In this episode of the Lex Fridman Podcast, actor Kevin Spacey delves into his nuanced approach to portraying complex and morally ambiguous characters. He reflects on his acclaimed performances, such as the serial killer John Doe in "Seven," sharing insights on his process of embodying such dark roles through a disciplined, judgment-free lens.
Spacey also discusses his time on "House of Cards," where he drew from his Shakespearean background to depict the cunning Frank Underwood. The episode covers Spacey's mentorship under Jack Lemmon, his collaborations with directors like David Fincher and Sam Mendes, and the dynamics of working with fellow actors. Additionally, Spacey addresses the misconduct allegations made against him, acknowledging regrets and committing to changed behavior.
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Kevin Spacey shares insights into his nuanced approach to acting, recalling his acclaimed portrayals of dark, complex characters like serial killer John Doe in "Seven." Spacey, applauded for embodying humanity's dark side, aims to bring empathy to morally-compromised roles like Frank Underwood through a disciplined, judgment-free approach.
Spacey discusses his collaborative efforts with directors like David Fincher and Sam Mendes to strike the right balance of intensity and restraint. Fincher guided Spacey to underplay John Doe's menace, while Mendes employed theater techniques to subtly chart Lester Burnham's evolution in "American Beauty."
Spacey reflects on his mentorship under Jack Lemmon, who encouraged him early on and became a father figure through their shared stage and film experiences. Spacey highlights the unique chemistry of theater, with its improvisational energy and vulnerability, compared to film's more controlled, methodical process.
From director Mike Nichols aiding a scene with Meryl Streep to joking with Jack Nicholson, Spacey recounts how such interactions shaped his craft. He also touches on creative tensions with networks and the collaborative problem-solving required.
Portraying Frank Underwood in "House of Cards," Spacey tapped into his Shakespearean background playing Richard III to capture Underwood's cunning manipulation. He collaborated with Fincher to refine Underwood's direct engagement with the audience, minimizing dialogue to amplify non-verbal implications.
Spacey recognizes the moral ambiguity and dark humor within politics, drawing from research like meeting Congressional Whip Kevin McCarthy. Connecting to "American Beauty," he underscores honestly exploring complex character choices beyond simple judgment.
After being cleared of charges, Spacey acknowledges crossing boundaries and expresses regret over any hurt caused, committing to changed behavior. He recognizes how admiration within the industry can be misconstrued, stressing the need for mindfulness.
Though the allegations deeply impacted his personal and professional life, Spacey aims to restore trust where eroded and hopes for a path to redemption in the industry.
1-Page Summary
Kevin Spacey shares insights into his nuanced approach to acting and collaboration with renowned directors, marking his place as one of the greats in cinematic history.
Spacey, without much preparation time due to the circumstances of his casting, flew in to start shooting "Seven" the next day. His portrayal of John Doe carried a calm subtlety and controlled intensity that amplified the character's frightening aspects. Spacey compares the tragic aspect of John Doe to classical tragedies, where characters tragically operate without all the information.
Lex Fridman applauds Spacey as an actor who can hauntingly embody humanity's dark side. Spacey's approach to his roles is without judgment, allowing the audience to form their own opinions. His aim is to bring empathy to these characters and present them authentically, which is reflected by audiences rallying around Frank Underwood in "House of Cards," despite his character’s dark actions.
Kevin Spacey views himself as part of a larger vision, likening his role to "a series of colors in someone else's painting." When audiences perceive his characters as real, he deems it a successful performance. He seeks to replicate the emotions he first experiences when reading a script, whether it be devastation, beauty, or terror.
Spacey recalls David Fincher's minimalist directing style during "Seven," telling him to do "less" and reminding him that his character, John Doe, was in control. This approach allowed Spacey to find authenticity and control in his performance. Fincher's dislike for indulgence guided Spacey to speak quickly and naturally, employing pace and clarity to engage the audience.
Similarly, Spacey recounts how Sam Mendes, while new to film when they collaborated on "American Beauty," employed theater techniques during the rehearsals. Mendes asked Spacey ...
Spacey's acclaimed acting roles and his process
Kevin Spacey, reflecting on his career, speaks about his mentorship and interactions with iconic figures in the acting industry, such as Jack Lemmon, and his experiences with directors and other actors in both film and theater.
Spacey first met Jack Lemmon at a drama workshop in 1974 when he was just 13 and performed a monologue. Impressed, Lemmon advised Spacey to pursue an acting career in New York after finishing high school. This led to an audition experience in 1985, where Spacey performed with Lemmon and earned his praise, referring to him as "the rotten kid." Lemmon's early approval and subsequent interactions, including working together on projects like the film "Glengarry Glen Ross", the NBC mini-series "The Murder of Mary Fagan," and the film "Dad", played a crucial role in Spacey's career development. Lemmon became a father figure to Spacey, especially after their collaboration on several projects. The camaraderie between them was highlighted by a playful comment from Lemmon about Spacey getting a role without him and by Spacey thanking Lemmon in his Oscar acceptance speech. Spacey even describes a humorous phone call from Lemmon post-Oscar win, showcasing the impact and importance of Lemmon's encouragement and guidance over the years.
Spacey details his shared professional experiences with Lemmon, from theater productions to films, reflecting on how Lemmon led many companies Spacey had the fortune to work in and learn from. Spacey's role in "American Beauty," informed by Lemmon's performance in "The Apartment," exemplifies how this intergenerational mentorship affects the choices he makes in the depicting characters.
Spacey discusses the camaraderie formed in theater and emphasizes that theater is a living, ever-changing entity. He reflects on the trust that forms within a theater company, likening actors' requisite energy to that of athletes, performing numerous times a week while maintaining vibrancy. Spacey shares humorous anecdotes from onstage, revealing the playful and open interactions that can occur among theater actors.
While recalling the controlled yet spontaneous envi ...
Spacey's relationships with directors and other actors
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Kevin Spacey delves into his experiences portraying the cunning and manipulative Frank Underwood in "House of Cards," drawing connections between his role and his previous Shakespearean performances, offering insights into the complex psychological landscape of fictional and real political figures.
Spacey likens his character in "House of Cards" to his prior portrayal of Richard III, observing the cunning and ruthlessness they share. He reflects on how the stylistic foundations of "House of Cards," likened to a very long movie, were consistent throughout the series, emphasizing the creative control he maintained before Netflix began to offer suggestions.
Moreover, Spacey discusses the technique of direct address to the audience, which he honed while playing Richard III. He believes this technique invites the audience to become co-conspirators with Underwood, engaging them directly and accentuating the character's manipulative nature. Spacey and director David Fincher collaborated to refine how Frank Underwood interacts with the camera and the audience, with Spacey often opting to minimize dialogue during such direct addresses, capitalizing on non-verbal communication to convey his implications. He also reveals that his portrayal of Underwood as a behavioral psychologist who excels at manipulation was a crucial aspect of the character's essence.
Lex Fridman recognizes that Spacey's characters, such as Underwood and Richard III, engage in dark acts yet manage to regain the audience's sympathy through direct addresses, creating a complex relationship with the viewer.
Although Frank Underwood's speaking style was not directly based on any particular politician like Bill Clint ...
Spacey's experience with the TV series House of Cards and political themes
Kevin Spacey opens up about his sentiments regarding the accusations of sexual misconduct against him and the ripple effects on his life and career.
Seven years after being cut from "House of Cards" and Hollywood distancing itself from him following Anthony Rapp's sexual abuse allegation, Kevin Spacey has been acquitted in both civil and criminal trials; he has not been found guilty or liable in a court of law.
In discussions with Lex Fridman and further detailed with Dan Wooten and Alison Pearson, Spacey separates what he did from what he didn't do. Addressing his coming out, he acknowledges the timing was not ideal and went against a confidant's advice. He regrets crossing boundaries and the hurt his actions may have caused, committing to a change in behavior. Spacey notes the importance of private conversations for resolving offenses and has reached out to many accusers to seek forgiveness—endeavors that have sometimes been welcomed.
Despite legal victories, Spacey admits that the allegations have deeply affected his personal and professional life. He recognizes that the dynamic of admiration within the industry can be complex and easily misconstrued, emphasizing the need for mindfulness to ensure that no one feels their job is threatene ...
Spacey's perspective on the sexual misconduct allegations against him and the aftermath
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