In this episode of "Fly on the Wall with Dana Carvey and David Spade," comedians Jerry Seinfeld, Dana Carvey, Nate Bargatze, and David Spade offer insights into the craft of stand-up comedy. They discuss the relentless pursuit of mastering their material, the art of timing and stage presence, and overcoming self-doubt to achieve the coveted "flow state" during performances.
The comedians share personal experiences, from memorable shows to career-defining moments, and highlight the camaraderie and supportive dynamic within the comedy community. They also explore the evolving landscape of entertainment, addressing challenges like audience expectations, industry pressures, and creative processes behind iconic comedy works.
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In this podcast episode, notable comedians Jerry Seinfeld, Dana Carvey, Nate Bargatze, and David Spade share insights on the intricacies and dedication required for mastering stand-up comedy.
Seinfeld and Carvey emphasize the tireless work of honing material through continuous practice and review, likening it to a poet's pursuit of provoking laughter. Spade highlights the effort invested into creating and refining jokes.
Comics often adapt their performances based on venue and audience. They discuss the challenges of different settings—from diverse opening acts to technical issues—and the need to adjust without compromising quality.
Carvey notes engaging the audience from the start by addressing the city. Seinfeld and Spade discuss establishing strong energy early and sustaining it throughout.
Seinfeld shares the significance of optimal flow, with both comedian and audience in sync. Spade and Carvey cite the energy exchange as crucial for a successful live show.
Strategies include starting strong, transitioning the energy between acts, using physicality and rhythm to connect with the crowd. Seinfeld even offers refunds for unsatisfactory performances.
Carvey employs a pre-show technique of reminding himself to have fun to combat self-doubt. Seinfeld prefers the term "flow state"—the ideal effortless performance—over "fun."
Direct audience communication helps navigate shows. Achieving the flow state allows comedians to fully engage the audience.
Carvey and Seinfeld recall when profanity enhanced jokes' effectiveness, questioning humor's essence. Spade touches on the complex topic of race-related humor.
Seinfeld mentions following comedian Sam Kinison and bombing, while Carvey saw Seinfeld initially struggle but persevere. Spade cites tough corporate gigs, and Carvey shares echoing audio challenges.
They discuss varying audience reactions and offering refunds for poor shows, highlighting comedians' resilience.
Carvey viewed Seinfeld and Leno as mentors early on. Spade gained invaluable comedy education from watching established acts.
Admiration is expressed for comedic legends like Pryor, Martin, and Williams, whose innovative approaches shaped the art form.
Seinfeld advised the younger Carvey against entering a competition, showing their supportive dynamic. Seinfeld's show allowed forming new comedian connections.
Spade enjoys witnessing Carvey perform, exemplifying their affection. Seinfeld and Spade reminisce about "SNL" skits, revealing a deep collaborative bond.
Non-competitiveness is highlighted—Carvey and Spade appreciate each other as friends, illustrating the strong community among comedians.
Carvey observes audiences engaging differently with comedy content compared to past TV shows. Seinfeld and Spade note new pressures like swiftly releasing specials post-touring.
Carvey and Spade say repeating beloved material is uncommon now, signaling changing audience expectations. Seinfeld cites technical adaptations like performing without handheld mics.
Comedians navigate institutional challenges like appearing on talk shows, underscoring the intricacies of the entertainment industry.
While not explicitly stated, Seinfeld implies balancing creative merit with commercial success. He reflects on a film's poor box office, highlighting perseverance despite failures.
Spade and Carvey discuss building resilience against industry criticism. Seinfeld contrasts comedians' stability in stand-up with actors' project pressures, suggesting the impact of external factors like media scrutiny.
Seinfeld shares details on his nostalgic new movie "Unfrosted"—from the collaborative nature with various comedian cameos to strategic decisions like a silly putty prop debate.
Spade co-wrote a movie with Vaughn and enjoyed a project's worldwide success, balancing creativity with commercial viability.
Seinfeld pruned his movie's runtime through editing, underscoring precision in comedic rhythm.
Acknowledgment of the moviemaking challenge: achieving quality content with widespread appeal. Carvey's fondness for outtakes and Seinfeld's scene choices prioritize pure comedy over convention.
Reverence is expressed for groundbreaking icons like Pryor, Carlin, Cosby, and Rickles—the "Mount Rushmore" of comedy that shaped the art form.
Pryor's seamless audience connection and Steve Martin's intricate albums are appreciated.
Innovative techniques are examined, from "Blazing Saddles'" surreal tone to Marx Brothers' rapid physical/verbal comedy blend. Admiration for Owen Wilson capturing Woody Allen's voice.
1-Page Summary
Jerry Seinfeld, Dana Carvey, Nate Bargatze, and David Spade delve into the intricacies of stand-up comedy, revealing the dedication and adaptability required in this craft.
Successful comedians like Seinfeld and Carvey emphasize the importance of dedication to the art of comedy beyond financial success. They highlight the rigorous process of honing material through continuous practice and meticulous review.
Seinfeld and Carvey discuss the discipline involved in taping their acts, reviewing them, and refining their material, akin to a poet striving to provoke laughter. They express a focus on crafting exceptional bits, and the painstaking work that goes into joke creation, as Spade shares his hesitance to discard jokes, showing how much effort is poured into each piece.
Comics often adjust their performances based on the audience and venue, tackling the challenges of different settings—from opening for diverse music acts to dealing with technical issues on stage. They share experiences that illustrate the necessity to adapt quickly and maintain the quality of their performance regardless of the size or nature of the venue.
On stage, timing, delivery, and presence are crucial for captivating the audience. Carvey points out the effectiveness of starting a show by directly addressing the city, instantly engaging the audience, while Seinfeld and Spade discuss starting strong and sustaining that energy throughout the performance.
Seinfeld speaks about the significance of flow during a set, where both the comedian and the audience are so attuned that the act feels effortless. Spade and Carvey also note the importance of the energy exchange between the comedian and the audience, which can determine the success of a live performance.
Comedians use strategies like starting with strong jokes, addressing previous comics to transition the energy, and employing physicality and rhythm to maintain a connection with the crowd. Seinfeld discusses even offering refunds when a performance doesn’t meet expectations, outlining his commitment t ...
The art and craft of stand-up comedy
Dana Carvey, Jerry Seinfeld, and David Spade share a candid look into the memorable performances and significant moments that have defined their careers in comedy, as well as the camaraderie and mutual support that exists within their community of comedians.
Collating their personal experiences, Carvey and Seinfeld both recall moments where certain bits only worked with the use of profanity. Seinfeld remembers a specific joke about Superman only landing with the audience when he added the word "effing," leading him to doubt the humor’s essence. Spade also brings up the touchy subject of race jokes, signifying its relevance in their comedy careers.
Despite not detailing specific instances of outright failure on stage, Seinfeld mentions following comedian Sam Kinison and bombing, showcasing the universal challenges that even top comedians face. Similarly, Carvey recounts watching Seinfeld initially not garnering laughs but persistently working until he swayed the audience. Spade highlights the tough environment of corporate gigs, and Carvey shares an anecdote of battling a poor audio environment with significant echoing.
The comedians also discuss experiencing performances where audience reactions vary, with Carvey talking about having to suck it up and perform regardless of difficulties, while Seinfeld recalls an instance where sound issues led him to offer refunds.
Carvey and Seinfeld reminisce about the beginning of their careers, a time when they first became acquainted in the late '70s or early '80s. Carvey viewed Seinfeld and Leno as professional "dad" figures and found inspiration through their work. Spade speaks of the invaluable experience of watching established comedians like Carvey, Leno, and others, describing it as akin to comedy schooling.
They further explore the magic of older comedians from the 1970s such as Richard Pryor, Steve Martin, and Robin Williams, with Carvey describing Martin's act as a meticulously crafted display of joyous stupidity. Seinfeld echoes admiration for Martin's ability to be funny, dumb, and happy. Spade shares a formative experience of seeing George Carlin live at fourteen, and his youthful encounters with Sam Kinison.
This theme is evident throughout their conversation. Carvey recounts an occasion when Seinfeld advised him against entering a comedy competition, affirming that he didn't need it. The group illustrates the bond among stand-up comedians by recalling times when they supported each other's career moves and provided guidance.
Seinfeld expl ...
Personal experiences and anecdotes from the speakers' comedy careers
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As the entertainment industry changes, comedians are facing new challenges and pressures while striving to succeed and evolve with the times.
The conversation reveals observations on the transforming relationship between comedians and the entertainment industry.
Comedians are adapting to new ways of reaching audiences, such as through the unexpected rise of podcasts. Dana Carvey observes that audiences now engage with his content differently than they did with his performances on shows like "SNL." David Spade and Jerry Seinfeld note that there is a new expectation of comedians to tour and then immediately release a special, a pace and process that differs markedly from the past. This indicates a transformation in how comedians deliver material to their audiences.
Carvey and Spade point out that repeating beloved material is no longer the norm, showcasing a shift in what audiences and the industry expect. Seinfeld discusses the technical adaptations comedians must undergo, such as performing without a handheld microphone, which he encountered on "The Tonight Show." Additionally, comedians face pressures and hierarchies within the industry, such as the protocol on when they can sit down on a talk show, highlighting the institutional challenges they must navigate.
Comedians wrestle with both creative and commercial pressures as they work within the intricacies of the entertainment industry.
Seinfeld implies that there's tension between achieving creative merit and garnering commercial success. Although there is no explicit discussion in the provided content, he reflects on the importance o ...
The entertainment industry and its impact on comedians
The speakers, including Dana Carvey, Jerry Seinfeld, and David Spade, discuss the creative processes, impact, and legacy of various comedy projects, from movies to stand-up specials.
During their conversation, the speakers offer glimpses into the creative process of bringing a comedy project to fruition. Seinfeld discusses his new movie "Unfrosted," which captures a nostalgic tone and features cameos from a myriad of comics. Mention of various contributors such as Gaffigan, McCarthy, Amy, and Burr underscores the collaborative nature inherent to these projects. Seinfeld shares details about strategic decisions, such as a debate over presenting a comedic prop—whether silly putty should reveal letters spelled backwards or read “pop tart” as it would appear naturally.
David Spade speaks about co-writing a movie project with Theo Vaughn, evidencing his deep involvement in scriptwriting. He also shares the joy of having a movie like "The Wrong Missy" succeed worldwide, suggesting a balance between enjoying the creative process and achieving commercial success.
Moreover, Seinfeld mentions pulling out at least 15 minutes from the original version of his movie to reach a specific duration target, which highlights the precision and care in editing for comedic rhythm.
The unpredictability of movie-making is acknowledged, with no one having perfected making good movies consistently. This reveals the industry’s challenge: achieving a harmony between quality content and commercial appeal. Dana Carvey's affection for outtakes and Jerry Seinfeld's defense of a silly funeral scene in his movie portray a dedication to comedy in its purest form, regardless of conventional advice.
The speakers hold icons like Richard Pryor, George Carlin, Bill Cosby, and Don Rickles in high esteem, referring to ...
Discussions of specific comedy projects (movies, TV shows, specials, etc.)
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