In this episode of Modern Wisdom, William Costello and Chris Williamson critique the realism of the Netflix series "Adolescence," which portrays a young male perpetrating violence under the influence of the "manosphere." The hosts argue the show oversimplifies the complexities within incel communities, overlooking nuances like diverse racial and neurodivergent representation.
Moreover, they raise concerns that the fictional narrative could lead to unintended consequences, including inspiring violent acts through notoriety and prompting misguided policy responses. The discussion underscores the importance of understanding social media's role, mental health factors, and societal pressures that shape violence risk beyond fictional portrayals alone.
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The show "Adolescence" depicts a tragic act of violence by a 13-year-old boy, Jamie, framed as resulting from influences of the "manosphere" and the pressures of meeting masculine societal expectations. However, some commentators argue the portrayal lacks realism and diverges from research on real "incel" communities.
William Costello contends that the show's depiction of a well-behaved white teenager committing violence does not reflect real-life patterns. Chris Williamson notes the contrast between the show's narrative and the UK's knife crime epidemic which affects a different demographic.
Furthermore, Costello and Williamson argue the show's depiction of "manosphere" influence on Jamie oversimplifies and misrepresents the diversity and complexities within incel communities, such as high rates of autism, persons of color, and mental health struggles like suicidal ideation.
Distributing the show widely to UK students raises concerns. Costello and Williamson warn it could inspire violent behavior in already-vulnerable individuals by generating notoriety. They also criticize potential "blame and shame" tactics portrayed, suggesting these may backfire and entrench defensive attitudes.
Additionally, they argue policymakers rapidly endorsed the show despite a lack of research backing its efficacy or accuracy compared to evidence-based findings on such violence.
Costello and Williamson argue the show oversimplifies the incel community by portraying Jamie as a "typical incel." They highlight nuances like a covert lexicon, presence of the "black pill" ideology, and diversity in race and neurodiversity that the show overlooks.
The hosts discuss how social media amplifies insecurities as depicted in Jamie's experiences. Williamson and Costello note pressures on young men to appear sexually successful, though research quantifying this is lacking according to Costello.
They suggest the "manosphere" focus overlooks broader mental health issues and societal pressures affecting violence risk. A holistic approach addressing mental health, social dynamics, and technology's complex role is proposed over rapid policymaking based on fictional narratives alone.
1-Page Summary
"Adolescence" presents a narrative of a tragedy related to "manosphere-inspired violence," which has captured the attention of viewers for its nuanced portrayal of the lead-up to an act of violence by a young boy. However, the show's depiction raises questions about its realism and alignment with actual trends of such violence.
The character Jamie in "Adolescence" is depicted not as a psychopathic killer but as a deeply insecure 13-year-old boy. The show suggests that his violent outburst results from being unable to meet societal expectations of masculinity, and it depicts his immersion in "manosphere" content as exacerbating these pressures. However, the show doesn't point to an explicit, direct cause emanating from the manosphere, instead framing his actions as the outcome of multiple converging factors.
William Costello highlights that "Adolescence" does not accurately represent the prevalence of "manosphere-inspired violence." He contends that there has not been an incident where a well-behaved, academically successful white teenager has committed violence mirroring the events in the show. Costello points out the stark contrast between the fictional portrayal and the real-life knife crime epidemic in the UK, which affects a different demographic and occurs in a different context.
Realism of "Adolescence" Portraying "Manosphere-Inspired Violence"
William Costello and Chris Williamson address serious concerns about a show potentially influencing policy and being widely distributed among students in the UK without sufficient research backing its efficacy or safety.
Costello and Williamson voice a cautionary stance on the show's portrayal of tragic violence. They suggest that instead of deterring individuals from unhealthy or violent behavior, it may inadvertently serve as inspiration for those already inclined to such actions due to the notoriety and attention it generates.
Costello expresses particular worry about interventions that spotlight certain issues, which might enhance their appeal to susceptible youths. He cautions against amplifying Manosphere topics, pointing out the danger of exposing a wide audience to such ideologies overnight and agreeing with the Institute for Male Supremacism's no notoriety protocol.
The critics explain that the "blame and shame" tactics exemplified in the show could backfire, prompting individuals who are vulnerably positioned to recoil and show resistance to intervention. A petition to pull the show claims that such tactics are ineffective and could entrench defensive attitudes in those vulnerable to committing the crime depicted.
Costello criticizes the rapid endorsement of the sh ...
Unintended Consequences Of Distributing the Show to Students
William Costello and Chris Williamson argue that a show's portrayal of the protagonist as a "typical incel" fails to capture the true diversity and complexity of the incel community. They criticize the series for perpetuating misleading stereotypes and for its misrepresentation of incels' beliefs and characteristics.
The show, according to Costello, inaccurately suggests that incels have a covert emoji language, while in reality, incels have a hidden lexicon not recognized by the specific emojis mentioned by the show. Costello further points out that the character Jamie’s portrayal does not represent the diversity within the incel community, noting that 42% of incels in their US and UK sample were persons of color and roughly 30% had autism, aspects that the show does not address. Williamson observes that a character in the show depicted with characteristics often associated with autism hints at a more typical incel type, acknowledging the high autism rates among incels.
Williamson critiques the show for omitting the 'black pill' concept, which is central to incel ideology. Incels view the red pill with animosity and pity the blue pill, nuances that the show disregards. Costello and Williamson comment on audience reactions to portrayals of race within the show, tapping into discussions about the diversity in the incel community.
The show also disregards key elements such as mental health struggles and a high prevalence of suicidal thou ...
Nuances and Complexities of the "Incel" Community vs. the Protagonist
Chris Williamson and William Costello dive into the nuanced conversations surrounding the impact of social media on mental health, particularly for young men, in the backdrop of a fictional show's narrative. They highlight how current societal and technological environments are amplifying certain insecurities and pressures.
Social media is portrayed as a significant factor in amplifying the protagonist, Jamie's, insecurities. Instances in the show, such as Jamie seeing hundreds of his classmates liking a comment that insults him, point to the detrimental effects social media can have on an individual’s self-concept and well-being. Williamson and Costello consider policy actions, like Australia's social media ban for under-16s, as potential approaches to mitigate such impacts on youth.
The pressure faced by many young males to appear sexually successful is emphasized, a subject Williamson and Costello note leads to negative behaviors like the derogation of peers. Costello acknowledges the validity of these points raised in the show but also accentuates the shortage of quantified research studying the extent of this pressure on young men.
The show's narrative raises questions about societal expectations of masculinity, including sexual success, suggesting there's a need for a deeper examination of how societal norms affect young men’s mental health. Furthermore, bullying incidents, like the one where Jamie is labeled an incel by a female character, demonstrate the mental toll and the application of such labels beyond just associating with a certain ideology.
There is an inference in the discussion that while the "manosphere" is frequently spotlighted in current dialogues, it might not capture the full spectrum of mental health and societal pressures that are also at play. Costello intimates that broader mental health issues are somewhat eclipsed by the focus on "manosphere"-related content and that these issues are critical ...
Social Media, Mental Health, and Related Social and Psychological Factors Contributing To the Show's Addressed Issues
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