Podcasts > Conspiracy Theories > Curse of the Crying Boy

Curse of the Crying Boy

By Spotify Studios

The Conspiracy Theories podcast explores the curious case of the "Crying Boy" painting, a mass-produced 1950s image that gained notoriety for supposedly being cursed and linked to unexplained fires. The blurb delves into the painting's history, from its creation by Italian artist Bruno Amadio to its widespread popularity in British households.

It then unravels the urban legend that the haunting painting caused dozens of fires, spurring public panic and a media frenzy in 1985 when The Sun newspaper urged readers to destroy their copies. The podcast examines investigations into the painting's origins, the science behind its perceived resilience to flames, and theories surrounding its alleged supernatural qualities.

Curse of the Crying Boy

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Curse of the Crying Boy

1-Page Summary

Mass-Produced "Crying Boy" Painting Origins

In the 1950s-60s, mass-produced paintings of a crying young blond boy became iconic in the UK. The works were by Italian artist Bruno Amadio, known as "Giovanni Bragolin." Amadio's poignant image struck a chord, with an estimated 50,000 copies sold through retailers like Woolworth's.

Mysterious Painting Linked to Fires

Firefighter Alan Wilkinson witnessed the "Crying Boy" painting survive around 50 fires between 1973-1985, fueling beliefs it was cursed. A priest suggested the boy was an orphan who lost parents in a fire. Owners claimed the painting brought fires, with the Halls losing their home's first floor except the intact portrait.

Public Panic Over "Cursed" Painting

In 1985, The Sun newspaper published stories on fires involving the painting, calling it cursed. Readers shared over 2,500 copies for The Sun to destroy, driven by fear of the supposed jinx. The Sun's sensationalism provoked mass hysteria, though few incidents predated media coverage.

Investigations Into Painting's Origins and Science

Skeptics investigated the painting's perceived curse. A psychic claimed sensing dark energy, while an exorcist suggested supernatural qualities. Research revealed variations by different artists. Experts theorized fire-retardant coating protected surviving paintings, demonstrated experimentally in 2010.

1-Page Summary

Additional Materials

Counterarguments

  • The correlation between the "Crying Boy" paintings and fires could be coincidental, as no causal relationship has been scientifically established.
  • The number of paintings sold and the period during which they were popular could have increased the likelihood of them being found in homes that experienced fires, without implying any supernatural cause.
  • The stories of the painting's curse might have been exaggerated or influenced by confirmation bias, where people are more likely to notice and remember events that confirm their beliefs.
  • The Sun's role in amplifying the curse narrative could be criticized for irresponsible journalism, as it may have contributed to public panic without substantial evidence.
  • The idea that the paintings were protected by a fire-retardant coating is a plausible explanation that challenges the supernatural explanations and highlights the importance of seeking scientific understanding of seemingly mysterious phenomena.
  • The claims made by psychics and exorcists are not supported by empirical evidence and could be viewed skeptically by those who prioritize scientific explanations over supernatural ones.
  • The narrative of the cursed painting could overshadow the artistic value or cultural significance of the work, reducing it to a mere object of superstition.
  • The story of the orphan boy suggested by a priest may not have a factual basis and could be a fabricated element that contributed to the mystique of the paintings.

Actionables

  • You can explore the power of narrative in shaping beliefs by writing a short story that incorporates a mysterious object with a rich backstory, similar to the "Crying Boy" painting, to see how it influences the perceptions of your readers.
    • Start by choosing an everyday item and create a fictional history for it that includes elements of intrigue or superstition. Share your story with friends or on social media and observe how the narrative affects their views on the object. This exercise demonstrates how storytelling can imbue ordinary items with extraordinary significance, much like the "Crying Boy" painting's narrative influenced public perception.
  • You can test the influence of media on public opinion by conducting a small-scale experiment where you share two versions of a story about an item—one sensationalized and one factual—with different groups of acquaintances.
    • Craft a factual description and a sensationalized account of the same benign item, such as a vintage vase. Share the different versions with separate groups without revealing the nature of the experiment. Afterwards, discuss the item with each group to see how the tone of the story affected their opinions, mirroring the impact of The Sun's reporting on the "Crying Boy" painting.
  • You can investigate the role of scientific explanations in dispelling myths by applying a fire-retardant spray to various materials and conducting a safe, controlled burn to observe its effectiveness.
    • Purchase a fire-retardant spray from a hardware store and apply it to samples of paper, fabric, and wood. With proper safety measures in place, such as having a fire extinguisher on hand, conduct a small, controlled burn to see how well the treated materials resist fire. This hands-on experiment can help you understand the scientific basis behind the "Crying Boy" painting's survival in fires and the importance of seeking rational explanations for seemingly mysterious phenomena.

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Curse of the Crying Boy

History and Origins of the "Crying Boy" Painting

The "Crying Boy" painting is a phenomenon with an intriguing backstory, stemming from its creation to mass commercial success in the mid-20th century.

1950s-1960s Mass-Produced UK Young Crying Boy Paintings

During the 1950s and 1960s, a series of mass-produced paintings depicting a young crying boy became iconic in the UK.

Paintings by Italian Artist Bruno Amadio, Pseudonym "Giovanni Bragolin"

The original works were the creation of Italian artist Bruno Amadio, also known by his pseudonym, "Giovanni Bragolin." Amadio was a classically trained painter who turned his skills to restoring old paintings in Venice after the tumultuous World War II era.

Portrait of a Blond Boy With Blue Eyes, Crying With Large Teardrops

Bragolin's work, portraying a blond boy with blue eyes, dramatically crying with large teardrops, struck a chord with the public. The poignant imagery of the paintings piqued the interests of many, perhaps harkening to the sentimentality of the era.

Paintings Sold At Woolworth's Gained ...

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History and Origins of the "Crying Boy" Painting

Additional Materials

Actionables

  • Explore the emotional impact of art by visiting a local gallery and observing which pieces evoke strong feelings in you, noting the subjects, colors, and styles that resonate most.
  • By engaging directly with various artworks, you can develop a deeper understanding of what visual elements connect with your emotions, similar to how the "Crying Boy" paintings struck a chord with many. For example, you might find that certain landscapes make you feel nostalgic, or abstract art might stir up excitement or confusion.
  • Create a personal piece of sentimental art by selecting a photograph that holds significant emotional value to you and using an online tutorial to paint or draw your interpretation of it.
  • This hands-on activity allows you to channel the same emotional expression that made the "Crying Boy" paintings so compelling. You don't need to be an artist; the goal is to capture the emotion rather than create a perfect replica. Your finished piece will be a unique representation of what moves you, much like the original paintings did for their owners.
  • Start a conversation abou ...

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Curse of the Crying Boy

Mysterious Fires and Alleged Curse of the Painting

"Crying Boy" Painting Linked To Home Fires

A series of mysterious fires in homes where the "Crying Boy" painting was displayed has been reported, sparking rumors of a curse. Firefighter Alan Wilkinson witnessed firsthand the painting's eerie ability to remain unscathed through numerous blazes.

Firefighter Alan Wilkinson Saw a Painting Survive 50 Fires (1973-1985) Unscathed

Alan Wilkinson, a firefighter, had been documenting fires in which the "Crying Boy" painting was present since 1973. Over the course of twelve years, he logged forty-nine fires, all featuring the same type of painting within the home. Despite the destruction caused by the fires, these paintings inexplicably remained untouched. Wilkinson claimed to have tackled approximately 50 fires involving this painting between the years 1973 and 1985, yet every time he found the portrait to be undamaged.

Painting Cursed: Boy Linked To Fires

The painting came to be seen as cursed due to the strange incidents linked with its presence. A local priest reportedly recognized the orphaned boy in the painting as Don Benio, who had lost his parents in a devastating fire. The priest suggested that wherever the boy was present, fires would occur. The artist who created the original image, Amadio, had adopted Don Benio, only to have his studio catch fire, leading him to ...

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Mysterious Fires and Alleged Curse of the Painting

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Counterarguments

  • The survival of the "Crying Boy" painting in multiple fires could be due to the materials used in its production, which may be more resistant to fire than other objects typically found in a home.
  • Confirmation bias may play a role in the belief that the painting is cursed; people may only notice and recall situations that support the existence of the curse, while ignoring cases where the painting was present but no fire occurred.
  • The number of fires involving the "Crying Boy" painting could be coincidental, especially if the painting was a popular decorative item and present in many homes.
  • The story of Don Benio and the curse could be an urban legend or folklore that has been embellished over time, with no verifiable evidence to support the claims.
  • The inability to burn the painting directly in attempts could be due to a lack of understanding of the physical properties of the materials or the conditions req ...

Actionables

  • You can explore the psychological impact of superstition by journaling your feelings before and after removing any item you consider unlucky from your home. Write down any changes in your mood, the atmosphere of your home, or the occurrence of minor misfortunes, and see if there's a noticeable pattern that suggests a placebo effect or a self-fulfilling prophecy.
  • Create a piece of art that incorporates elements traditionally associated with good luck, like four-leaf clovers or horseshoes, and display it in your home to see if it influences your sense of well-being or luck. This could be a fun DIY project that not only adds a personal touch to your living space but also serves as an experiment to test the power of positive symbols in your daily life.
  • Engage in a fire safety a ...

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Curse of the Crying Boy

Public Reaction and Hysteria Surrounding Urban Legend

The United Kingdom witnessed an extraordinary case of mass hysteria fueled by The Sun newspaper's reporting on a painting known as the "Crying Boy." Here's an overview of the events that ensued following The Sun's articles.

The Sun's 1985 "Crying Boy Curse" Frenzy

In September 1985, The Sun published a story with the headline "Blazing Curse of the Crying Boy," which recited a chilling tale of a crying boy painting that was found untouched after a house fire destroyed the Halls' home. After this initial article, people began reaching out to The Sun with claims that they had suffered from the portrait's curse; houses and properties had been destroyed by fire after the painting was brought inside.

The Sun continued to capitalize on the story, publishing anecdotes from callers. One woman claimed her Surrey home burnt down six months after she purchased the painting, while another recounted that a pizza parlor was destroyed by fire, yet the crying boy portrait within remained undamaged.

The Sun Volunteered to Destroy Over 2,500 Unwanted Paintings Sent by Owners

Following an initial surge in panic, the frequency of calls slowed, but by October 1985, The Sun took matters further by announcing they would destroy any "crying boy" paintings sent in by readers. The response was overwhelming; more than 2,500 copies were collected at the paper's offices. Following the widespread panic, The Sun offered to destroy these unwanted paintings, w ...

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Public Reaction and Hysteria Surrounding Urban Legend

Additional Materials

Clarifications

  • The Sun newspaper in 1985 reported on a painting called the "Crying Boy," linking it to multiple house fires. The initial article detailed a house fire where the painting remained unscathed, sparking claims of a curse. The Sun encouraged readers to send in their "crying boy" paintings for destruction, receiving over 2,500 submissions. The newspaper's coverage heightened public fear and superstition around the alleged cursed painting, leading to mass hysteria and extreme reactions from some owners.
  • The association of the painting with terms like "jinx," "fear," and "curse" intensified the public's belief in its malevolent powers, leading to widespread superstition and fear among people who owned or encountered similar paintings. This labeling created a psychological impact, triggering irrational behaviors and a heightened sense of dread among those who believed in the curse's potency. The repeated stories of fires and destruction linked to the painting reinforced the idea of its supernatural influence, fueling a collective panic and a rush to rid homes of potentially cursed items. The sensationalized narrative perpetuated by The Sun amplified the painting's perceived threat, contributing to a climate of mass hysteria and a fervent desire to distance oneself from anything associated with the alleged curse.
  • The Sun collected and destroyed over 2,500 "crying boy" paintings sent in by readers as a response to the widespread panic and superstition surrounding the cursed painting. This action was taken to alleviate public fear and anxiety related to the alleged curse associated with the artwork. The newspaper's initiative aimed to reassure the public and demonstrate a proactive approach in addressing the perceived threat posed by the painting ...

Counterarguments

  • The Sun's reporting may have been sensationalist and contributed to the spread of the urban legend rather than providing objective information.
  • Correlation does not imply causation; just because fires occurred in homes with the painting does not mean the painting caused the fires.
  • The anecdotes published by The Sun are not necessarily evidence of a curse but could be selectively reported incidents that ignore cases where nothing happened to owners of the painting.
  • The destruction of over 2,500 paintings could be seen as an overreaction and a waste, especially if the paintings had artistic or sentimental value.
  • The Sun's claim to have ended the curse could be viewed as an attempt to close the narrative on a story they helped to sensationalize, without any scientific basis for the existence of a curse.
  • The public's reaction, while understandable in a context of fear, might have been di ...

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Curse of the Crying Boy

Attempts to Investigate and Debunk the Curse

The story of the "Crying Boy" painting and its associated curse has intrigued paranormal enthusiasts and skeptics alike, prompting investigations into its origins and the truth behind the alleged curse.

Investigators Examine "Crying Boy" Painting Origins and Curse

Paranormal investigators, including Steve Punt, took a deep dive into the myth of the "Crying Boy."

Psychics Sensed Dark Energy From Cursed Painting

In 2010, Steve Punt, a comedian and investigator, brought a "Crying Boy" portrait to a psychic medium and a pagan exorcist. The psychic medium reported an immediate shift in the air upon coming in contact with the painting, sensing impoverishment and discomfort. The psychic also claimed that the boy depicted might not have lived a long life, potentially dying in a fire. The exorcist entertained the notion that the painting bore supernatural qualities, even suggesting that it could undergo an exorcism.

Inconsistencies Revealed Variations by Different Artists

Further investigations into the paintings revealed inconsistencies in their origins, indicating that variations existed by different artists. These findings shed light on the possible multifaceted origins of the paintings tied to the curse.

Experts Say Fire-Retardant Coating Saved Paintings

The phenomenon of these paintings surviving numerous house fires was elucidated not by supernatural explanations but instead by a more scientific one. Some sleuths hypothesized that the paintings were spared from the flames due to a fire-retardant coating. This theory was put to the test in 2010 when an experiment at the Building Research Establishment involving a copy of the painting showed only minor damage, even when exposed to a two-foot flame. Technical director Martin Shipp concluded that the painting might have been treated with a fire-retardant material or made with fire-retardant paint. This q ...

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Attempts to Investigate and Debunk the Curse

Additional Materials

Counterarguments

  • The psychic medium's sensations could be subjective and influenced by the power of suggestion rather than any inherent dark energy in the painting.
  • The claim that the boy in the painting died in a fire is speculative and not substantiated by historical evidence.
  • Variations by different artists do not necessarily debunk the curse but could indicate a wider spread of the myth or a popular theme among artists.
  • The fire-retardant coating explanation, while plausible, may not account for all instances where "Crying Boy" paintings were found unscathed in fires, as not all versions may have been treated with such a coating.
  • The role of the media in creating mass hysteria could be overstated, and there may have been genuine concern among the public independent of media influence.
  • The experiment conducted by the Building R ...

Actionables

  • You can explore the psychological impact of urban legends by journaling your emotional responses to various myths and comparing them to the "Crying Boy" story. Write down how each story makes you feel and whether media coverage influences your perception. This personal record can help you understand the power of storytelling and media on emotions.
  • Create a safety checklist for your home art and decorations, inspired by the fire-retardant properties of the "Crying Boy" paintings. Research common household items that are fire-resistant and check if your decor meets safety standards. This proactive approach can enhance your home safety and awareness.
  • Start a conversation with friends or ...

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