In this episode of the podcast All About Change, Alexis Tutunnique of the United Ukrainian Ballet sheds light on the cultural dimensions of Russia's invasion of Ukraine. He explains how Russia has leveraged iconic ballet companies like the Bolshoi to promote its global image and distract from political aggression. At the same time, Tutunnique discusses the Ukrainian ballet community's efforts to raise awareness and funds through performances, resisting Russia's attempts to suppress Ukrainian culture.
The episode also explores the personal struggles faced by Ukrainian artists amid the conflict. Tutunnique reveals the internal tensions within his company, as dancers grapple with the choice of taking up arms or using their art to resist. He candidly shares his own feelings of survivor's guilt and the sacrifices made by those who have left Russia to take a stand against the war.
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Alexis Tutunnique explains how the Kremlin uses iconic ballet companies like the Bolshoi and Mariinsky theaters to shape global perceptions and protect political interests. The ballet, a Russian cultural trademark, is promoted to distract from rights abuses and military aggression, Tutunnique says. International ballet tours act as subtle diplomatic missions, reinforcing Russia's image as a cultural superpower despite its war crimes.
The United Ukrainian Ballet Company (UUB) is using cultural activism to spread awareness of Ukraine's struggle against Russian propaganda. Through global shows, Tutunnique says UUB keeps Ukrainian ballet visible amid Russia's attempts to suppress Ukraine's cultural identity. They raise funds for the war effort, and integrate the conflict into powerful performances.
Tutunnique faces internal conflict over performing versus fighting for Ukraine. As Ukrainians risk their lives resisting the invasion, he expresses guilt over being safe while compatriots are on the frontlines, despite colleagues praising UUB's impactful cultural diplomacy supporting Ukraine. Some dancers have left Russia to take a stand against the aggression.
Tutunnique says tensions in UUB have led to social media divisions, with some colleagues echoing Russian propaganda. Dancers grapple with whether to fight or use ballet as resistance. While cautious about promoting the truth due to Russian influence, Tutunnique is grateful UUB raises awareness about Ukraine's plight.
1-Page Summary
Alexis Tutunnique explains how the Russian government crafts its global image and international relations through cultural means, specifically utilizing iconic ballet companies.
Tutunnique points out that the Kremlin has used cultural institutions like the Bolshoi and Mariinsky theaters to not only shape global perceptions but also to manipulate narratives and protect their political interests.
The ballet, which is seen as a cultural trademark of Russia, is promoted by the Kremlin as a way to create a positive global image of the nation. This strategy serves to distract international attention from domestic human rights abuses and acts of military aggression.
Even as Russian forces engage in overseas military invasions, Russian ballet companies continue their international tours, which help soften Russia's reputation globally. These performances act as subtle diplomatic missions ...
Russian Government's Use of Ballet For Propaganda and Soft Power
Alexis Tutunnique and Jay Ruderman speak about how the United Ukrainian Ballet Company (UUB) is using cultural activism to combat Russian aggression and propaganda.
Alexis Tutunnique explains that the United Ukrainian Ballet (UUB) is a driving force in spreading awareness about Ukraine's struggle through international performances, ensuring the visibility of Ukrainian ballet and artistic traditions. This counters Russia's attempts to suppress Ukrainian cultural identity.
Tutunnique reflects on his experiences during the revolution of dignity, having to correct his colleagues at the Marinsky concerning misconceptions fueled by Russian propaganda. He noted attempts from company management to gauge his stance on the situation in Ukraine, revealing an interest in controlling the narrative.
Tutunnique, a member of UUB, demonstrates the cultural activism of Ukrainian ballet against Russian aggression as the company tours across Europe and North America. They raise funds and awareness for Ukraine's war effort. In powerful shows, such as one performed in the Segerstrom Center in Orange County, they integrate elements of the current conflict, including featuring a severely wounded soldier in their performance.
Jay Ruderman praises Tutunnique for his activism, specifically highlighting the moments during performances when the Ukrainian flag is raised, bringing attention to Ukraine’s plight to international audiences.
Ukrainian Ballet's Cultural Activism Against Russian Aggression
The article highlights the internal struggles between personal choices and national duty facing Ukrainian dancers like Alexis Tutunnique in the wake of the conflict in their homeland.
Alexis Tutunnique experiences significant internal conflict as he balances his career with his sense of national duty. As a Ukrainian dancer who has been with the Marinsky company, he feels a personal connection to the events unfolding in Ukraine, but he also acknowledges the fear of being perceived as disloyal due to the lack of freedom of speech in Russia.
Tutunnique expresses admiration for his compatriots like Sasha, a soldier whose sacrifice for their country’s defense inspires both Tutunnique and his ballet company. Despite the inspiration, he grapples with the guilt of being safe and performing while his friends are on the frontlines.
Some of Tutunnique's colleagues have faced the difficult decision of leaving Russia following the full-scale invasion, indicating a choice between career aspirations and taking a stand against Russian aggression.
Tutunnique is forced to be cautious in his cultural activism, seeking subtler ways to draw attention to Ukraine's cause, such as high-end gala concerts that raise support for humanitarian aid. He is particularly concerned about being careful with the promotion of the truth about the war due to Russian propaganda and potential commercial or personal ties with Russia.
The tensions within the troupe have translated into division; some colleagues have blocked each other on social media, and some have even sent hostile messages echoing Russian propaganda.
Jay Ruderman inquires about ...
Ukrainian Dancers: Balancing Personal Sacrifices and Tensions Between Performing and Fighting
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