This episode of Fly on the Wall with Dana Carvey and David Spade offers an insightful look into the eclectic career of actor Griffin Dunne. From his breakthrough roles in films like An American Werewolf in London and After Hours to his transition into producing and directing, the episode explores the many creative turns Dunne's professional path has taken.
Dunne's lifelong friendship with the late Carrie Fisher provides an intriguing glimpse into Dunne's early life in New York and the dynamics of their bond amidst Fisher's meteoric rise to fame after Star Wars. The hosts commend Dunne's versatility across genres, while he shares candid anecdotes from various film sets — including a humorous behind-the-scenes account about mountain lions and Donald Trump.
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Dunne began acting with no prior experience but quickly gained accolades, according to David Spade and Dana Carvey. His career launched with the "classic" horror-comedy "An American Werewolf in London," where director John Landis "baptized [him] by fire" after a brief casting interaction. The physically transformative werewolf makeup challenged Dunne's comfort level, though Dana Carvey acknowledges its iconic impact.
Dunne then transitioned into quirky comedic roles like "After Hours," directed by Martin Scorsese. This showcased Dunne's versatility across genres from horror to physical comedy.
Dunne and Fisher were teenage best friends in New York City, bonding over their theatrical antics and "bursting into spontaneous musical numbers." Dunne shares how Fisher introduced him to Hollywood before her stardom in "Star Wars," joking he would have turned down the script.
As Fisher's fame exploded post-"Star Wars" and their lives diverged, Dunne experienced both admiration for her humility and envy over her success. Over time, their relationship solidified as Dunne found his own acclaim.
Though achieving acting success in films like "Heat," Dunne pursued an alternative path of producing and directing for greater creative control. He shares on-set memories like managing unpredictable mountain lions and Donald Trump's intrusive photographer.
Despite ups and downs, Dunne sees his diverse storytelling roles as advantageous in navigating Hollywood's shifting tides. Dana Carvey commends Dunne's versatility as a "jack of all trades" who "writes, produces, directs and acts."
1-Page Summary
Griffin Dunne, an actor whose career launched with no previous experience, rapidly gained accolades in the film industry through iconic and versatile roles.
Dunne’s acting career was kickstarted by John Landis's decision to cast him in the "An American Werewolf in London," where he played a major role in this classic horror-comedy. David Spade and Dana Carvey reiterate the film’s stature as a "classic" and a "giant" within the industry. Surprisingly, Dunne describes his casting process as unconventional; Landis only spoke with him for about ten minutes and asked him a single question: whether he was claustrophobic. This brief encounter led to Dunne’s first major film role, which Dana Carvey refers to as Dunne being "baptized by fire" by the "genius" makeup artist Rick Baker.
The role challenged Dunne’s comfort level, especially concerning the intensive and physically transformative makeup process designed by Rick Baker. Dunne was initially unsettled by the realistic, violent appearance created by the werewolf makeup and was concerned about his mother's reaction to it. Dana Carvey seems to acknowledge a specific and iconic scene that showcased the impressive makeup work that had transformed Dunne.
Dunne's early acting career and breakthrough roles
Griffin Dunne shares heartwarming and humorous recollections of his friendship with Carrie Fisher, reflecting on their shared experiences in the entertainment industry and the test their bond endured amidst her rising fame.
Dunne gave Beverly D'Angelo the "Carrie chapters" of his book to make sure he got the nuances right, highlighting their close relationship. He met Carrie Fisher when she was 15 and he was 16, living just blocks away from each other in New York City. They became immediate best friends, frequently bursting into spontaneous musical numbers during their conversations. Dunne fondly recalls Fisher's entrance into his life and how she introduced him to the world of Hollywood, marking the beginning of their long-standing friendship.
Dunne's nostalgia is apparent as he reminisces about the silly, song-filled interactions they shared. Dunne describes Fisher transitioning from being his roommate in New York to acting in a movie in London, which turned out to be the iconic "Star Wars." Fisher's humor shines through in her joking remark to Dunne that he would have hated the "Star Wars" script and probably would have turned it down, a notion that amuses Dunne in retrospect.
Before "Star Wars" was released, Fisher expressed to Dunne her doubts about the film, predicting it would be a flop, and relayed the peculiar antics that took place behind the scenes. However, the release of "Star Wars" brought an unexpected surge of global fame for Fisher. Dunne was present at the Ziegfeld screening and was struck by the audience's unusually large size and enthusiasm, signaling the movie's impending success.
Dunne's long-standing friendship with Carrie Fisher and their experiences in the entertainment industry
Dana Carvey describes Dunne as a "jack of all trades" in the industry, highlighting that he "writes, produces, directs and acts." Dunne himself acknowledges his multifaceted role in the conversation, affirming "I do. I do," when actors directing was mentioned by David Spade.
After achieving early success as an actor, Dunne chose a different path. At a time when he had "Heat" as an actor, he decided to venture into production, choosing to produce a movie he wasn't even in. Dunne found fulfillment in the control and storytelling opportunities that producing and directing provided, which led to his career transition.
Dunne shares experiences from various film sets that included high-profile actors such as Madonna and Dan Aykroyd. One notable memory involved Donald Trump visiting the set of "Who's That Girl," bringing his own photographer. Moreover, Dunne narrates the challenges faced while shooting with five mountain lions of varying temperaments for the same film. The most affable one, number five, was brought onto the New York City set with safety precautions like snipers and nets in place. However, there was on-set chaos when a different mountain lion, initially expected to be mild-mannered, ended up tearing a sofa in half.
Dunne's professional journey in Hollywood h ...
Dunne's transition into producing and directing, and his experiences on various film sets
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