What Is Zen Buddhism? Its Origins & Distinctions (Alan Watts)

This article is an excerpt from the Shortform book guide to "The Way of Zen" by Alan Watts. Shortform has the world's best summaries and analyses of books you should be reading.

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What is Zen Buddhism? What does it share with other traditions? How is it unique?

In The Way of Zen, Alan Watts explores the ins and outs of Zen Buddhism. He explains where Zen came from, considers the most important ideas that Zen adopted from the ancient philosophies and religions that preceded it, and points out which ideas differentiate Zen from other schools of thought.

Read more to learn about the history and philosophy of Zen Buddhism.

What Is Zen Buddhism?

What is Zen Buddhism? Watts explains that Zen Buddhism is a “way of liberation” from the illusions you believe about the world and yourself. Zen frees you to perceive the world in a more natural way, and you can experience this liberated way of moving through the world when you understand that you’re already enlightened due to your nature as a human being.

(Shortform note: Watts makes a point of calling Zen a “way of liberation” because it isn’t a religion and isn’t a philosophy, and other writers—including D. T. Suzuki and Carl Jung—have agreed that it doesn’t fit neatly into either of those categories. Suzuki, from whom Watts first learned about Zen, explained that there can’t be a “philosophy” of Zen because “there can’t be a philosophy of suchness,” a Zen term for the true nature of reality that can’t be expressed in language or other forms of abstraction. Instead, Zen is something that you are and something that you do when you express your true nature and engage in disciplined practice.)

Where Did Zen Come From?

According to Watts, the traditional origin story of Zen credits a monk named Bodhidharma with introducing many of the ideas that would become Zen Buddhism. The story goes that Bodhidharma arrived in China from India in the year 520 and spent nine years meditating in a cave at a monastery in Wei. There, he became the first patriarch of Zen. 

Several other monks played important roles in the origin of Zen, too. Seng-chao, a copyist of Confucianist and Taoist texts, read a Mahayana Buddhist text that explained that awakening could be experienced in everyday life. He went on to produce writings of his own, explaining Buddhism in terms of Taoism and forging a link between Taoism and Zen. Similarly, a monk named Tao-sheng seems to be the first to have taught that awakening can be instantaneous.

Watts explains that ultimately, Zen was created as a “way of liberation” to undo the effects of the conventions that we learn in society—effects such as indecision, anxiety, and self-consciousness. Zen created a synthesis of Chinese and Indian traditions, and after its origin in China, it spread outward, most notably to Japan.

What Ideas Did Zen Borrow From Taoism, Confucianism, and Mahayana Buddhism? 

Zen and its ideas can be traced back to three schools of thought: Taoism, Confucianism, and Mahayana Buddhism. Taoism and Confucianism are Chinese forms of thought and religion, while Mahayana Buddhism is an Indian school of Buddhism. Each contributed ideas that would become foundational to Zen Buddhist teachings about life and enlightenment. We’ll outline which ideas Watts identifies as having made the most crucial contributions to the development of Zen. Those ideas concern the nature of our perception, awakening, and our actions in the world.

Confucianism

Confucianism influenced Zen indirectly by affecting the organization of ancient Chinese society. Watts explains that Confucianism is humanistic: It creates a social order focused on harmony, ethics, and communication by teaching people to follow social convention. When Confucianism absorbed Buddhist practices, this interweaving of ideas led to an attainable way for the average person—who has work, family obligations, and interests—to practice Buddhism and to experience awakening. By contrast, other forms of Buddhism teach that attaining awakening would take lifetimes of effort across multiple cycles of reincarnation.

Taoism

A second school of thought that shaped Zen Buddhism is Taoism, which proposes what Watts calls a liberation from Confucianism. Whereas Confucianism emphasizes the importance of ethics and social conventions, Taoism aims to help people see those conventions for what they are: socially agreed-upon meanings and values rather than something real or concrete. Taoism proposes that realizing the true nature of these conventions enables us to step back from them and experience life in harmony with the universe as it actually exists.

Two ideas of Taoism became foundational to Zen Buddhism: the idea that we can experience two different kinds of knowledge and the idea that we can act spontaneously in the moment. 

There Are Two Ways of Knowing

First, the Taoist idea that there are two kinds of knowledge—conventional and unconventional—deeply influenced Zen. Conventional knowledge is contingent on socially agreed-upon meanings and value judgments. Watts writes that these are culturally defined and have to be represented in language (or other forms of notation, like mathematical equations). Facts, labels, and definitions are conventional knowledge.

On the other hand, unconventional knowledge doesn’t rely on the abstractions of language and representation. Instead, it gets directly at the experience of the actual world. When you’re walking under an oak tree, you might feel its shade, take in the scent of its leaves, and watch the movement of its branches. Your experience of observing it without naming or describing it is unconventional knowledge. We often assume that we can’t “know” something unless we can express it in language. But Taoism proposes that unconventional knowledge enables us to know the world directly, by experiencing it.

We Can Act Spontaneously and Naturally

Another idea that’s foundational to Zen comes from the Taoist principle wu-wei, the experience of making decisions naturally and spontaneously. Watts writes that when you let your mind decide how to act, it moves more naturally and intelligently—not impulsively, but out of the spontaneity of the moment. This leads to the experience of wu-hsin, translated as “no mind,” a kind of “un-self-consciousness” that you can experience when you let your mind work without trying to direct it or interfere with it. You can develop te, or “virtue,” a creative ability that you can only access by acting naturally and spontaneously.

Watts traces this logic a step further and explains that not only can you act spontaneously, but there’s no other way you can behave. If you realize that even your intentions, purposeful actions, and voluntary decisions arise spontaneously from your natural self (the self that you actually experience, rather than the abstract idea of yourself), then you can stop trying to be spontaneous or worrying that you aren’t.

Mahayana Buddhism

A third school of thought that shaped Zen Buddhism is Mahayana Buddhism, which reframes the pursuit of nirvana, the traditional Buddhist idea of release from karma and cycles of death and rebirth. Mahayana takes the idea of this cycle figuratively, explaining that the pursuit of nirvana is futile and we’re continually reborn from moment to moment until we stop trying to escape what’s really happening in the present moment.

Two ideas from Mahayana Buddhism had a major impact on Zen: the idea that we don’t perceive the world as it really is and the idea that there’s nothing for us to attain in life.

We Don’t Perceive the Real World

Important to Zen is Mahayana Buddhism’s teaching that illusions obscure your perception of the world. Watts explains that the principle of maya is that the language we use to describe the world obscures what it really is. Maya is about relativity: We name things like “light” and “darkness” or “good” and “evil” and consider them opposites. But, in reality, they aren’t separate. Watts explains that Hindus and Buddhists refer to the world as “nondual” rather than as “one” because even the concept of “one” draws on a false duality (it’s conceptually opposite to “many”). Letting go of the impulse to name and delineate things enables you to perceive the relativity and impermanence of the world and experience moksha, a “liberation” from maya.

It follows from the principles of maya and moksha that language also curtails what you can understand of yourself. Watts writes that in all forms of Buddhism, you can’t apprehend your true self because there’s no permanent or unchanging self to understand. He points out that what you think of as your self or ego is just an abstraction. Your true self eludes your understanding if you hold onto that abstraction.

There’s Nothing to Pursue or Attain, Not Even Nirvana

Another Mahayana idea that’s foundational to Zen is the doctrine that there’s nothing for us to grasp at, even nirvana. (One of the Four Noble Truths of Buddhism is nirvana, which Watts characterizes as analogous to moksha. Nirvana is a state of awakening.) When we seek things, we fail to see that everything exists in a state of relativity, where nothing exists except in relation to other things.

The origin of this idea is unclear. Watts writes that some scholars think that one of the earliest ideas of Mahayana Buddhism was that one could be a Bodhisattva and reach enlightenment by foregoing nirvana until all beings can experience it. But Watts argues that the idea underlying the Bodhisattva is implicit in the logic of Buddhism: Nirvana is a state you reach when you stop trying to grasp reality. But if there’s nothing to grasp, then how is there anything to attain?

The word tathata, often translated as “suchness,” represents the true state of all beings, including Buddhas, people who have experienced awakening. That means that all beings can become Buddhas. It also means that by letting go of the abstractions through which you usually see the world and yourself, you can experience the world in its “suchness.” Watts explains that the use of a word like “suchness” to describe the true nature of all beings is intended to remind us that while “meaning” is a quality of thought or language, it doesn’t exist in the actual world. In other words, the idea of a person is separate from the reality of the person.

What Ideas Differentiate Zen from Other Schools of Buddhism? 

While Zen was built on what came before, it’s a unique school of Mahayana Buddhism with many original ideas. We’ll explore how Zen Buddhism differs from other schools of Buddhism. The most important differences are its directness (in awakening and in teaching), its stance on meditation, and its principles about how you should use your mind. 

Awakening Is Direct and Instantaneous

The first idea unique to Zen is its understanding of the nature of awakening. In other schools of Buddhism, you might have to work a lifetime to achieve awakening. But in Zen, awakening is immediate and can happen anytime. Watts explains that you don’t have to pass through a sequence of spiritual stages or spend your days in meditation to get there. Instead, awakening can occur instantaneously, an experience called satori. Zen teaches that you can experience awakening in everyday activities like working, creating art, and appreciating the natural world.

The point of Zen is not to experience awakening or to attain Buddhahood because you are already a Buddha by nature. To try to become a Buddha is to deny that you already are a Buddha. Additionally, Watts writes that you can develop prajna, a kind of direct knowledge or wisdom. The principle of prajna is that by seeing the relativity of everything (including the futility of the pursuit of goals), we come to know the truth of the world by not knowing it.

Zen Can Be Communicated Directly, Without Symbols

The second concept unique to Zen is its directness. Watts writes that Zen is unusually direct in the way it teaches and communicates. The Zen method of instruction, called wen-ta or the “Zen story,” typically takes the form of an anecdote where a question is asked and then answered. These stories aim to point the listener toward a realization, but they aren’t symbolic: The characters don’t represent something else, and there’s no metaphor.

Watts explains that the directness of a Zen story is typical of Zen’s directness in communication. A method of conveying insight called “direct pointing” involves demonstrating a Zen principle through words or actions that don’t overtly comment on the question in the story.

You Don’t Have to Control or Empty Your Mind

A third idea core to Zen’s teachings is the principle of wu-hsin, or “no-mind.” Building on the Taoist philosophy of naturalness, the principle of wu-hsin suggests that instead of trying to still, empty, or purify your mind, you should let go of your control of the mind itself.

Watts writes that when you combine wu-hsin, or “no mind,” with wu-nien, or “no thought,” you free your mind to act while thinking, without trying to second-guess or control it. The point of this un-self-consciousness is not to be unaware of what’s happening around you or within you, but to shift your attention away from conscious cognitive processes and toward a spontaneous and creative state. This involves just observing thoughts come and go, without suppressing them, holding onto them, or trying to interfere with them.

According to Watts, Zen became a new school of Buddhism because it took a new and unique view of dhyana, a concept that Watts notes is often but inadequately translated as “meditation.” He explains that dhyana might be better understood as a state of awareness that’s focused on the present and unconstrained by false boundaries between “the knower, the knowing, and the known.” In other words, Zen teaches that when we enter a state of dhyana, we look beyond conventional separations to see the world for what it is.

What Is Zen Buddhism? Its Origins & Distinctions (Alan Watts)

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Elizabeth Whitworth

Elizabeth has a lifelong love of books. She devours nonfiction, especially in the areas of history, theology, and philosophy. A switch to audiobooks has kindled her enjoyment of well-narrated fiction, particularly Victorian and early 20th-century works. She appreciates idea-driven books—and a classic murder mystery now and then. Elizabeth has a blog and is writing a book about the beginning and the end of suffering.

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