiguro's approach

Ishiguro provides insight into his distinctive method for lyric writing, underlining the intimate relationship between words and music and the importance of suggestion over declaration.

Lyrics cannot be self-sufficient like poetry, as they must work in harmony with the melody, chords, and orchestration

Ishiguro points out the crucial distinction between lyrics and poetry, stating that lyrics cannot stand alone as poetry does. He argues that lyrics are interwoven with the melody, chords, and orchestration and cannot be fully self-sufficient. For Ishiguro, the meaning within lyrics should complement but not override the musical elements; they are part of a larger tapestry where each element contributes to the overall experience.

Ishiguro sought to create richly layered emotional and narrative content within the constraints of the lyrical form

Avoiding overly explicit or direct statements, Ishiguro aimed to subtly suggest feelings and situations

In crafting lyrics, Ishiguro strives to evoke emotions and create narrative contexts within the tight con ...

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The unique nature of lyrics compared to poetry, and Ishiguro's approach

Additional Materials

Clarifications

  • Ishiguro's method for lyric writing involves subtly suggesting emotions and narratives rather than directly stating them. He aims to create a richly layered experience within the constraints of a song's structure, similar to his approach in fiction where he employs a restrained narrative style. By weaving complex emotional undercurrents through indirect language, Ishiguro enhances the listener's experience and allows for personal interpretation.
  • In the context of songwriting, lyrics are not standalone like poetry; they rely on music for full expression. Unlike poetry, lyrics are intertwined with melody, chords, and orchestration, forming a cohesive whole. This interdependence means that lyrics cannot exist independently as they are designed to complement and enhance the musical elements.
  • Lyrics in a song are interwoven with the melody, chords, and orchestration by aligning the words with the musical elements. The rhythm and structure of the lyrics often match the musical beats and phrasing, enhancing the overall harmony. The emotional tone and pacing of the lyrics are crafted to complement the mood set by the music, creating a cohesive and immersive listening experience. This integration ensures that the lyrics not only convey meaning but also enhance and are enhanced by the musical accompaniment.
  • In lyric writing, avoiding explicit statements means refraining from directly stating emotions or situations. Instead of being overt, the focus is on subtly suggesting feelings and contexts. This a ...

Counterarguments

  • While Ishiguro emphasizes the relationship between words and music, some might argue that lyrics can indeed stand alone and be appreciated as poetry, with their rhythm and flow independent of music.
  • The assertion that lyrics must harmonize with other musical elements could be challenged by the idea that sometimes, the contrast between lyrics and music can create a powerful effect.
  • The idea that lyrics should not override musical elements might be countered by the perspective that in some genres, like rap or musical theater, lyrics often carry the primary weight and message.
  • While Ishiguro aims for subtlety in his lyrics, one could argue that direct and explicit statements can also be powerful and effective in songwriting.
  • The suggestion that Ishiguro's approach to lyrics mirrors his narrative styl ...

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Author Kazuo Ishiguro and singer Stacey Kent collaborate on new songbook

The themes and emotional qualities of the folk music revival

In the recent surge of popularity in folk music, the lyrics and songs produced by artists like Kent reveal a deep emotional palate that resonates with a wide audience. The themes explored are a testament to the genre's enduring appeal as they encapsulate a spectrum of human emotions and experiences.

The lyrics often explore bittersweet emotions, blending sadness and heartbreak with a sense of hope and optimism

The music that has come to define this revival is often laden with the raw, bittersweet emotions of life's trials and tribulations. The lyrics crafted by these folk musicians masterfully mingle the pangs of sadness and heartbreak with an undercurrent of hope and optimism. This balance creates a sense of relatability and comfort for listeners as it mirrors the complexity of real human emotions where sorrow is often intertwined with the possibility of healing and happiness.

Kent's delivery and interpretations of the lyrics further enhance this nuanced emotional quality

When it comes to artists like Kent, the emotional depth of the lyrics is further elevated by their delivery and interpretation. Kent's style imbues each word with a texture that is felt as much as it is heard, bringing listeners on a journey through the multifaceted nature of the human heart. This delivery intensifies the bittersweet qualities of the lyrics, allowing the subtleties of hope to shine through even in songs that delve into themes of loss or despair.

The lyrics have an introspective quality, evoking the internal thoughts and experiences of the narrator

There is a distinct introspective quality to the lyrics which calls forth the inner thoughts and experiences of the narrator. The personal and reflective nature of the text invites listeners to peer into the soul of the singer and, in turn, to reflect on their own lives. This introspection is a key component of the folk genre, which has historically been a vessel for personal storytelling and expression.

T ...

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The themes and emotional qualities of the folk music revival

Additional Materials

Clarifications

  • Kent is a fictional name used in the provided text as an example to represent a generic folk music artist. In reality, there may not be a specific artist named Kent who is significant in the folk music revival. The text uses Kent to illustrate how artists in this genre convey emotions and introspective themes through their music.
  • The nuanced emotional qualities in folk music revival describe the intricate and subtle range of emotions conveyed in the music, blending contrasting feelings like sadness and hope to create depth and complexity in the listener's experience. This emotional nuance is achieved through the lyrical content, musical delivery, and the introspective nature of the songs, inviting listeners to connect with the raw and authentic portrayal of human emotions.
  • The connection between the musical structure and the cadence of inner speech in folk music is about how the rhythms and phrasing of the music mimic the natural flow of thoughts in one's mind. This mirro ...

Counterarguments

  • While the text suggests that the folk music revival's appeal is in its blend of sadness and hope, one could argue that the genre's popularity may also stem from a desire for musical simplicity and acoustic authenticity in reaction to the highly produced nature of mainstream music.
  • The assertion that Kent's delivery enhances the emotional quality of the lyrics assumes a universal listener response, but emotional reception is subjective, and some listeners may not connect with Kent's style.
  • The claim that lyrics in folk music are introspective and evoke the internal thoughts of the narrator might overlook the fact that some folk music is also outward-looking, focusing on social and political issues rather than personal introspec ...

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