In this episode of Fly on the Wall with Dana Carvey and David Spade, the hosts welcome Bonnie and Terry Turner, the writing duo behind several iconic comedy hits. The Turners share their experiences joining the writer's room of Saturday Night Live in the late '80s, where they developed characters like the Church Lady. They also discuss the transitions they made to feature films like Wayne's World and Tommy Boy, capturing the comedic talents of performers such as Chris Farley and Carvey himself.
Additionally, the Turners delve into their successful TV ventures, including the long-running series Third Rock from the Sun and That '70s Show. They explore the creative process behind crafting stories for different mediums and reflect on the long-lasting creative partnership they have shared over the decades, which continues to evolve with projects like That '90s Show.
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The Turners joined SNL's writing team after Jan Hooks recommended them. Once on board, they developed beloved characters like the Church Lady with Dana Carvey and Phil Hartman.
The Turners reminisce about sketches full of impressions and musical moments. They credit SNL's high-pressure live environment for honing their skills to be tough, sharp, and clear writers. Dana Carvey and David Spade praise learning from the Turners and the show's collaborative process.
The Turners crafted Wayne's World's iconic humor by balancing over-the-top moments with grounded relatability, Dana Carvey says.
Tommy Boy's buddy comedy drew from Chris Farley and Terry Turner's fathers' working-class backgrounds, capturing Farley and Spade's chemistry.
NBC picked up Third Rock from the Sun, which thrived with John Lithgow's acclaimed performance as an alien posing as a human father.
The Turners' knack for casting relatable characters contributed to That '70s Show's success, as evidenced by the cast's reaction to Kurtwood Smith's role.
The Turners describe the immense difficulty of developing a cohesive 120-page film narrative compared to shorter TV episodes or sketches.
The Turners relished the autonomy of crafting their own TV shows, allowing deeper character exploration than typical in films. Dana Carvey likens this to SNL's collaborative process.
After nearly 50 years of marriage, the Turners' rapport and depth of shared experiences inform their creative synergy.
After a restorative break focused on personal projects like home renovations, the Turners eagerly returned with fresh perspectives, collaborating with new generations of talent on revivals like That '90s Show.
1-Page Summary
The Turners and their colleagues provide a nostalgic and insightful look into their time as writers on Saturday Night Live (SNL), including the challenges and triumphs that came with writing for a live TV show.
Bonnie and Terry Turner joined the SNL writing team after Jan Hooks, who had already been hired for the show, recommended them. They submitted a couple of sketches to Lorne Michaels' assistant, Evie Murray, in October but didn't hear back until January. Once on board, they became instrumental in developing some of the show's most memorable content.
The Turners collaborated closely with cast members such as Dana Carvey and Phil Hartman, contributing significantly to beloved recurring characters, such as the Church Lady. Dana Carvey recalls Rosie Schuster initially helping him develop the character, which he brought from his stand-up routine, but it was the Turners who later effectively wrote for the Church Lady. They discussed the character's enduring relevance, with Bonnie Turner noting the Church Lady's judgmental nature reflects a timeless aspect of society, even jokingly suggesting she could host her own podcast.
The Turners and other cast members reminisce about sketches full of impressions and musical moments. A memorable sketch recalled involved performers doing impressions, chickens running over a hill, and Michael Bolton being convinced to participate in a comedy bit. Collaborations with music director Carol Hardwick and sketches like "Dysfunctional Family Christmas" highlighted the show’s ensemble strength.
The Turn ...
Experiences working as writers on SNL in the late 80s/early 90s
The Turner duo, drawing on their experience at "Saturday Night Live" (SNL), has left a significant mark on film and television through a series of successful collaborations known for their humor and relatability.
The Turners’ tenure at SNL saw them involved in projects like the "Coneheads" movie, which David Spade says is finding renewed popularity on streaming services.
Bonnie Turner described their work on the first "Wayne's World" film as a deeply positive experience, recalling how they crafted over-the-top yet grounded humor that hit the mark with audiences. Terry Turner likened the first movie to Wayne and Garth being given 10 million dollars to make a film, resulting in iconic scenes filled with humor that resonated, such as their absurd delight in a Grey Poupon reference.
Dana Carvey credits the Turners for creating endearing moments, maintaining that Wayne and Garth are portrayed as the happiest people in town. In another instance where Paramount wanted to underline an important scene, Mike Myers addressed it humorously by breaking the fourth wall and speaking directly to the camera, a decision that illustrates the Turners' ability to balance storytelling needs with comedic influences.
"Tommie Boy" was another comedic gem influenced by the Turners' work. The film's roots trace back to the personal connections and shared laughter from stories about Chris Farley and Terry Turner's fathers, both of whom had working-class backgrounds. The resultant buddy comedy drew heavily on the real-life dynamic between Farley and Spade, with the film capturing humor that resonated well with audiences through routines like "fat man in a little coat." The Turners' natural talent for crafting relatable comedy is further evidenced by the film's continued popularity on television.
Building on their film successes, the Turners carved out a distinct space in television.
Inspiration for "Third Rock from the Sun" partiall ...
Successful film and TV collaborations, including Wayne's World, Tommy Boy, Third Rock from the Sun, and That '70s Show
The Turner duo delves into their experiences and the contrasts they encountered in writing for film compared to television, highlighting the varied challenges and levels of control they faced in each medium.
Terry Turner describes the difficulty of writing for films as a daunting task due to the length and breadth of the narrative required. The duo notes the complexity in developing a feature-length story, particularly in comparison to discrete TV sketches or episodes.
They relate that a film script typically extends to about 120 pages and maintaining momentum throughout the acts to reach a satisfying conclusion is a formidable challenge. Transitioning smoothly from the first act to the second and ultimately concluding the story adds to the intricacy.
The Turners reflect on the experiences during the production of successful projects like "Wayne's World" and "Tommy Boy." They recall the rigorous demands of filming, including going into overtime to perfect scenes such as "Foxy Lady" in "Wayne’s World." These challenges are part of the painstaking process of filmmaking that they had to navigate.
The Turners emphasize the autonomy they enjoyed when shaping their TV shows from inception, which allowed them to fully realize their comedic visions. The serialized nature of television granted them the opportunity to delve into character arcs and r ...
The creative process and differences between writing for TV vs. film
Bonnie and Terry Turner exemplify a unique blend of personal romance and professional alliance that has endured the passage of time. Their nearly five decades of marriage have been paralleled by a prolific creative collaboration in the entertainment industry.
Terry's jest about "early onset jeopardy for couples like Bonnie and I" and their evident rapport during the podcast demonstrate the depth of the Turner's long-standing relationship. The interactions between Terry and Bonnie reflect an understanding and fluency that can only come with time, hinting at a rich reservoir of shared experiences that have informed their professional ventures.
Bonnie and Terry Turner's enduring union and creative synergies enable them to navigate the complexities of the entertainment business.
The Turners discuss becoming "serial renovators" during their break from television, immersing themselves in personal projects like the renovation of an apartment and a house. This period of self-reflection and time away from their hectic career allowed them to rejuvenate and return to the industry with fresh perspectives.
Their return marked by the development of "That '90s Show," the Turners seamlessly t ...
The long-lasting personal and professional partnership between Bonnie and Terry Turner
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