Dive into the spectral world with "Morbid," as hosts Ash Kelley and Alaina Urquhart join forces with special guests Sabrina Deana-Roga and Corinne Vien from "Two Girls One Ghost" to uncover the eerie occurrences at the infamous Lizzie Borden house. Their nine-hour ghost hunting venture yields staggering paranormal evidence, from electronic voice phenomena to spirit box interactions that suggest an impish presence amongst them. They scrutinize unsettling utterances and potential clues that could rewrite the harrowing narrative of Abby Borden's death, sparking fresh debate on this enigmatic case.
Yet these grim tales do not end with ghosts; the episode delves into the sinister underbelly of familiar nursery rhymes that have echoed through generations. The hosts reveal the often-macabre histories hidden within these seemingly innocent verses, from veiled political dissent to unsettling allusions to historical tragedies and diseases. Amongst these dark anecdotes, they explore the queer history possibly encapsulated within "Georgie Porgie," shedding light on the romantic entanglement between George Villiers and King James I, which gives the ditty a complex and historically rich foundation.
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During a nine-hour ghost hunting investigation at the Lizzie Borden house, participants experienced what they described as "astounding" ghostly activity. They reported capturing numerous electronic voice phenomena (EVPs) and witnessed fluctuations in equipment readings, suggestive of a paranormal presence. The activity intensified particularly in the bathroom and a specific chair, causing REM pods to alarm, which led to suggestions that the spirits aimed to either scare or attract the investigators.
There were also interactions that suggested a rascally spirit, termed the "trickster" ghost, which provocatively insulted the group via a spirit box. The phenomenon of the word "closet" captured in the room where Abby Borden was killed added a chilling detail, positing a potential hiding place for the murderer. The word "strangled" also surfaced in the same room through the spirit box, provoking discussions about alternative theories concerning Abby Borden’s demise.
When analyzing the evidence and autopsy reports related to the Lizzie Borden case, there was intense speculation about the murder weapon, with suggestions of a hatchet or an iron skillet from the kitchen. The autopsy reports revealed lethal wounds inflicted with substantial force, causing penetration of the skull. Details of the murder scene such as the position of Abby Borden and the pattern of blood spatter were scrutinized to infer the dynamics of the attack.
The infamy of the Lizzie Borden case has been perpetuated partly by a nursery rhyme which promotes misconceptions about the events. Originating a few years after the murders, the rhyme inaccurately exaggerates the number of blows dealt and assumes Lizzie's guilt despite her acquittal. The infamous verse also incorrectly refers to an ax as the murder weapon, when it is thought to have been a hatchet, reflecting how legends can sometimes overshadow factual evidence.
Nursery rhymes have served numerous roles over the centuries, including entertainment, education, the imparting of social norms, and even political or religious commentary. Diverse rhymes often reflect the era and the region they originate from, with examples like "Ring Around the Rosie," "London Bridge is Falling Down," and "Goosey Goosey Gander," showing how they resonate with local issues, societal changes, and significant historical events.
Some nursery rhymes conceal hidden, often dark historical references. "Three Blind Mice" is believed to allude to the persecution of Protestant bishops under Queen Mary, while "Goosey Goosey Gander" might reflect punishment for resisting the Church of England or even venereal disease. In contrast, the rhyme "Ring Around the Rosie" is actually a playful children's game, not a reference to the Black Plague.
The nursery rhyme "Georgie Porgie" may relate to queer history, specifically referencing the potential romantic liaison between George Villiers and King James I. Romantic letters exchanged between the two highlight a close and possibly sexual relationship. The rhyme's link to their association is underscored by Villiers's protective treatment from King James and speculation about Villiers's interactions with women, suggesting a complicated and multifaceted historical origin.
1-Page Summary
During a nine-hour investigation at the Lizzie Borden house, a group experienced "astounding" ghostly activity, sparking significant discussion over the evidence they gathered.
Throughout their stay, the group mentioned capturing a significant amount of audio and video recordings indicative of ghostly presence. They shared how REM pods would sound off alarmingly, especially when group members stepped into the bathroom. This was speculated to either be an attempt by the spirits to scare them or draw them back into the main room. In one incident, a REM pod activated next to a chair precisely after one of the visitors vacated it, adding to the eeriness of the night. The group described how these REM pods responded to changes in temperature and proximity, with a full array of lights indicating that something was directly atop the device. They also reported hearing noises and seeing movements out of the corner of their eyes. Lights flickered, but as it was storming, it was hard to definitively attribute this to paranormal activity.
The spirits seemed playful and sometimes malicious, as the group recounted a spirit box repeatedly directing derogatory names at them, prompting them to label it as the "trickster" ghost of the house. This term of "trickster" seemed to both describe and capture the nature of the mischievous encounters throughout the evening. They felt followed by the spirit and were at one point led to the basement. Amber, their guide, identified the behavior of the troublesome spirit and managed to stop any further deceptive interactions by addressing the spirit directly.
Ghost hunting experience at the Lizzie Borden house
An exploration of the evidence in the Lizzie Borden case raises questions about the murder weapon and provides grisly details of the autopsies.
The hosts delve into discussions about the suspected murder weapon. They speculate whether Abby Borden was attacked with a hatchet or an iron skillet from the kitchen. This speculation is rooted in the consideration of blood spatter patterns and the wounds inflicted. According to the hosts, Abby might have been startle at the closet, receiving an initial hit on the head from a left-handed person. This could suggest Abby tried to flee after the first blow but ultimately fell and was struck repeatedly.
Further analyzing the autopsy report, the hosts note that the murder weapon was capable of penetrating the skull, which indicates significant force behind the a ...
Analysis of evidence and autopsy reports related to the Lizzie Borden case
The notorious case of Lizzie Borden is enshrined in not just legal history but cultural lore as well, in part thanks to a nursery rhyme that has both perpetuated and distorted the facts of the case. The hosts discuss how this rhyme is not only misleading but also continues to shape public perception of Borden’s guilt.
The Lizzie Borden nursery rhyme emerged a few years after the murder of her father and stepmother. Echoing the sentiment of locals in Fall River, Massachusetts, who ostracized Lizzie and wholeheartedly believed in her culpability, children would chant the rhyme outside her new home, Maplecroft. This rhyme has evolved over time, with variations exaggerating the number of blows Borden allegedly inflicted—an assumption not entirely supported by autopsy findings.
Despite Lizzie Borden's acquittal in a court of law, the nursery rhyme assumes her guilt and effectively encapsulates the public's verdict. Alaina Urquhart plans to dissect why the nursery rhyme is misleading, particularly in its contradiction with the legal outcome of the case. Borden was found not guilty, yet the rhyme has persisted well into the prese ...
Lizzie Borden nursery rhyme and inaccuracies around it
Exploring the rich tapestry behind nursery rhymes reveals they have long been woven into the cultural fabric for entertainment and education, often containing deeper meanings tied to the times and places they originate from.
Nursery rhymes have played a substantial role for centuries, serving not only for amusement but also as early educational tools to foster phonological awareness and literacy. Moreover, they are instrumental in imparting social norms, moral lessons, and sometimes even subversive commentary about political, social, or religious contexts.
The speakers delve deep into how nursery rhymes have historically held regional specificity, often reflecting local events or cultural issues of the time. They illustrate this by examining several rhymes.
For example, they discuss the "Ring Around the Rosie" rhyme, which has evolved in response to societal changes. Initially, it may have been created in reaction to a dancing ban, serving as a covert way of continuing the tradition through a game resembling "spin the bottle." Another rhyme that highlights historical events is "London Bridge is Falling Down," which may be inspired by the repeated destruction and rebuilding of the actual London Bridge.
Additionally, the conversation touches on the eerie history of potential human sacrifices – a belief that the London Bridge would only stand firm if supported by a sacrifice to the gods. The hosts contemplate if this is ...
Origins and histories of nursery rhymes
Nursery rhymes, often sung by children without a second thought, sometimes conceal weird, scary, or dark histories that date back centuries. These seemingly innocent verses can have a morbid side, delving into themes of persecution, religion, and even tales of affection gone awry.
The nursery rhyme "Three Blind Mice" is often interpreted as referencing the brutal fate of three Protestant bishops during the reign of Queen Mary Tudor. The trio, who opposed Mary's mission to restore Catholicism in England, were condemned and burned at the stake for their defiance. In the rhyme, Mary Tudor is hypothetically symbolized as the farmer's wife, who mercilessly cuts off the mice's tails with a carving knife. Its origin as a folk song and subsequent inclusion into children's literature masked the violent content, serving as a grim reminder of the consequences of opposing religious and royal authority.
Similarly, "Goosey Goosey Gander" taps into themes of religious persecution during a tumultuous era in English history. The rhyme speaks of an old man who is punished for not adhering to prescribed religious practices, reflecting the violent measures taken against individuals, potentially Catholic priests, who resisted the Church of England's rules. Additionally, some interpretations of the rhyme suggest overtones of venereal disease, with references to wandering and encounters in a lady's chamber hinting at the procurement of a se ...
The morbid and dark underpinnings of some nursery rhymes
The nursery rhyme "Georgie Porgie" is believed by some to have a connection to queer history, possibly referencing the romantic relationship between George Villiers, the first Duke of Buckingham, and King James I of England.
In 1614, King James I reportedly became besotted with George Villiers, who intensely lobbied for a position in the royal court and was subsequently appointed as the Royal cupbearer. Their relationship is noted not just for its potential influence on the "Georgie Porgie" nursery rhyme but as an example of queer history in the royal lineage.
The line "when the boys come out to play" is thought to have been added later, with folklorists Iona and Peter Opie proposing the connection to King James I and George Villiers. However, debate exists over whom "Georgie Porgie" references, with some speculation also pointing to King George IV, whose personal conduct seems to fit the rhyme's narrative.
George Villiers's close access to King James is suggestive of an intimate relationship, highlighted by the nickname "Steenie," which reflected George's perceived beauty. King James was unreserved in his affection for George, openly expressing his emotions to the privy court and equating his love for George with Jesus Christ's love for John.
The pair's correspondence included romantic and suggestive letters. King James once addressed George as "my sweet child and wife," underscoring a profound affection that veered away from traditional monarchical titles. Excerpts fr ...
Georgie Porgie nursery rhyme and possible queer history origins
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