In the latest installment of FX’s Shōgun: The Official Podcast, dive deep into Mariko’s personal evolution and her growing dynamic with Blackthorn. As both characters navigate the complexities of their emotions and station, we explore the metaphor of the "eightfold fence" used to describe Mariko’s internal struggles and her duty within Sengoku-era Japan. The hosts, led by Anna Sawai and the team, unpack Mariko's challenging journey and her profound interactions with the outspoken Blackthorn, whose Western views starkly contrast her own.
Transitioning to the larger context of the era, the episode also grapples with the dark realities of war and its impact on society. Through a vivid examination by Fred Toye, listeners uncover the harsh introduction of cannons into Japanese warfare, a foreign concept that clashes with samurai honor and codes of conduct. These powerful discussions are further underscored by themes of duty, as seen in the character arc of Nagakado, whose impulsive decision-making foreshadows turmoil and the changing face of combat, leaving listeners to contemplate the stark consequences of his actions. Join Emily Yoshida, Rachel Kondo, Frederik Cryns, and the rest of the group for a captivating analysis of these multifaceted topics.
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Mariko's personal journey is brought to life through her use of the "eightfold fence" metaphor, which serves as a mental barrier to protect her emotions and maintain her autonomy in a society that can sometimes undermine privacy. Her quiet strength is marked by retaining her inner emotions, showcasing her resilience in challenging circumstances. She is depicted balancing her grief over her late husband with a newfound sense of duty and responsibility, mirroring her acquaintance Fuji, who similarly navigates personal loss with the obligations of her position. Despite the emotional turmoil, Mariko views her life as dedicated to a purpose beyond herself, emphasizing the societal expectation of duty over individual desires during the Sengoku period.
Blackthorn's contrasting personality, one that is externalized and evident to those around him, starkly contrasts Mariko's internalized demeanor. His inability to conceal his thoughts and feelings and his drive to carve his own path set him apart. Blackthorn's treatment of Mariko as an equal, as a full person with wants and needs, is a fresh experience for her. Mariko, in turn, is captivated by Blackthorn's distinct, foreign perspective on life, which creates a sense of mutual intrigue and burgeoning attraction, despite their differing worldviews and occasional disagreements.
Fred Toye starkly portrays the disturbing nature of cannons as weaponry, examining their brutal contrast to the samurai's values of honor and subtlety. Cannons are described as antithetical to the samurai ethos, their ruthless nature highlighted by their deemed "ugly and horrifying" destructive capabilities. They represent a shift in the nature of warfare, one that moves away from the samurai's preferential close-quarters combat, introducing a new, brash form of violence that is shocking to witness.
Toye points out the deep suffering and loss experienced by civilians amid such warfare. The introduction of cannons, described as a "curse," signifies the devastating impact of foreign weaponry on Japanese society, creating immeasurable civilian suffering. Villagers are particularly affected as they are forced to confront the grisly and unsettling results of cannon warfare, a sharp deviation from the traditional combat experience, which marked an era of inconceivable civilian pain and fear.
Nagakado is thrust into the spotlight due to his impetuous actions and the dire consequences that loom as a result. The narrative paints him as a youth hungering for his father's respect, which leads him to be susceptible to manipulation by individuals like Omi. Nagakado's envy of Omi further underscores his actions and attempts to gain approval.
His impulsive aggression reaches a critical "point of no return" when he uses a cannon, creating suspense concerning the political fallout and Toranaga's imminent response. Mariko's grim acknowledgment that "it's war" reinforces the severity of Nagakado's decision, implying that his rush to action has inadvertently paved the way for impending conflict, emphasizing that Nagakado's rashness has led to irrevocable consequences.
1-Page Summary
The narrative explores how Mariko's introspective strength and the contrast with Blackthorn's outward mannerisms contribute to their complex relationship.
Mariko is a character that uses the metaphor of the "eightfold fence" as a personal retreat, a way to control chaos and maintain agency. This private, protected space allows her to navigate a society lacking privacy by harboring her emotions and preserving a part of herself that's uniquely hers.
Utilizing this concept of the eightfold fence, Mariko metaphorically shelters her feelings, retaining inner parts solely for herself, demonstrating her strength in a context where solitude is scarce.
Despite experiencing grief over her deceased husband—whose presence had been an impediment—Mariko feels a sense of relief and a renewal of duty following his passing. The character Fuji, who has also suffered tragic loss, mirrors this notion by juggling personal grief with the obligations of her role.
Mariko's life is tightly interwoven with the idea of serving a purpose far greater than her personal desires, which reflects the theme of duty over self that permeates the story, particularly in the context of women in the Sengoku period.
Blackthorn contrasts with Mariko by wearing his "Blackthorn-ness on his sleeve," finding it difficult to conceal his thoughts, plans, or who he is at his core. Blackthorn's drive to forge his own path is evident and openly displayed.
Mariko's inner world and growing connection with Blackthorn
Discussing the harrowing impact of warfare and weaponry, Fred Toye delves into the destructive presence of cannons in historical conflicts, highlighting their contrast to the samurai code and the resulting civilian trauma.
Toye describes cannons as an antithesis to the ethos and norms of the samurai due to their ugly and horrifying nature. The brutality of cannons goes against the samurai's beliefs in subtlety and honor. The arrival of foreign powers, such as the Portuguese, English, and Dutch in Japan, marked the use of cannons to illustrate their brutal and stark impact, a foreign concept to the traditional ways of the samurai.
Cannons, as depicted by Toye, are capable of disassembling a body upon contact, leaving those on the ground to witness the horrifying and grotesque aftermath. Their destructive capability introduces a brash form of violence that stands in stark contrast to the martial practices common in samurai culture.
The traditional samurai values focus on honor, discipline, and a face-to-face combat ethos that cannons completely contradict. Warfare, when introduced to such powerful weapons, began to shift away from the close-quarters combat that the samurais upheld.
The ominous presence of these weapons also casts a pall on the civilian population, bringing with it unspeakable suffering.
The realities of war, violence, and destruction
Nagakado's impulsive behavior and the anticipation of its fallout are discussed, painting a picture of a young man desperate for acknowledgment and unwittingly setting the stage for war.
Nagakado is portrayed as someone desperate to earn his father's respect, a desire that stems from an inability to express his feelings directly to his father. This desperation makes him recognizable and thus vulnerable to individuals like Omi, who perceives and possibly exploits Nagakado's need for validation.
Nagakado's envy and vulnerability in front of Omi further emphasize his relentless but misguided efforts to prove himself. Nagakado cannot straightforwardly communicate his sentiments to his father and tries to demonstrate his worth to someone like Omi.
After impulsively using a cannon, there is significant suspense surrounding Toran ...
Nagakado's rash actions and their implications
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