Podcasts > Modern Wisdom > #1033- Judd Apatow - Why Comedies Suck Now

#1033- Judd Apatow - Why Comedies Suck Now

By Chris Williamson

In this Modern Wisdom episode, filmmaker and comedian Judd Apatow discusses how comedians develop their craft differently from other artists. He shares insights about his own journey, explaining how his challenging childhood shaped his approach to comedy and led to perfectionist tendencies in his work. The conversation explores how comedians must test their material live in front of audiences, unlike musicians or writers who can practice privately.

The discussion also covers the evolving landscape of comedy in the entertainment industry. Apatow describes how streaming platforms have changed the business model for comedy films, while the conversation examines how modern comedians adapt by creating their own content and building audiences through new media platforms. The role of mentorship in comedy careers and the importance of maintaining creative integrity while developing business skills are also addressed.

#1033- Judd Apatow - Why Comedies Suck Now

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#1033- Judd Apatow - Why Comedies Suck Now

1-Page Summary

Experiences and Psychology Influencing Comedian's Development and Creativity

In a candid discussion, Judd Apatow explores how personal experiences and psychological factors shape a comedian's creative journey. He reveals how his own challenging upbringing, marked by his parents' "double divorce" and constant exposure to conflict, heightened his observational skills and drove him to pursue comedy as a means of establishing security. This manifested in extreme perfectionism, such as writing hundreds of jokes when only a few were needed.

Unique Dynamics of Comedy vs. Other Art Forms

Apatow and Chris Williamson highlight comedy's distinctive challenges compared to other art forms. Unlike musicians or writers who can practice privately, comedians must test their material live, facing immediate audience feedback. They discuss how successful comedians like Norm Macdonald and Andy Kaufman adapted their performances based on audience reactions. The conversation also explores how comedy differs from other art forms in terms of longevity - while hit songs and movies can generate lasting revenue, comedians face constant pressure to create new material to stay relevant.

Mentorship, Collaboration, and Industry in a Comedian's Career

Apatow credits mentors like Gary Shandling for shaping his career trajectory, particularly noting Shandling's trust in allowing him to direct "The Larry Sanders Show." The discussion then turns to how the comedy landscape has evolved with the rise of streaming and decline of DVDs. Apatow notes that studios now make fewer comedies as they're less profitable, while Williamson highlights how modern comedians must adapt by self-producing content and building audiences through platforms like podcasts. The changing industry dynamics require comedians to develop diverse business and marketing skills while maintaining their creative integrity.

1-Page Summary

Additional Materials

Counterarguments

  • While personal experiences and psychological factors are influential, it's also important to consider the role of innate talent and humor in a comedian's development.
  • Some comedians may find that a stable upbringing, rather than a challenging one, provides a solid foundation for their creativity and work ethic.
  • Perfectionism in comedy could be seen as inefficient or indicative of creative insecurity, and not all successful comedians may subscribe to such an approach.
  • Other art forms, like theater and stand-up poetry, also require live testing and audience feedback, so comedy is not unique in this regard.
  • The ability to adapt to audience reactions is important, but it could be argued that maintaining a unique comedic voice is equally crucial, even if it sometimes means not pandering to audience expectations.
  • While comedians do need to create new material, the impact of their work can be long-lasting through recordings and performances that continue to be enjoyed years later.
  • Mentorship is valuable, but self-taught comedians or those who learn through alternative means can also achieve significant success without traditional mentorship.
  • The rise of streaming and decline of DVDs have indeed changed the industry, but this has also opened up new opportunities for comedians to reach wider audiences and monetize their work in different ways.
  • The need for business and marketing skills is not unique to comedy and is a common requirement for success in any entertainment field today.
  • Creative integrity is subjective, and what constitutes maintaining it can vary greatly from one comedian to another, with some finding success in more commercial ventures.

Actionables

  • You can reflect on your own life challenges to fuel your creative pursuits by journaling about past difficulties and how they've shaped your perspective. This practice can help you identify unique angles and stories that could be woven into creative work, whether it's comedy, writing, or another art form. For example, if you experienced moving frequently as a child, you might explore themes of adaptability or the concept of home in your creative expressions.
  • Experiment with iterative performance by sharing short humorous stories or jokes with friends or on social media and observing reactions. Use the feedback to refine your material, much like a comedian tests jokes with an audience. For instance, if a particular anecdote gets laughs or engagement, consider expanding on it or figuring out why it worked to inform your future creations.
  • Diversify your skill set by taking online courses in business and marketing to better promote your creative work in today's digital landscape. Platforms like Coursera or Udemy offer courses that can teach you how to build an online presence, use social media for marketing, or even how to self-publish if you're an aspiring writer or comedian. This approach can help you adapt to the changing dynamics of the creative industry, much like comedians have had to.

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#1033- Judd Apatow - Why Comedies Suck Now

Experiences and Psychology Influencing Comedian's Development and Creativity

In a reflective discussion, Judd Apatow offers an introspective look at how personal experiences and psychological factors contribute to developing a comedian's craft and the challenges they face as their careers progress.

Comedians Use Trauma, Adversity, and Uncertainty For Inspiration

Apatow shares how key moments from his past, including his parents' divorce in his youth and the unstable nature of reconciliations and re-separations known as "the double divorce," impacted Apatow's comedic drive and creativity.

Judd Apatow's Challenging Upbringing Shaped His Comedic Voice and Drive

He suggests that his challenging upbringing, characterized by insecurity and a disruptive home environment where arguments were plainly heard through thin walls, shaped his comedic voice and driving force. This insecurity instilled in him an obsession with comedy, both creatively and in the business sense, as a means of establishing personal safety and self-reliance.

Unsafe, Misunderstood Conditions Heighten Comedian's Observational Skills

The constant exposure to conflict and uncertainty heightened Apatow’s observational skills, feeding his comedic material and shaping a need to feel secure. This manifested in his focus on determining how to succeed in the industry and his concern for taking care of himself, which, in turn, influenced his dedication and persistence.

Comedians May Adopt Perfectionism to Compensate For Insecurity

Apatow expresses that from his teenage years, he pushed himself "to a ridiculous extreme," such as writing a hundred jokes when only a few were needed, in order to showcase a strong work ethic and dedication despite feelings of insecurity. Even when he doubted his ground-breaking abilities in early stand-up performances, this drive compelled him to work tirelessly toward his goals.

Intensity and Uncertainty in Comedy Can Enhance or Hinder Creativity

Apatow discusses the mix of intense emotions, self-belief, and adrenaline often fueling comedians, particularly in their younger years, driving them to push past rejection despite the slim chances of ever achieving large-scale success.

Adrenaline and Belief Drive Young Comedian Past Rejection

For young comedians, belief in oneself is critical to perseverance. Apatow cites the self-belief of comedians like Adam Sandler and Jim Carrey, equating it to a hunter-gatherer instinct vital in taking risks and dealing with the adversities of a comedy career.

Intense Emotions May Cause Volatility, Struggling With Criticism, and Tying Self-Worth To Work Outcomes

This youthful energy can be stressful and lead to volatility. Apatow reflects on managing his expectations through a "slow clock" and how getting older has allowed him to channel his creativity in a less pressured manner. He speaks candidly about struggling with criticism and the emotional turmoil he en ...

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Experiences and Psychology Influencing Comedian's Development and Creativity

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Counterarguments

  • While personal trauma and adversity can inspire creativity, it's not a universal rule that all comedians or artists must have experienced significant hardship to be creative or successful.
  • Some comedians may find that a stable and supportive upbringing contributes positively to their creativity by providing a secure base from which to explore the world.
  • The idea that exposure to conflict inherently enhances observational skills could be challenged by suggesting that a peaceful environment might also foster deep reflection and a different kind of observational acuity.
  • The need for personal safety and self-reliance might be a strong motivator for some, but others may find that collaboration and community are equally important in their creative process.
  • Perfectionism is not always a compensatory behavior for insecurity; some individuals may pursue perfectionism due to innate personality traits or a genuine passion for excellence in their craft.
  • Intense emotions and self-belief are not the only drivers for young comedians; some may be more motivated by a love of the craft, intellectual curiosity, or a desire to connect with audiences.
  • The assertion that self-belief is akin to a survival instinct could be countered by emphasizing the importance of humility, learning from failure, and the value of constructive criticism in personal growth and career development.
  • The notion that aging naturally leads to better management of expectations and creativity might be too general, as individuals vary greatly in how they mature and handle the pressures of their care ...

Actionables

  • Use personal challenges as a springboard for creativity by journaling about difficult experiences and then brainstorming ways to transform them into creative projects or stories. This process can help you channel emotions constructively and find humor or insight in adversity. For example, if you've experienced a job loss, write about the situation and emotions, then create a short comedic skit or story that highlights the absurdities or lessons learned.
  • Develop observational skills by setting a daily 'conflict watch' where you note down instances of conflict or instability you observe in your environment and reflect on what they reveal about human nature. This could be as simple as watching interactions at a coffee shop or during your commute. Later, use these observations as prompts for creative writing or to practice storytelling, focusing on the nuances and humor found in everyday life.
  • Create a 'perfectionism dial' where you assess your current level of perfection ...

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#1033- Judd Apatow - Why Comedies Suck Now

Unique Dynamics of Comedy vs. Other Art Forms

Judd Apatow and Chris Williamson explore the unique challenges and dynamics of comedy in comparison to other art forms, highlighting the necessity of live testing and the fleeting nature of success in the field.

Comedy's Public Nature Invites High-Stakes, Immediate Feedback

Both Apatow and Williamson underscore the public and high-stakes nature of comedy, where performance feedback is immediate and can make or break a comedian’s success.

Comedians Must Test Material Live, Unlike Musicians or Writers

Apatow particularly emphasizes that comedians must learn their craft in front of a live audience, unlike musicians or writers who can refine their work privately. This immediate feedback is fundamental to the comedic process, and Apatow compares it to learning other skills, such as skiing or sex, publicly. Furthermore, he reflects on the experience of bombing on stage as an integral part of the learning process. Comedians like Norm Macdonald and Andy Kaufman would adapt to audience reactions or lack thereof—Macdonald slowing down his delivery and Kaufman turning the audience into an adversary when they didn't understand his material.

Cultivating a Comedian's Adaptability in Hyper-Vigilance, Self-Doubt, and Recovery From Unsuccessful Bits

Apatow acknowledges the adaptation comedians must undergo, dealing with personal insecurities and the dynamics of the audience during live performances. Despite the struggle, certain comedians demonstrate unflappability. Chris Williamson talks about the externalization of comedians' self-worth and the importance of adaptability.

Comedy's Fleeting Nature vs. Music's Enduring Success

Apatow and Williamson point out the distinct differences between comedy and other art forms in terms of revenue generation and enduring success.

Hit Songs and Movies Generate Lasting Revenue and Engagement, Whereas Comedy Is Judged Immediately

Apatow discusses how a hit song or movie can generate long-term revenue and engagement. Comedy, on the other hand, sees immediate judgment and comedians feel compelled to constantly create new material for their acts.

Apatow articulates the pressure comedians face to produce new content, as once material is aired on television, it is commonly expected that those jokes will not be used again live. Comedians must frequently innovate and find new way ...

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Unique Dynamics of Comedy vs. Other Art Forms

Additional Materials

Counterarguments

  • While live testing is crucial for comedians, some musicians and writers also benefit from or choose to test their work publicly through live readings, open mics, or concerts.
  • The immediacy of feedback in comedy is not unique; live theater and some forms of interactive art also involve immediate audience feedback.
  • Bombing on stage is common in many performance arts, not just comedy, and can be an integral learning experience for any performer.
  • Adaptability is a skill required in many professions, including but not limited to comedy; for instance, teachers, public speakers, and even politicians must adapt to their audience's reactions.
  • The pressure to create new material is not exclusive to comedians; musicians, playwrights, and other artists also face the need to innovate to stay relevant.
  • While comedy is often judged immediately, the impact of a comedic performance can be enduring, influencing culture or becoming iconic over time.
  • Some comedians, like musicians or other artists, do reuse material successfully, especially if it has become a signature part of their act or persona.
  • The balance ...

Actionables

  • You can refine your public speaking skills by practicing impromptu speeches with friends or family as your audience, using their immediate reactions to adjust your content and delivery in real-time. This mirrors the comedian's experience of live testing and allows you to develop resilience and adaptability. For example, during a casual gathering, volunteer to give a short, humorous talk on a topic decided by the group and use their feedback to improve your storytelling.
  • Start a personal challenge where you create a small piece of original content daily, like a joke, a story, or an observation, and share it on social media to gauge audience reaction. This will help you understand the fleeting nature of content popularity and the need for constant innovation, similar to a comedian's journey. Track which posts resonate more and explore why, using this insight to refine your future content.
  • Engage in role-playing exercises where you intentionally take o ...

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#1033- Judd Apatow - Why Comedies Suck Now

Mentorship, Collaboration, and Industry in a Comedian's Career

Comedians' careers are significantly influenced by their mentors, collaborators, and the ability to navigate a changing industry.

Mentors and Collaborators Pivotal to Comedian's Success

Judd Apatow Credits Mentors Like Gary Shandling for Early Career Guidance and Opportunities

Judd Apatow had mixed emotions as his peers progressed in their careers, like when David Spade, Rob Scheider, Adam Sandler, and Chris Rock joined Saturday Night Live (SNL). He dwelled on his dream of being part of SNL and the disappointment of not joining it. Reflecting on his early days, Apatow hinted at the mentorship he received, which shaped his comedy career. He particularly recalled Gary Shandling's mentorship and how it provided him with career guidance and opportunities. Shandling trusted Apatow with directing and co-running “The Larry Sanders Show” and encouraged him by praising his works, like the script of "The 40-Year-Old Virgin."

Decline of Traditional Comedy Spaces Hinders Emerging Voices

Apatow notes that the exclusivity of traditional comedy spaces, like choosing between the improv or comedy store, has historically impacted comedians. These spaces were crucial for mentorship and community building, which fostered new talent. However, the industry is ever-changing, and comedians have to adapt their approach to sustain their careers.

Business Models and Audience Habits Impact Comedy Landscape

Streaming Rise and Dvd Decline Reduced Comedy Films' Cultural Footprint

The decline of DVDs and the rise of streaming have reduced the comedy films' cultural footprint. Apatow discusses how comedies that performed well on DVD now struggle to find the same financial success with the shift to streaming. He mentions that films like "Heavyweights" have found new appreciation on platforms like Disney+ years after their release, indicating the changing dynamics of how comedies are consumed and remembered.

Comedians Navigate a Fragmented, Algorithm-Driven Industry Favoring Viral Content Over Thoughtful Work

Apatow cites the influence of social media on the success and visibility of comedians. With expectations of success defined by follower counts and streaming numbers, comedians must navigate an industry more focused on viral content than thoughtful work. He also indicates that studios make fewer comedies because they're no longer as profitable, and other film genres have begun incorporating comedic elements.

Comedians Must Savvy Up In Platform and Community Building to Sustain Careers

Self-Producing Content Creates Opportunities but Requires Diverse Bus ...

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Mentorship, Collaboration, and Industry in a Comedian's Career

Additional Materials

Clarifications

  • Judd Apatow is a prominent American filmmaker, producer, and writer known for shaping modern comedy. He has created and produced influential films and TV shows that blend humor with heartfelt storytelling. Apatow helped launch the careers of many famous comedians through his projects. His work has significantly impacted the comedy industry’s style and business.
  • Gary Shandling was a pioneering American comedian and writer known for his influential TV shows like "The Larry Sanders Show." He helped shape modern comedy by blending satire with behind-the-scenes industry insights. Shandling mentored many comedians by offering guidance, opportunities, and creative freedom. His support helped launch and develop the careers of emerging comedic talents.
  • "The Larry Sanders Show" is a groundbreaking American television sitcom that aired from 1992 to 1998. It satirizes the behind-the-scenes workings of a late-night talk show, blending comedy with sharp industry insights. The show is highly influential for its innovative style and has inspired many comedians and writers. It helped launch and shape the careers of several prominent comedy figures, including Judd Apatow.
  • Saturday Night Live (SNL) is a long-running American sketch comedy show known for launching the careers of many famous comedians. Being cast on SNL provides national exposure, industry connections, and a platform to showcase diverse comedic talents. The show’s live format and high-profile guests create unique opportunities for performers to develop and gain recognition. Success on SNL often leads to film, television, and writing opportunities in comedy.
  • Improv theaters focus on unscripted, spontaneous performances where comedians create scenes on the spot, often involving audience suggestions. Comedy clubs primarily feature stand-up comedians delivering prepared routines to entertain the audience. Improv emphasizes collaboration and quick thinking, while comedy clubs highlight individual performers' crafted jokes. Both serve as key venues for developing comedic skills and gaining exposure.
  • Comedy films often rely on repeat viewings and word-of-mouth, which DVDs facilitated through easy home access and sharing. Unlike blockbuster action or franchise films, comedies typically generate less initial box office revenue but build long-term audiences via physical sales. The shift to streaming reduces this repeated, casual discovery because algorithms favor new or viral content over older titles. This limits comedies' cultural presence and financial returns compared to genres with built-in fanbases or spectacle appeal.
  • Streaming platforms offer instant, on-demand access to vast libraries of comedy content, changing viewing habits from scheduled broadcasts to personalized choices. They use algorithms to recommend content, often favoring short, viral clips over longer, traditional comedy films or specials. This shift reduces the cultural impact of single comedy releases, as audiences spread across many niche options rather than gathering around major releases. Additionally, revenue models based on subscriptions or ad-supported views differ from DVD sales or box office earnings, affecting how comedy projects are financed and valued.
  • An "algorithm-driven industry" refers to platforms using computer programs to decide which content to show users based on their behavior and preferences. These algorithms prioritize content that generates more engagement, like views, likes, and shares. As a result, content that quickly attracts attention or goes viral is more visible than slower-building, thoughtful work. This system shapes what audiences see and influences what creators produce to gain visibility.
  • Studios produce fewer traditional comedies because these films often generate lower box office returns compared to other genres. Audiences increasingly prefer hybrid genres that blend comedy with action, drama, or horror, offering more varied entertainment. This trend helps studios attract wider demographics and reduce financial risk. Examples include action-comedies and dramedies, which mix humor with other storytelling elements.
  • Self-producing content means comedians create, film, edit, and distribute their own material without relying on traditional studios or networks. This requires skills in video production, editing software, marketing, and social media management. They must also understand audience e ...

Counterarguments

  • While mentorship is valuable, not all successful comedians have had mentors; some have thrived through self-teaching and independent learning.
  • The importance of traditional comedy spaces can be overstated; many comedians have built successful careers without the need for such institutions, especially in the digital age.
  • The decline of traditional comedy venues does not necessarily hinder new voices; it may encourage innovation and the use of alternative platforms for comedy.
  • The assertion that the comedy industry requires constant adaptation might overlook the timeless nature of certain comedic styles and the continued success of traditional stand-up.
  • Streaming platforms may have reduced the cultural footprint of comedy films, but they also offer a wider distribution and the potential for a global audience that was not possible with DVDs.
  • The idea that social media prioritizes viral content could be seen as an oversimplification; many comedians have found success through consistent, quality content rather than viral hits.
  • The claim that studios are making fewer comedies might ignore the fact that the definition of comedy is broadening, and comedic elements are being integrated into a variety of genres.
  • The need for diverse business and marketing skills in self-producing content could be seen as a barrier to entry for comedians who simply w ...

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