Podcasts > Most Innovative Companies > Fast Company at SXSW and Netflix's 3 Body Problem

Fast Company at SXSW and Netflix's 3 Body Problem

By Mansueto Ventures

Netflix's adaptation of the acclaimed science fiction novel series "The Three-Body Problem" is a complex undertaking. This episode explores the challenges faced while bringing Liu Cixin's work to the screen, including capturing the Cultural Revolution's intensity and overcoming logistical hurdles posed by language barriers and the pandemic. While certain creative liberties were taken to tailor the narrative for an international audience, the production team aimed to preserve the novels' sense of awe and essential Chinese elements.

Drawing from their experience adapting "Game of Thrones," David Benioff and D.B. Weiss provide insights into managing fan expectations when iconic source material is adapted. They discuss the importance of focusing on one immersive project at a time and accepting that some fans may react negatively to deviations from the original text. This episode sheds light on the careful considerations and tradeoffs involved in bringing beloved literary works to television.

Fast Company at SXSW and Netflix's 3 Body Problem

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Fast Company at SXSW and Netflix's 3 Body Problem

1-Page Summary

Overview of The Three-Body Problem Adaptation

Alexander Woo and Derek Tsang are adapting "The Three-Body Problem" into a screen adaptation, aiming to keep the wonder and surprise that the series is known for, albeit with some changes for an international audience. Despite alterations, the production stays true to the novel's critical Chinese elements and characters. Author Liu Cixin has given his blessing, acknowledging that the medium of television requires different expressions than books.

Challenges adapting the complex books

Adapting "The Three-Body Problem" presented unique challenges like accurately depicting the Cultural Revolution and overcoming the obstacles of limited interaction with author Liu Cixin due to geographic and language barriers, exacerbated by the pandemic. Despite these challenges, the production team managed to recreate intense scenes, such as a detailed sequence involving a chanting crowd that resonated with authenticity, even earning praise for its realism from individuals who lived through the actual events.

Reasons for deviations from source books

Alexander Woo and Josh Christensen note that direct book-to-screen adaptations are not practical due to the differences between reading and watching a story. The Netflix adaptation has been tailored for an international audience, contrasting with a previously released Chinese TV adaptation that closely adhered to the book's chapter-by-chapter narrative, which may not resonate as clearly with those unfamiliar with the original text.

Connections to Game of Thrones adaptation experience

David Benioff and D.B. Weiss reflect on their previous work with "Game of Thrones," acknowledging fan reactions to changes and the impossibility of pleasing all fans of the source material. They advocate for dedicating their efforts to one project at a time to maintain quality and depth. Weiss recognizes the benefits of ignoring distractions and focusing solely on the task at hand, which they also applied during the creation of "Game of Thrones," leading to the series' immersive and successful production.

1-Page Summary

Additional Materials

Clarifications

  • The Three-Body Problem is a popular science fiction novel by Chinese author Liu Cixin, known for its intricate plot and exploration of complex scientific concepts. The novel delves into themes like alien contact and the consequences of advanced technology on humanity. The adaptation of the novel into a screen adaptation involves challenges in capturing the essence of the story while catering to an international audience. The adaptation aims to maintain the core Chinese elements and characters while making necessary adjustments for a broader viewership. The production team faces hurdles in accurately portraying historical events like the Cultural Revolution and ensuring authenticity in the storytelling process.
  • The Cultural Revolution was a tumultuous sociopolitical movement in China initiated by Mao Zedong in 1966 to eliminate perceived threats to communist ideology. It involved mass mobilization, purges of intellectuals, and widespread social upheaval, lasting until Mao's death in 1976. The movement aimed to solidify Mao's power and eradicate capitalist and traditional influences from Chinese society. The Cultural Revolution led to significant turmoil, with lasting impacts on Chinese politics and society.
  • The geographic and language barriers with Liu Cixin referred to the challenges faced by the production team in communicating with the author due to differences in location and language. These barriers made it difficult to have direct and immediate interactions with Liu Cixin during the adaptation process. The pandemic further complicated these issues by limiting travel and in-person meetings, affecting the collaboration between the team and the author. Despite these obstacles, the team worked to overcome these challenges and stay true to the essence of the source material.
  • The "Game of Thrones" adaptation experience mentioned in the text is a reference to the television series based on George R.R. Martin's book series "A Song of Ice and Fire." David Benioff and D.B. Weiss were the showrunners for the "Game of Thrones" TV series, which aired from 2011 to 2019. The adaptation faced both critical acclaim and controversy, especially regarding the final seasons diverging from the source material and fan expectations. Benioff and Weiss navigated challenges in adapting a beloved book series for television, similar to the current adaptation of "The Three-Body Problem."

Counterarguments

  • While the adaptation aims to maintain the wonder and surprise of the series, some fans might argue that certain changes could dilute the unique essence of the original work.
  • Changes for an international audience might lead to a loss of specific cultural nuances that are integral to the story's context and themes.
  • Staying true to the novel's critical Chinese elements and characters is commendable, but there is a risk that the depth and complexity of these elements may not be fully conveyed through a screen adaptation.
  • Author Liu Cixin's blessing is positive, but it does not guarantee that the adaptation will satisfy the expectations of the readers or capture the intricacies of the source material.
  • The challenges of adapting complex books are acknowledged, but some might argue that the chosen solutions to these challenges may not be the most effective or faithful to the original narrative.
  • Recreating intense scenes like the chanting crowd is an achievement, yet there may be concerns about whether the adaptation can consistently maintain that level of authenticity throughout the series.
  • Tailoring the adaptation for an international audience could potentially alienate the core fanbase who may prefer a more faithful adaptation.
  • The assertion that direct book-to-screen adaptations are not practical might be contested by those who believe that a more literal translation of the source material could be successful if done thoughtfully.
  • Comparing the adaptation to the "Game of Thrones" experience might raise concerns given the mixed reactions to the latter seasons of that series, particularly regarding the handling of the source material.
  • The idea that it is impossible to please all fans might be seen as a defeatist attitude, with some arguing that striving for a balance between faithfulness to the source material and necessary adaptations for the screen is a worthwhile endeavor.
  • Focusing solely on one project at a time is generally a sound approach, but some might argue that drawing on a diverse range of experiences and projects can also enrich the creative process.

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Fast Company at SXSW and Netflix's 3 Body Problem

Overview of The Three-Body Problem Adaptation

As the eagerly anticipated adaptation of "The Three-Body Problem" makes its way to screens, Alexander Woo and Derek Tsang share insights into their approach to bringing Liu Cixin's acclaimed novels to life.

Preserving the "spirit" of the books was most important in adapting them

Alexander Woo speaks to the intentions behind the adaptation, emphasizing that the team focused on preserving the feeling of wonder, awe, and surprise that readers experienced throughout the genre-shifting journey of the books—from historical fiction to mystery to science fiction.

Some changes made compared to the books

While staying true to the original material's essence, the series will present some notable differences. In particular, the adaptation features a more international cast, which Derek Tsang explains as a natural progression for the international audience of the show. This multicultural casting also bypasses the limitations of the book medium, focusing instead on keeping crucial Chinese elements and characters intact.

Yasmin Gagne adds that the series will not be a beat-for-beat recreation, as the plot has undergone significant changes to fit the television format. The Netflix series is being positioned as a global show, with adaptations that extend beyond national bor ...

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Overview of The Three-Body Problem Adaptation

Additional Materials

Clarifications

  • The "genre-shifting journey" in "The Three-Body Problem" novels by Liu Cixin describes how the story evolves across different genres such as historical fiction, mystery, and science fiction. This progression means that the narrative style and themes of the books change as the plot unfolds, offering readers a diverse and engaging reading experience. The books seamlessly blend elements from various genres to create a unique and multifaceted story that keeps readers intrigued throughout. This genre diversity contributes to the richness and complexity of the storytelling, making it a standout feature of the series.
  • The limitations of the book medium in this context refer to the constraints of written text in fully capturing the visual and auditory elements that can be more effectively conveyed through television or film. Books rely on readers' imagination to interpret descriptions, while visual mediums can directly show scenes, emotions, and complexities that might be challenging to articulate in writing. Adapting a book to a visual format like television allows for a more immersive experience by leveraging the power of visuals and sound to enhance storytelling.
  • A "beat-for-beat recreation" in the context of adapting a story means faithfully reproducing each significant moment or event from the original source material without deviation. This term implies a strict adherence to the sequence and details of t ...

Counterarguments

  • Preserving the "spirit" of a book is subjective, and what constitutes the essence of the original work can vary greatly among fans and critics.
  • An international cast, while broadening appeal, may also dilute the specific cultural context that is central to the original story's setting and themes.
  • Maintaining crucial Chinese elements and characters is important, but changes in the adaptation process could potentially alter the story's original message or themes.
  • Significant plot changes to fit the television format might disappoint fans who are expecting a faithful adaptation of the source material.
  • Positioning the series as a global show could lead to a loss of nuanced cultural specificity that might be essential to the original narrative.
  • The author's approval of the adaptation does n ...

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Fast Company at SXSW and Netflix's 3 Body Problem

Challenges adapting the complex books

Tsang and Alexander Woo share insights into the intricate process of adapting a story that navigates historical events and the challenges posed by limited author interaction.

Directing some intense scenes

Recreating China's Cultural Revolution

The crew faced significant challenges in reenacting the intensity of China's Cultural Revolution.

Very detailed sequence with chanting crowd

Filming a sequence that portrayed the Cultural Revolution demanded a high level of detail, noted by Tsang as one of the most complex parts of the production. To reproduce the authenticity of the era, especially while filming in London rather than China, extras were required to chant in Mandarin—despite not being native speakers—which added a layer of authenticity to the sequence.

Author's mother said it was realistic

Woo's effort in recreating the scene's brutality was validated when Woo showed the filmed sequence to his own mother, who had lived through the Cultural Revolution herself. Her approval of the scene's realism added a deeply personal and chilling endorsement, confirming the accuracy of the portrayed events.

Collaborating with Liu Cixin

The team faced hurdles in collaboration mainly due to geographical and pandemic-related barriers.

Language and location barriers meant limited interaction

Collaboration with author Liu Cixin was lim ...

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Challenges adapting the complex books

Additional Materials

Clarifications

  • Limited author interaction is crucial in adaptations as authors provide insights into the story's nuances, character motivations, and historical context. Their guidance ensures the adaptation stays true to the original work, capturing its essence accurately. Without sufficient author input, adaptations may struggle to convey the intended themes and messages effectively. Collaborating closely with the author can enhance the adaptation's authenticity and depth.
  • The crew needed to chant in Mandarin to recreate the authenticity of China's Cultural Revolution, despite not being native speakers. This added a layer of realism to the filming process, capturing ...

Counterarguments

  • The authenticity of a scene depicting historical events can be subjective, and while the author's mother found it realistic, others who experienced the Cultural Revolution might have different perspectives.
  • The use of non-native speakers chanting in Mandarin could be seen as less authentic by native Mandarin speakers, and some might argue that it could potentially perpetuate inaccuracies or stereotypes.
  • While the team faced challenges due to the pandemic and geographical barriers, it's possible that alternative methods of communication and collaboration could have been explored to enhance the author's involvement.
  • The limited interaction with author Liu Cixin might have been a missed opportunity, but it could also have allowed the filmmakers more creative freedom to interpret the material in their own way, which is not necessarily a negative outcome.
  • The single Zoom meeting with Liu Cixin is presented as a limitation, but this does not accou ...

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Fast Company at SXSW and Netflix's 3 Body Problem

Reasons for deviations from source books

When it comes to adapting novels for television, producers and writers like Alexander Woo and Josh Christensen emphasize that direct transmission from the page to the screen isn't feasible due to the inherent differences between the two mediums.

Different medium requires changes

Alexander Woo explains that adapting novels to a television series involves modifications as experiencing a TV series is very different from reading a book. Josh Christensen supports this by mentioning that the capabilities in books differ from what can be executed in a series, underscoring a shift in medium and justifying changes in the process of adaptation.

Appeal to international audiences

Chinese TV version very faithful to books

Yasmin Gagne discusses her experience with a Chinese page-to-screen version of "The Three-Body Problem," which she describes as a 30-episode series that remains too faithful to the book, resulting in a product that is difficult to understand for those unfamiliar with the source material. This version i ...

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Reasons for deviations from source books

Additional Materials

Clarifications

  • Adapting novels to television involves changes due to the distinct ways audiences engage with each medium. TV series rely on visual and auditory storytelling, while books rely on descriptive language to convey the narrative. This difference in presentation often necessitates alterations in plot pacing, character development, and overall storytelling to effectively capture the essence of the original work in a visual format.
  • The Chinese page-to-screen version of "The Three-Body Problem" is a television adaptation of the popular science fiction novel written by Liu Cixin. It closely follows the narrative and structure of the original book, aiming to faithfully represent the source material on screen. This adaptation is created primarily for Chinese-speaking audiences and maintains a high level of fidelity to the novel's content and themes. The series is known for its detailed and meticulous approach to translating the written story into a visual format for viewers.
  • The Chinese TV version of "The Three-Body Problem" is challenging for those unfamiliar with the source material because it clo ...

Counterarguments

  • While adaptations require changes, some argue that maintaining the integrity of the source material is crucial for the authenticity of the story.
  • It's possible to create a TV series that closely mirrors the experience of reading a book through innovative storytelling techniques, such as voiceovers or breaking the fourth wall.
  • Advances in technology and special effects can now bring to life scenes from books that were previously considered unadaptable.
  • Some audiences appreciate adaptations that are faithful to the source material, as it preserves the original vision and story.
  • A faithful adaptation can be made accessible to newcomers through careful exposition and character development, without necessarily altering the source material.
  • The success of a faithful adaptation, like the Chinese TV version of "The Three-Body Problem," may depend on the cultural context and the target audience's familiarity with the genre or source material.
  • Tailoring content for a global audience ...

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Fast Company at SXSW and Netflix's 3 Body Problem

Connections to Game of Thrones adaptation experience

David Benioff and D.B. Weiss discuss their past adaptation experiences with "Game of Thrones" and share insights into the complexities of adapting beloved source material amidst varied fan reactions.

Fan reactions to changes

David Benioff acknowledges that hardcore book fans might not always appreciate adaptations but stands by their creative choices. He expresses confidence in the adaptation's ability to stand out, regardless of potential backlash.

Can't please all fans when adapting beloved source material

The creators recognize from their "Game of Thrones" experience that not every aspect of a book can, or should, be translated to the screen. They recount that fan reactions can vary greatly; while they started with overwhelmingly positive feedback, negative sentiments eventually emerged, although these did not overshadow the team's appreciation for the source material.

Some Game of Thrones backlash didn't affect enjoyment of books

Despite some backlash, the enjoyment of the "Game of Thrones" books remained intact for the team. Weiss compares negative online reactions to writing on the world's biggest bathroom wall and, with Benioff, recalls an instant karma incident at a restaurant that connected with the show's early praise.

Doing one project at a time vs many shows at once

Benioff and Weiss favor focusing on one project at a time, as they did with "Game of Thrones," rather than juggling multiple projects. They view this approach as more productive and conducive to quality.

Focused all energy on this instead of multiple projects

Similarly to their previous work, the duo has channe ...

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Connections to Game of Thrones adaptation experience

Additional Materials

Clarifications

  • "Writing on the world's biggest bathroom wall" is a metaphor used to describe the vast and public nature of online platforms where people can express their opinions, similar to graffiti on a bathroom wall. It implies that negative comments online can feel pervasive and unavoidable, akin to being surrounded by graffiti in a large public restroom. The comparison highlights the sometimes chaotic and unfiltered nature of online feedback, drawing a parallel between the two environments. This metaphor underscores the idea that negative reactions online can be widespread and impactful, much like messages scrawled on a large, communal surface.
  • An epiphany about cutting off distractions in this context means realizing the benefits of focusing solely on the work at hand and eliminating external influences like online commentary. By removing distractions, the creators were able to immerse themselves fully in their project, leading to a more concentrated and productive work experience. This approach allowed them to maintain a clear vision and avoid diluting their efforts across multiple projects simultaneously. The epiphany highlights the importance of prioritizing the creative process and minimizing outside noise to enhance the quality and depth of the work b ...

Counterarguments

  • While Benioff and Weiss stand by their creative choices, some argue that certain deviations from the source material in "Game of Thrones" were unnecessary and negatively impacted the story's coherence and character development.
  • Confidence in an adaptation's ability to stand out does not guarantee that the changes made will be well-received or that they will enhance the original story.
  • The assertion that not every aspect of a book should be translated to the screen is subjective; some fans and critics believe that more faithful adaptations can be both possible and successful.
  • The variation in fan reactions suggests that there is a significant portion of the audience that values fidelity to the source material, and their concerns could be indicative of broader issues with the adaptation.
  • The team's appreciation for the source material does not necessarily mean that the adaptation effectively honored the original work, according to some fans and critics.
  • The fact that the team's enjoyment of the books remained intact might not be relevant to the quality of the adaptation or to the satisfaction of the audience.
  • Focusing on one project at a time is a valid approach, but it is not the only way to achieve success. Some creators and production teams successfully manage multiple projects simultaneously without compromising quality. ...

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